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British photographer killed in Libya

Hetherington, co-director of Oscar-winning documentary Restrepo, killed and three journalists injured in Misrata Photographer Tim Hetherington has been killed covering the escalating violence in the Libyan city of Misrata while three other western journalists have been injured. Hetherington, 40, the British photographer and co-creator of Oscar-winning documentary Restrepo, was killed in Misrata on Wednesday. Hetherington is believed to be the first western journalist killed covering the Libyan conflict. Chris Hondros, 41, a US Pulitzer prize-winner who works for Getty Images, and British photographer Guy Martin, who works for the Panos agency, were critically injured in the same incident, according to a New York Times report . The fourth photographer injured was reported by the New York Times to be Michael Christopher Brown, although his condition was not said to be life threatening. Hetherington posted on Twitter on Tuesday : “In besieged Libyan city of Misrata. Indiscriminate shelling by Qaddafi forces. No sign of NATO.” According to colleagues at the scene, Hetherington and Hondros were among a group of about eight or 10 journalists reporting from the bridge on Tripoli Street in Misrata on Wednesday afternoon, regarded as the frontline between rebels and Gaddafi’s forces. When shooting broke out, the group split in two. Hetherington’s group of five journalists took shelter against a wall, which was then hit by mortar or RPG fire. Rushed to hospital, Hetherington died soon after arrival. Heavy explosions in Misrata continued into the evening. André Liohn, a colleague of the photographers who said he was at the hospital in Misrata where the photojournalists were taken, wrote on his Facebook page on Wednesday afternoon: “Sad news Tim Hetherington died in Misrata now when covering the front line. Chris Hondros is in a serious status.” The death comes as foreign observers, including United Nations officials and press freedom bodies, voice growing concerns over violence against the media in Libya. Four journalists have now been killed in Libya since the conflict began in January. The al-Jazeera cameraman Ali Hassan al-Jaber was killed when fighters ambushed his car as he travelled to the eastern city of Benghazi on 12 March. Mohammad Nabbous, the Libya al-Hurra TV reporter, was killed in a firefight seven days later in Benghazi. The Committee to Protect Journalists said about 10 journalists have been killed covering the Arab spring uprisings this year – out of 14 deaths worldwide. The international criminal court warned Libyan authorities about the treatment of journalists in the country on Wednesday. Around 16 journalists are missing in the country, according to ICC prosecutor José Luis Moreno Ocampo. The UN said on Wednesday that the Libyan government’s reported use of cluster munitions and heavy weapons in Misrata may amount to war crimes, which the ICC has said it will investigate. Eight people, mostly civilians, were killed in the coastal city on Tuesday. Liverpool-born Hetherington won numerous awards for his coverage of conflict zones, including Afghanistan, Liberia, and Nigeria. His latest work, the war documentary following a platoon of US troops in Afghanistan, Restrepo, won the best documentary feature Oscar earlier this year. Hetherington co-directed Restrepo alongside journalist and author Sebastian Junger. • To contact the MediaGuardian news desk email editor@mediaguardian.co.uk or phone 020 3353 3857. For all other inquiries please call the main Guardian switchboard on 020 3353 2000. If you are writing a comment for publication, please mark clearly “for publication”. • To get the latest media news to your desktop or mobile, follow MediaGuardian on Twitter and Facebook . War reporting Libya Middle East Journalist safety Documentary Josh Halliday Xan Rice guardian.co.uk

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Are the deficit-reduction talks already breaking down?

