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Stoke City v Arsenal

• Set this page to update automatically using the button below • Send your emails over to simon.burnton@guardian.co.uk • Check out the league standings with our live stats centre • You can even follow Simon on Twitter, if that’s your thing 6 min: Down the other end, where Wilshere pokes the ball through to Van Persie, who has to hurry his shot and sends it over the bar from eight yards, the best chance of these opening stages. 5 min: Jones releases Walters, who irritates Arsenal’s backline for a while before crossing into Koscielny’s shin from the right, the ball bobbling slowly to the keeper. 4 min: I should have also included an FA Cup final mentionometer, because that’s getting some serious attention. 2 min: Kenwyne Jones has a shot at the other end, though he’s falling over while he’s doing it and it flies out for a throw-in, and not particularly near the corner flag either. 1 min: Arshavin drages a shot wide of the near post from the left side of the penalty area, after good work from Wilshere down the left. 1 min: Peeeeeep! Aaron Ramsey takes the game’s first kick, and we’re off! 2.04pm: Mention number one comes as Arsenal’s team sheet is read out, and we’re off and running. And a second, moments later! 2.02pm: Arsenal have “quite literally shot themselves in the foot” this season, expert-analyses Alan McInally. 2.01pm: The players are clattering down the steps and out of Stoke’s pop-out tunnel, action imminent here. 2.00pm: If Thomas Vermaelen makes it off the bench today, there’s a chance that Arsenal might associate the Britannia Stadium with recovering from long-term injuries rather than sustaining them. And if they win, and Chelsea do likewise later on, Arsenal will be just three points off the lead. They’ve still haven’t got a gnat in hell’s chance of winning the league, of course, but it’s better than being six points away. 1.53pm: Still battling through five minutes of stoppage time at Molineux with Wolves 3-1 up against West Bromwich, sadly reducing the time available for Ramsey leg-cruncher mentions. 1.43pm: Current readers’ favourite in today’s sweepstake is between five and 10 times, with 34.72% of the vote. My vote goes to between 10 and 20, incidentally. 1.40pm: An anniversary that will bring back happy memories for Arsenal, and bad ones for Manchester United as they head for another potential title decider at Old Trafford: nine years ago today Arsenal went to Old Trafford, won 1-0 thanks to Sylvain Wiltord’s goal and secured the title. Here’s an aide-memoire , if you need it, courtesy of our very own Richard Williams. And here’s a video , if you must. 1.34pm: Hello again. I’ve only got some teams for you – and Ramsey, unsurprisingly given his performance against Manchester United last week, is a starter: Stoke: Begovic, Wilkinson, Shawcross, Huth, Wilson, Pennant, Whelan, Whitehead, Delap, Walters, Jones. Subs: Sorensen, Collins, Pugh, Diao, Carew, Faye, Shotton. Arsenal: Szczesny, Sagna, Koscielny, Djourou, Gibbs, Walcott, Ramsey, Song, Wilshere, Arshavin, van Persie. Subs: Lehmann, Vermaelen, Rosicky, Squillaci, Eboue, Chamakh, Bendtner. Referee: Mark Halsey (Lancashire). 1.09pm: The question for today is: how often will Sky’s commentary team be mentioning last year’s match between Arsenal and Stoke here? I’ll count every single mention between the end of the Wolves v West Bromwich match and the final whistle, so here’s a just-for-fun sweepstake . 1pm: If you’re here early and you want to be entertained, here are a few match pointers. Or you can follow Wolves v West Bromwich with Barry Glendenning , if you prefer: • Stoke have won four of their last five home league meetings with Arsenal and also knocked them out of the FA Cup at the Britannia Stadium last season • Arsenal have the best passing accuracy in the opposition half (79.8%) while Stoke have the worst (55.7%) • Kenwyne Jones has had more headed shots (39) than any other player in the division There’s more where that came from, plus predicted line-ups for today’s game, in our squad sheets ? Premier League Stoke City Arsenal Simon Burnton guardian.co.uk