enlarge Credit: AP It’s impossible to take the efforts seriously of negotiating any kind of deficit deal in context between the two parties when one side — Republicans — refuses to include the key component of tax increases, which would guarantee raising real revenues for the government in the discussion. Republican leaders in the Congress said on Wednesday they would not support tax increases as part of a deficit-reduction plan. Now Republicans compound that problem by not even sending a worthy negotiating team to the table: The White House’s proposed deficit talks with Congress appear to be unraveling before they’ve even begun. House and Senate Republican leaders announced Tuesday that their sole appointees to the May 5th meeting would be House Majority Leader Eric Cantor (R-Va.) and Senate Minority Whip Jon Kyl (R-Ariz.)–neither of whom are budget leaders and both of whom function largely as political mouthpieces for their party. GOP leaders also each opted to send only one appointee, instead of the requested four, to the meeting. The Democrats also sent in their B team to the table, but with Republicans (except, of all people, Tom Coburn) pledging to never increase taxes under any circumstances, it’s hard to see the point of this exercise. Matt Yglesias writes: You have a government set to steadily increase spending on autopilot as a result of demographic change and rising health care costs. And you have a Democratic President urging congress to enact spending cuts. But you have conservative politicians refusing to make a serious effort to reach an agreement out of some blend of taxophobia and fear of giving the President a win. The result, again, whether the right realizes it or not, is a gift to the wing of the Democratic Party that disagrees with Obama about the desirability of enacting spending cuts. It’s still early in the game, but I’d rather do nothing at this point than give away the store to appease the Beltway media and deficit hawks who are crying for cuts in all our programs that we pay into which are our safety net as we get older. We are entitled to Social Security, we pay for it. And if being serious about the reducing the deficit is what Republicans are all about, then they should come to the table willing to actually make a bargain instead of only caring what Grover Norquist believes. Washington Monthly: For a bunch of conservatives who claim to be obsessed with debt reduction, far-right GOP leaders don’t seem especially interested in actually working on the issue. There’s probably a good reason for this. As Matt Yglesias noted this morning, we have “conservative politicians refusing to make a serious effort to reach an agreement out of some blend of taxophobia and fear of giving the President a win.” That sounds about right. But whatever the motivation, the notion of Republicans agreeing to any kind of sensible compromise seems remote, if not ridiculous. Durbin’s Gang of Six has no real authority once they come out with their center-right plan, so I see as many Republicans as Democrats voting against their proposal anyway. When Bob Schieffer asks Paul Ryan to justify why he’s against raising taxes for the rich to get a deal, you start to see the Beltway at least waking up incrementally. Schieffer: I guess the question I would have, congressman, why do these rich people need another tax cut? I mean they’re already rich. They seem to be doing pretty well as it is now. Why cut their taxes some more?

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Joy Behar: Bill O’Reilly Needs to Be Smacked Around

In an interview with liberal actress Shirley MacLaine, HLN's Joy Behar admitted that Bill O'Reilly “bullies you around a little bit” and suggested he needs to a figure to “smack him around” as the two women teed off on the popular Fox News host. “Well, he is little bit intimidating as you say,” Behar remarked to MacLaine confirming her . He bullies you a little bit, I think. I felt that.” At the end of the segment MacLaine insisted that O'Reilly needs a motherly figure like Joy Behar to control him. “To smack him around,” Behar added, and MacLaine agreed.

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Place prize judges are out of step

It Needs Horses should never have galloped away with the audience vote, still less the UK’s biggest choreography prize. Maybe it’s time for AV? So there I was the other night, at the finals of the Place prize for dance – the UK’s biggest choreography competition – and my guest, a Paris-based producer of considerable experience, turned to me and said: “I have a bad feeling about this.” She was worried that the piece we both ranked lowest – Ben Duke and Raquel Meseguer’s It Needs Horses – would win the £25,000 prize. Nah, I said, it won’t come to that. Shortly afterwards, it came to that. Should I have been surprised? Over nine of the 10 nights of the finals, the audience vote – worth £1,000 in prize money each time – had already gone to It Needs Horses, which is a pretty clear indication of the people’s choice. The fact that the judging panel selected the same piece was surely a simple vindication of that choice: it deserved to win, and there was a consensus on that. Actually, there was little consensus. The judges for the final – five representatives from different fields (Hannah Barry, visual arts; Zena Edwards, poetry; Rupert Goold, theatre; Matthew Peacock, opera; Laurie Uprichard, dance) – disagreed vociferously over the decision. The final verdict was not the outcome of consensus, but of a battle. There was, however, consensus within – but not between – two other arenas. One was in the judging panel for the semi-finals, where everyone had a dance background (Laurie Uprichard again, Alistair Spalding of Sadler’s Wells, choreographer/artistic directors Janet Smith and Shobana Jeyasingh, and me). That panel was near-unanimous in selecting its top three to put forward to the finals, and It Needs Horses was not in the running. The fourth finalist was selected by the other consistent locus of consensus: the audience. As in the final round, the semi-finals saw It Needs Horses win the audience vote by a considerable margin. Dance critics, meanwhile, had no consensus with anyone. The Telegraph favoured Frauke Requardt and Freddie Opoku-Addaie. The Independent liked It Needs Horses, but the Guardian’s Judith Mackrell thought it “shockingly lazy”. The Observer , Guardian and Time Out rated Eva Recacha top (while in the audience vote she regularly vied for last place with Riccardo Buscarini and Antonio de la Fe Guedes). And dismissing the lot of them, theartsdesk.com basically wished for something, anything, that was a bit more like Ashton ‘s Cinderella, a ballet created in 1948. Me? I thought the considerable stage presence of the two performers (Chris Evans and Anna Finkel) masked a fatal lack of substance in the work itself; that it went for cheap thrills (some sex, violence, some titters); and – call me elitist, now – that in the end the audience voted for the work that most set out to manipulate them. Dissent, popular opinion, vote-courting, competition – this is clearly a political arena. And right now, we’re very aware that political winners and losers aren’t some straightforward reflection of democracy in action, but at least partly produced by the voting systems that elect them. The Place prize is certainly not all about winning or losing: as a seedbed for new ideas and a launchpad for new work, it affords many benefits simply for participating. But there is money and publicity at stake, and there is a final winner announced. And right now I wonder: should the Place prize forgo its winner-takes-all system and adopt something more like AV ? Would that reveal dissent more strongly, or would it favour middle-ground compromises? Results would certainly change simply by being measured differently. Perhaps some entries would too. Dance Awards and prizes Sanjoy Roy guardian.co.uk

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Place prize judges are out of step

It Needs Horses should never have galloped away with the audience vote, still less the UK’s biggest choreography prize. Maybe it’s time for AV? So there I was the other night, at the finals of the Place prize for dance – the UK’s biggest choreography competition – and my guest, a Paris-based producer of considerable experience, turned to me and said: “I have a bad feeling about this.” She was worried that the piece we both ranked lowest – Ben Duke and Raquel Meseguer’s It Needs Horses – would win the £25,000 prize. Nah, I said, it won’t come to that. Shortly afterwards, it came to that. Should I have been surprised? Over nine of the 10 nights of the finals, the audience vote – worth £1,000 in prize money each time – had already gone to It Needs Horses, which is a pretty clear indication of the people’s choice. The fact that the judging panel selected the same piece was surely a simple vindication of that choice: it deserved to win, and there was a consensus on that. Actually, there was little consensus. The judges for the final – five representatives from different fields (Hannah Barry, visual arts; Zena Edwards, poetry; Rupert Goold, theatre; Matthew Peacock, opera; Laurie Uprichard, dance) – disagreed vociferously over the decision. The final verdict was not the outcome of consensus, but of a battle. There was, however, consensus within – but not between – two other arenas. One was in the judging panel for the semi-finals, where everyone had a dance background (Laurie Uprichard again, Alistair Spalding of Sadler’s Wells, choreographer/artistic directors Janet Smith and Shobana Jeyasingh, and me). That panel was near-unanimous in selecting its top three to put forward to the finals, and It Needs Horses was not in the running. The fourth finalist was selected by the other consistent locus of consensus: the audience. As in the final round, the semi-finals saw It Needs Horses win the audience vote by a considerable margin. Dance critics, meanwhile, had no consensus with anyone. The Telegraph favoured Frauke Requardt and Freddie Opoku-Addaie. The Independent liked It Needs Horses, but the Guardian’s Judith Mackrell thought it “shockingly lazy”. The Observer , Guardian and Time Out rated Eva Recacha top (while in the audience vote she regularly vied for last place with Riccardo Buscarini and Antonio de la Fe Guedes). And dismissing the lot of them, theartsdesk.com basically wished for something, anything, that was a bit more like Ashton ‘s Cinderella, a ballet created in 1948. Me? I thought the considerable stage presence of the two performers (Chris Evans and Anna Finkel) masked a fatal lack of substance in the work itself; that it went for cheap thrills (some sex, violence, some titters); and – call me elitist, now – that in the end the audience voted for the work that most set out to manipulate them. Dissent, popular opinion, vote-courting, competition – this is clearly a political arena. And right now, we’re very aware that political winners and losers aren’t some straightforward reflection of democracy in action, but at least partly produced by the voting systems that elect them. The Place prize is certainly not all about winning or losing: as a seedbed for new ideas and a launchpad for new work, it affords many benefits simply for participating. But there is money and publicity at stake, and there is a final winner announced. And right now I wonder: should the Place prize forgo its winner-takes-all system and adopt something more like AV ? Would that reveal dissent more strongly, or would it favour middle-ground compromises? Results would certainly change simply by being measured differently. Perhaps some entries would too. Dance Awards and prizes Sanjoy Roy guardian.co.uk