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Fighting between prisoners and security officers in Baghdad kills at least 18, including al-Qaida mastermind of church attack At least 18 people were killed in fighting between security officers and prisoners at an Iraqi interior ministry jail complex in Baghdad on Sunday, a security official said. The dead included an al-Qaida leader known as the “emir of Baghdad” who planned an attack on a Catholic church last October in which more than 50 people died, said Major-General Qassim al-Moussawi, Baghdad’s security spokesman. The skirmish at a counter-terrorism unit in Baghdad’s central Karrada district began when a prisoner grabbed a gun from a guard, killed several guards and interior ministry officers, and gave a weapon to other inmates, Moussawi said. “Security forces and guards responded and killed 11 prisoners … including Huthaifa al-Batawi, who was in charge of planning the church attack,” he said. Seven security officers were killed in the skirmish and another was wounded. Moussawi said the situation at the jail was under control and no prisoners had escaped. Batawi was arrested in late November along with 11 others in connection with the attack on Our Lady of Salvation church in the Iraqi capital during Sunday mass on 31 October. Dozens of hostages and police died in the bloodiest attack against Iraq’s Christian minority since the 2003 US-led invasion. Iraqi security forces have been on high alert for revenge attacks by al-Qaida since US commandos killed Osama bin Laden in Pakistan last week. Iraq al-Qaida guardian.co.uk

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Kate McCann had suicide thoughts

Kate McCann writes of how at times she wanted to swim out to sea and ‘let the water relieve me of this torment’ Kate McCann has revealed that she was plagued with depression and suicidal thoughts following the abduction of her daughter Madeleine in Portugal four years ago. In a new book chronicling Madeleine’s disappearance and the toll it took on her and her husband, Gerry, McCann also writes of her pain at being branded “a cold, emotionless woman” because of the public face she put on during the investigation. “It’s quite frightening when I see myself in those early days,” she writes. “To me I look incredibly fragile and confused and lost.” Despite appearing to be brave and composed, she says, she was on the verge of a breakdown. “I had an overwhelming urge to swim out across the ocean, as hard and as fast as I could; to swim and swim and swim until I was so far out and so exhausted I could just allow the water to pull me under and relieve me of this torment,” she writes. “I wasn’t keeping that desire to myself, either. I was shouting it out to anyone who happened to be in the room. Both this urge and the expression of it were, I suppose, an outlet for the crucifying anguish. “Somehow, inflicting physical pain on myself seemed to be the only possible way of escaping my internal pain.” McCann also reveals that she was tormented by “a macabre slide show of vivid pictures in my brain” as she tried to imagine what might have happened to her three-year-old daughter. “I was crying out that I could see Madeleine lying, cold and mottled, on a big grey stone slab. Looking back, seeing me like this must have been terrible for my friends and relatives, particularly my parents, but I couldn’t help myself.” In excerpts from the book, Madeleine – published in the Sunday Times – McCann revisits the night of her daughter’s abduction from the Portuguese resort of Praia da Luz. “I ran out into the car park of our holiday apartment, flying from end to end, yelling desperately: ‘Madeleine! Madeleine!’ It was so cold and so windy. I kept picturing her in her short-sleeved Marks & Spencer Eeyore pyjamas and feeling how chilled she would be. “Fear was shearing through my body … Even now, when the dark clouds close in on me, I find myself shaking my head manically and repeating over and over again: ‘Not Madeleine, not Madeleine. Please, God, not my Madeleine.’” The McCanns want the British government to urge the Portuguese authorities to review the case and have written the book to raise money for the Find Madeleine campaign. Madeleine McCann Portugal Crime Sam Jones guardian.co.uk

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May 6, 1945 – Tying Up The Loose Ends In Europe.

enlarge Credit: Life Magazine Refugees fleeing Germany – one of the three armies Post War Europe had to look forward to. Click here to view this media With news of the end of hostilities in Europe hours, if not days away , news was still coming in of fighting continuing in Germany and points East, even as German armies throughout the European theater were surrendering. As this direct report from Paris indicates, complete surrender was only a matter of time and the flood of refugees fleeing Berlin in the wake of advancing Russian armies made clear a new reality about to settle over Europe – the long road back to anything resembling normal. In this fifteen minute newscast, delivered by Paul Manning of Mutual on May 6th 1945, anticipation of U.S. troops coming home was high, and the business of occupation by Allied forces was underway. Another day in May spent waiting for an outcome. If you can, please donate whatever you can and help keep Newstalgia up and running.