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Ed Schultz Guest: ‘Even’ Bernie Sanders Believes We Must ‘Get Our Fiscal House in Order’

You know the situation is serious when “even” an avowed socialist worries about government spending. Here's a clip of Democrat congressman Peter Welch of Vermont on Ed Schultz's radio show Monday talking about the looming battle over the debt ceiling ( audio ) — WELCH: And Mr. Cantor is saying this is a leverage moment, whether we pay our bills, whether we say we're going to do what we're required to do, is a leverage moment. Well, you and I both know that there is a vast divide between the Ryan-Cantor budget and the Obama-Democratic budget … SCHULTZ: No question about it … WELCH: …

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Clip joint: royal weddings

The royal nuptials are almost upon us. Get warmed up with some clips that show unions rule in Hollywood Forget hay fever: watch out for the onset of wedding fever. With the big day fast approaching, this plague-like frenzy is spreading with more gusto than a winter flu. And with the release of William & Kate: The Movie , the bug has even infiltrated the world of film. But since this attempt to bring the dream wedding to the screen has been judged a critical failure , let’s check out the back catalogue to see how Hollywood can feed the insatiable matrimonial appetite that comes with the infection. Not surprisingly, there’s plenty of stuff out there. After all, this is what fairytales are made of – and boy, does Hollywood love a fairytale. I’ve settled on a selection that has all the bases covered: the Disney cliche, the Shakespearean epic and, most importantly, Peter Cook as a clergyman with a speech impediment … 1. Let’s start with the basics. Cinderella employs the standard Disney formula of rags to riches. I’m well aware Kate Middleton hasn’t spent the past 20 years scrubbing floors, but the analogy is still relatively appropriate. 2. That dashing young king in Henry V is a smooth devil, I must say. Sure, it’s all a bit mercantile – but we forgive them, it’s Shakespeare. And look, her name is Kate too … 3. As promised, the hilarious Peter Cook in The Princess Bride. 4. Yes, it’s another Disney film – but it’s a huge jump from the conventions of Prince Charming. The Princess and the Frog’s is clearly the coolest royal wedding on our list. 5. If you’re being picky you might point out that our final clip – from The Young Victoria – is a royal proposal, not a royal wedding. But it’s just so darn romantic. Last week on Clip joint , Sean Holmes had a stab at the greatest fake deaths in the movies. Here are his picks from your suggestions: 1) ExplorationStaircase found probably the greatest doorway reveal in the world. 2) Steenbeck (and others) love the attention to detail . 3) Amie12 remembered seeing Vincent Price hit the pit of despair . 4) Thanks, rowingrob . Girlfriend in a coma – I know, I know it’s serious. 5) Nextdoortoglass gives a lesson to us all . guardian.co.uk

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Fossil fuel firms lobby for ‘green’ shale gas expansion

Industry urging governments and business to reject renewables in favour of ‘green’ shale gas Senior executives in the fossil fuel industry have launched an all-out assault on renewable energy, lobbying governments and business groups to reject wind and solar power in favour of gas, in a move that could choke the fledgling green energy industry. Multinational companies including Shell, GDF Suez and Statoil are promoting gas as an alternative “green” fuel. These companies are among dozens around the world investing in new technologies to exploit shale gas, a controversial form of the fuel that has rejuvenated the gas industry because it is plentiful in supply and newly accessible due to technical advances in gas extraction known as “fracking”. The expansion of shale gas holds out the promise of a glut in gas that is driving down prices and creating a bonanza for the fossil fuel industry. Burning gas in power stations releases about half the carbon emissions of coal, allowing gas companies to claim it is a “green” source of fuel . Central to the lobbying effort is a report claiming that the EU could meet its 2050 carbon targets €900bn more cheaply by using gas than by investing in renewables. But the Guardian has established that the analysis is based on a previous report that came to the opposite conclusion – that renewables should play a much larger role. The report being pushed by the fossil fuel industry has been disowned by its original authors who referred to it as “biased” in favour of gas. For the last two months, company lobbyists have been besieging government officials in Europe, the US and elsewhere to push the report. Their efforts are being boosted through alliances with energy-intensive industries, which are joining in the pressure on government in the hope of securing cheap energy. As the problems with the Fukushima plant in Japan have cast a pall over nuclear power, gas companies sense the chance to brand themselves as the main “green” source of energy. James Smith, outgoing UK chairman of Royal Dutch Shell , one of the leaders in the lobbying effort, said switching to gas would offer the world “a breathing space” in the battle against climate change. This view was challenged by Prof David Mackay, chief scientific adviser to the UK’s Department of Energy and Climate Change. He told the Guardian: “You can’t reach the [climate] targets like this – there is no way that switching to gas would solve the problem. I don’t think it’s really credible that gas is the only future.” The lobbying effort by fossil fuel companies has been intense. At a high level meeting on Wednesday, the president of the European parliament hosted a lunch for the gas industry with VIP guests including the EU’s energy chief, Günther Oettinger . It is the latest in a long round of meetings in recent months between gas lobbyists and senior officials in Brussels, including other EU commissioners and prominent MEPs, as part of the industry’s charm offensive. Oettinger alone has held at least two other major meetings with gas representatives this year. At most of these meetings, and at many other formal and informal meetings to discuss EU energy and climate change, officials have been presented with a report commissioned by the European Gas Advocacy Forum (EGAF), an industry lobbying group, based in part on an analysis by consultancy firm McKinsey and called Making the Green Journey Work . This report appears to show the EU could meet its 2050 climate targets €900bn more cheaply using gas than by investing in renewables. A copy of the report has also been presented to the office of José Manuel Barroso, the EU president, who has taken a close interest in EU gas supply with visits to the Ukraine, Turkmenistan and Azerbaijan this year. Apart from coming to different conclusions about renewable energy, the report also relies on questionable assumptions about the future price of technology to capture and store carbon. The team at the European Climate Foundation that produced the original report described the EGAF version as “biased to one preferential outcome in support of gas advocacy”. They warn that adopting its conclusions would reduce energy security and expose the European economy to the volatile gas price. A spokesperson for McKinsey said: “It is our long-standing policy not to discuss our clients or the work we do for them.” David Rimmer, Shell’s general managed for global gas said, “Shell sees renewables as a major part of the future energy mix but this analysis has shown that increased reliance on gas in the near term saves money and jobs, delivers on climate targets and allows new technologies to be improved before large scale deployment.” Further doubt has been thrown on the industry’s claims by a newly released academic study from Cornell University which found that generating electricity from shale gas – because of the difficulty in extracting it from rocks – produces at least as much carbon dioxide as coal-fired power, and perhaps more. Jenny Banks, climate and energy policy officer at WWF-UK, called on the British government to halt shale gas exploration. “It would be ridiculous to encourage shale gas when in reality its greenhouse gas footprint could be as bad as or worse than coal. We need to reject this source of gas, and have a clear plan to move away from our dependency on fossil fuels and harness the full potential of renewable technologies.” Some in the gas industry are careful to argue that its fuel is complementary to renewables, as it can be relatively easily turned on and off to provide flexible back-up power when the wind is not blowing. This argument is accepted by Oettinger, who insists that both gas and renewable energy will be needed for flexible low-carbon power generation, and some other senior figures. Nobuo Tanaka, the executive director of the International Energy Agency, said: “Gas is potentially a game changer. But it is complementary to renewables, as it can be turned on and off quickly. It could be baseload power and we could turn off coal.” But renewable energy generators are wary, as they fear that cash-strapped governments will ease off on subsidies for clean power, in favour of licensing gas-fired power stations. A new gas-fired power station would be expected to have a useful life of about 50 years. So although switching from coal to gas would help countries meet their short term emissions targets, in the longer term they would be left with fleets of redundant, high-emitting fossil fuel power stations – unless they were fitted with expensive technology to capture and store the carbon dioxide underground. However, this technology is still unproven and it is likely to be decades before it can be widely used. The economics of the technology are highly uncertain, and renewable companies argue that the assumptions used by EGAF to show that the fossil fuel is cheaper than renewables do not stand up to scrutiny. Shale gas is controversial because it requires large amounts of water to release it from rocks, and the use of potentially dangerous chemicals that could leach into the water supply. Numerous cases in the US, which has led the way in releasing gas from shale rocks using fracking technology, have shown evidence of contamination and dangerous leaks of methane. Prof Robert Howarth, lead author of the Cornell study, said: “My strong belief is that shale gas has been promoted far beyond the objective evidence of what it can and cannot do. It is time to step back, and objectively analyse whether this is a reasonable energy technology for our future. It is also time to analyse how environmental issues associated with the technology might be reduced, and at what cost.” Shale gas Gas Energy Fossil fuels Gas Oil and gas companies Energy industry Europe Fiona Harvey guardian.co.uk