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A show in Ai Weiwei’s absence

While Ai Weiwei remains interned by the Chinese authorities, Nicholas Logsdail, director of the Lisson Gallery, talks about a forthcoming exhibition of the artist’s work and his growing influence on the global stage My last conversation with Ai Weiwei took place in January. My colleague Greg Hilty and I went to Beijing for three days to make selections for the forthcoming show at the Lisson Gallery , and we got a sense of great foreboding from him. He had been placed under house arrest in November and had subsequently been released, but he was already worried about whether he’d get out of the country. He had all these commitments abroad – in Berlin, in New York, and with us in London – and he was very concerned about fulfilling them. There was a discussion then about whether we should do the show now or delay it for a year so that he could produce an entirely new body of work. We decided to go ahead because there was an urgency to it, due to his situation at home, and we wanted to give a London audience a sense of the range of his work and the thinking behind it. In my opinion, Ai Weiwei is one of the major artists of the early 21st century. My gallery avoided the gold rush for Chinese art in the boom years because, in my experience, it’s almost always a false premise to group artists together by generation or nationality. What’s important is the quality of the individual artist, and it was clear to us that Ai Weiwei stood apart. He’s not just the most important Chinese artist of his generation but a truly international figure. His work is a very interesting blend of traditionalism and liberalism, with a revolutionary bent. He has an outspoken nature, which is what has got him into trouble, but my reading is that his primary impulse is less to overturn society than to improve it. He is unwilling to keep quiet in the face of ignorance and prejudice and he speaks out against injustice wherever he finds it. I’ve met him on a number of occasions over the last couple of years. When we were preparing for the show, I found him to be highly practical and thoroughly professional. He is a serious man of few words but he has an ironic sense of humour. He’s also a big guy, physically, with a barrel chest and a commanding presence. We had some very interesting conversations about the time he spent living in New York in considerable hardship. He was an exile, partly by choice, partly out of necessity because of his family’s political problems in China. It was a gestation period, a time of growth. He was taking stock of the bigger world and putting his house in order, as an artist and an intellectual. He may not think of himself as an intellectual, but I would certainly describe him as one. Although he can be irrational himself, he despises irrationality and tries to give a clear and logical approach to the issues that are important to him. He’s committed and idealistic, and unaccepting of injustice to the point of self-denial – allowing himself to get into this position is surely a form of self-denial. All the arrangements for the show had been made before his arrest, but it feels rotten putting it on in his absence. We’ve been praying, metaphorically speaking, that some news of his whereabouts would break, but nothing has: it’s been total silence since his detention. The outpouring of respect and admiration for him, his honesty, his bravery – maybe you could say his foolhardiness as well – have been completely astonishing. Many other artists have shown their solidarity, including Anish Kapoor who has dedicated his forthcoming Grand Palais show in Paris to Ai Weiwei. The best we can do now is to maintain our support for him and keep up the pressure. It’s crucial that all the planned projects go ahead – his work is also showing in New York and, from next week, at Somerset House in London. How do we put ourselves into the heads of the Chinese authorities who are responsible for his arrest? How do we reach them? What is it that we need to say to them? In arresting Ai Weiwei, I believe they have failed to understand what it means to be an artist. They have failed to be culturally aware. He is exactly the kind of person they should have onside. He’s actually much more dangerous now, under arrest, than he ever was before. I think he is a great global cultural ambassador for the new China, but this arrest is making China’s new cultural revolution look rather unrevolutionary. They have accused him of tax evasion, bigamy and spreading pornography on the internet, but these charges are clearly trumped up. If you want to nail somebody and put them away for a while, you can probably find dirt on anybody on the planet, let alone a controversial artist like Ai Weiwei. Some people have commented that the Chinese government saw what was going on in north Africa and the Middle East and got nervous. That may well explain his arrest. I am hopeful though – that he’s in a reasonable state and can speak for himself; he’s an intelligent man and should be able to provide arguments for his release. Although of course it’s not going to get you anywhere if you’re talking to a brick wall. What’s so distressing about this situation is that there is no obvious authority that one can appeal to or challenge about what has happened. It’s so sad that this charismatic, larger-than-life, gentle guy has been arrested. I’m deeply upset. I’d get on the next plane to China if I thought there was anything I could do, and I’m sure loads of people feel the same way. We have organised a very different series of events from the ones we had originally planned. Alongside the show, we will have a press conference and then a big open party to celebrate Ai Weiwei’s work. We will also have a moment of silence to remember his situation, although until he is released I don’t think it is going to be far from anyone’s mind. Ai Weiwei Art guardian.co.uk