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The Right Word: Royal revolt

As Bill O’Reilly leads a Fox News peasants’ rebellion against the royal wedding pageant, Glenn Beck is off to get his gun Bill O’Reilly The week got off to a bad start for Bill O’Reilly, who was deeply disturbed by the news that Standard & Poor’s have downgraded long-term US debt to a negative rating because of concerns that policy makers may fail to reach agreement on our budgetary challenges anytime soon ( view clip ). Even worse, the Democrats and the president are still harping on about the need to raise revenue by rolling back the tax cuts awarded to rich people by former President Bush (which were temporarily extended last year), yet remain reluctant to cut additional services to the poor, the elderly and to women’s reproductive health. O’Reilly analyses the situation with Brit Hume, who shared his gloomy outlook. While both men took comfort in the fact that at least the Republican party seems absolutely determined this time around not to back down from their plan to redefine America’s social compact by forcing through additional spending cuts for the poor while awarding additional tax cuts for the rich, they remain fearful that this strategy may backfire come election time. On a later segment, O’Reilly puts on his commoner hat to have a go at the royal family for foisting Prince William’s lavish wedding plans on the American public, which has no time for Britain’s culture of entitlement. He discusses the issue with Fox News anchor and royal enthusiast Martha MacCallum. I submit to you this is sport for England. It’s fun for England. They got the old Windsor Castle. They got the old Queen running around. They’ve got all the scandals. It’s fun for the peasants – and I’m a peasant, all right – it’s fun for them. But for America, we don’t recognise this, we don’t have royalty in this country and people like you try to foist it upon us. MacCallum posits that a strong monarchy is good for America and for western civilisation in general because it’s rebuilding a nationalistic feeling in the UK that will help counteract the failed multiculturalism experiment that Prime Minister David Cameron recently talked about . O’Reilly still finds the idea of people like Prince Charles and Camilla, whom he describes as “two pinheads”, living the high life and running up “millions of dollars on the taxpayer’s back” while the poor and downtrodden of Britain are struggling to cope with job losses and savage spending cuts, too undemocratic for his liking. So, how did they get all of their carriages and all the maintenance on their castles and everything? Because they stole it from the peasants! From you and me and all the others, I’m Irish, but how do you think the kings got all their castles? They stole them! MacCallum, who is of Scottish descent, agreed that some of that kind of thing may have gone on in the past, particularly in Scotland where the royal family did their share of pillaging and plundering. This infuriates O’Reilly. This would be like us in America celebrating the wedding of Al Capone’s great-great-great-great-granddaughter because he stole the money. Come on! O’Reilly closed out the segment insisting that he won’t be going anyway near the royal wedding, even though he wasn’t invited anyway. And then he gets back to discussing the problem of the working class in America – or union thugs, if you prefer – who continue to protest about losing their collective bargaining rights, and even went so far, this past weekend, as to boo former Governor Sarah Palin when she suggested that it was a good thing that workers had their take home pay reduced so corporations could enjoy a lower tax rate. Sean Hannity Despite the cold reception Sarah Palin received in Wisconsin and the booing from the crowd, Sean Hannity thought she did a fine job with her speech last weekend ( view clip ). He was also impressed by the speech given by Donald Trump, who spoke at a Tea Party rally in Florida. He discussed both Palin’s and Trump’s chances of winning the presidency in 2012 with conservative commentator Ann Coulter. Coulter thought that either candidate would be outstanding compared to the president we have to put up with at the moment, who she thinks had a free pass getting elected last time because he was “a 14 year old with no record”. Hannity agrees but says that President Obama will not have such an easy go of it this time around, now that the public knows what he is all about. The deficit still exists. It’s Obama’s deficit now; he can’t claim that it’s not. He now has a record, as you point out, so “hope and change”, reading a teleprompter, “Yes we can” slogans aren’t going to cut it this time. He’s got to deal with his debt, his deficit, his weak and timid foreign policy. I think it becomes extraordinarily more difficult for him just based on the fact that he now has to run on his record. Coulter agreed that the president’s record is a disgrace, particularly his foreign policy and that he has been running around dragging us into senseless conflicts, like the one in Libya, that we can’t afford and shouldn’t care about, which she adds is “typical Democrat foreign policy”. (I shudder to think what she must have thought of former Republican President George W Bush, who spent billions of dollars on his senseless invasions of Iraq and Afghanistan.) Anyway, in terms of records, they both agreed that President Obama would not fare well in a match up against either of the afore-mentioned presidential hopefuls, which makes sense if not having much of a record to speak of is the barometer. Palin didn’t manage to serve out even one term as governor and Trump has never held office. Glenn Beck Glenn Beck was somewhat subdued this week as he returned from vacation to serve out the lame duck session of his cancelled TV show, but he did manage to work up a sweat about a story he read in the right-of-centre blog Redstate.com that drew attention to a new study by the Bureau of Alcohol, Tobacco and Firearms (ATF) that looked at the importability of certain shotguns ( view clip ). Redstate concluded from reading the study that the ATF may be trying to spring new regulations on gun owners by imposing more restrictions on firearms that are not designed for a “sporting purpose”. Beck thinks that preventing American citizens from owning weapons that were designed to kill human beings is unconstitutional and he suspects that it is just one of the many ways that President Obama is trying to undermine the founders’ work. The second amendment is the right to own a gun to protect yourself against who? Clay pigeons?! No – an oppressive government! And don’t start, “Oh, they got tanks.” Yes, and they’ll roll over you. Positive charter . This is what he (President Obama) wants to change it to. First limited speech – no hate; no conspiracy theories. We’ve got to watch that speech. There’s got to be something in the constitution. The government-funded media – we should all just watch al-Jazeera, as Hillary Clinton said because “there’s no commercials on it” and, my favourite, “there’s not people arguing all the time.” So, in addition to this latest perceived assault on second amendment privileges, Beck fears that because of the president’s recent calls for more civility and because Secretary Clinton suggested that we check out al-Jazeera for more comprehensive foreign news coverage – and perhaps because his own show, which specialised in conspiracy theories, has been canned – that the first amendment is also under threat. These assaults on Beck’s freedom put him in no mood to listen to Nancy Pelosi’s recent plea to Republicans and Democrats to try to overcome their differences and to remember that they have “shared values”. I don’t know about you but we don’t have shared values. If you see the constitution as a positive charter, I don’t have anything in common with you. I’m sorry. I see it this way [as a negative charter]. Now, we can still love each other but Hillary Clinton will cry, because then there’ll be people disagreeing on television and then they’ll have to break for a commercial. Beck may find when it comes to the banning of assault weapons, many Americans don’t share his values either. Royal wedding Monarchy Republicans United States Sarah Palin Donald Trump US politics Wisconsin US elections 2012 Barack Obama George Bush Tea Party movement Fox News US television Glenn Beck US gun control US constitution and civil liberties Democrats US unions US foreign policy Hillary Clinton Al-Jazeera Sadhbh Walshe guardian.co.uk

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Bungled rescue drops woman in sea

Woman, 73, who had been taken ill spends eight minutes in water after bungled transfer by Norwegian rescue services A British tourist survived after being tipped into the North Sea in subzero conditions as she was stretchered off a cruise ship having become seriously ill. Janet Richardson, 73, from Penrith in Cumbria, was on the Ocean Princess, which had left Hull at the end of March for a coastal tour of Norway including viewings of the northern lights. She was accompanied by her husband, George, 78. When she fell ill, the ship’s captain decided she should immediately be taken to hospital in Norway. However, while the rescue teams were moving her on a stretcher to a rescue boat, they dropped her into the sea – which was about -3C at the time. It then took almost eight minutes to retrieve her from the water. She was eventually transported to hospital in Bodø, Norway, accompanied by her husband, who remained by her bedside for several days before she was airlifted to Cumberland infirmary in Carlisle. Fellow passenger Colin Prescott, from Burscough, Lancashire, saw the bungled transfer. He said: “The vessels, which had not been latched together, suddenly moved apart by several feet just as they were transferring her, which caused the rescue crews to drop the stretcher into the sea. “We had been told the sea was about minus three that day. The rescue boat came back round to pick her up and she was taken to hospital, but she was in the water for about eight minutes.” A spokesman for Cruise & Maritime Voyages, which operates the service, said: “The lady was very seriously ill and the captain and the ship’s doctor decided that she needed to disembark as a matter of emergency because the ship was not due to dock at its next calling point until the following day. “Under these circumstances a rescue was launched and, although the ship is equipped with a helipad, the Norwegian rescue crews decided to launch a sea rescue. Unfortunately, during this rescue the lady did fall into the sea, but she was then taken to hospital and treated. “Although we do not own this ship, we have been in contact with the ship’s owners and the Norwegian rescue authorities and a full investigation is taking place.” The spokesman said the company took the safety and comfort of its passengers very seriously and although the logistics of the rescue were in the hands of the Norwegian rescue team, Cruise & Maritime Voyages would assist the investigation. Shirley Bottelfsen, who helps out at the Norwegian hospital where Mrs Richardson was treated, said: “It was a terrible experience for her, for her husband and the other passengers. Everyone in Bodø feels very sorry for them. Luckily Janet had a lifebelt on which saved her life. “She was fully aware of what happened. Naturally, from the cold water she became weaker. Janet improved every day she was with us, but it will take some time to be completely recovered. “No one as yet knows if there will be any reaction from her time in the sea, but they are doing full investigations on everything. “It has been a great strain on George – he sat at his wife’s bedside on the intensive care unit most of the day.” Norway Europe Helen Carter guardian.co.uk

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