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The drop in ownership of television sets in America could have a massive impact on the broadcasting industry A new report from Nielsen , the US media ratings firm, conveys some bad news to the broadcast TV networks. Ownership of television sets by US households has fallen for the first time in two decades. Granted, the decline – 96.7% of American households now own sets, down from 98.9% previously – may not seem very much, but there will be many in the industry who will wonder if it’s the faint tremor that presages an earthquake. After all, for as long as most of us can remember, a TV set has been almost as commonplace a piece of domestic kit as a cooker. And television has been the dominant organism in our media ecosystem for just about as long. If that’s changing, then it’s big news and not just for the industry concerned: politics in most western

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‘I’m a presenter who is gay’

The Today anchor on Britain’s lack of identity, being seen as a lightweight – and being papped at the shops You have two new TV programmes coming out. One of them, Business Nightmares , has some amazing cases, doesn’t it? Persil Power, so strong it shredded knickers… One of the programme’s revelations is that all washing powders shred knickers to some degree! In many ways, the most poignant case is Gerald Ratner. His story [in a speech in 1991, he described his company's products as "total crap"] has been told so many times, and it’s funny, but actually it was a big tragedy for him.He lost the business and he tells the tale of having to buy petrol for the car and not knowing what you do. He took years to recover from the shock. I think you can enjoy the horrible stories of the disasters that befall people while nevertheless respecting them for doing stuff. Mistakes are nothing to be ashamed of. If you’re not making some mistakes, it probably means you’re not trying hard enough. What about Made in Britain? That one is about whether Britain has got enough industry. Can we survive without manufacturing? Can we build an economy on services? It’s all bound up with issues of national identity. The Germans are clear about what they do – cars and machine tools; the Japanese are clear about what they do – electronics; the Chinese are clear about what they do – they’re the workshop of the world. We’re less clear and that’s because we’ve moved towards the intangible sectors more than other developed economies. We are a huge net exporter of business and commercial services: insurance and finance, surveying, architecture, legal services, advertising, university education. Is that a good thing? The service sector raises a number of problems. Here’s the nub of it: old industries – manufacturing industries – had lots of good reasons to disperse geographically. You had shipbuilding in Sunderland, steel in South Wales and coal scattered around the country. The new industries are brainy industries and so-called knowledge workers tend to like to be near other people who are the same. Think of the City or Hollywood. People cluster. This means you have winning regions, such as London and Cambridge, and losing regions. The people who want to be top lawyers in Sunderland are hoovered up by London. Is the answer more manufacturing? We have got too little manufacturing, and I’m not saying that out of some romantic idea that mining is good for you or it’s better to make things. There is a strong link between the following three things: exporting, manufacturing and the degree of saving by the population. It’s complicated, but if the population doesn’t save, the economy will not tend to export as much, and if it doesn’t export as much, it won’t manufacture enough. Hang on, what’s saving got to do with it? When a population saves – and the exporting powerhouses, the Germans, Japanese and Chinese do save – what happens is this. First, the companies that operate in those countries where the population are not big spenders are forced to look outside the country to find sales. They become export-oriented. Second, the financial system has more funds, because the population has put its savings there, so it has to be less choosy about who it gives the money to – it can justify capital spending. Britain has been a low-saving nation and has less equipment per worker; we’re less capital intensive. And then, third, is the exchange rate. When a population saves a lot, the funds are invested outside the country as well as inside. If the Japanese invest in the United States, it pushes their exchange rate down and makes their manufacturing more competitive. That is really interesting… What I like about it as a theory is that it puts it back to us. Instead of saying there’s some conspiracy by Margaret Thatcher, it’s been a collective decision. We’ve become a consuming nation; we suck in imports rather than exports; we build shopping centres rather than factories. The consequence is that our manufacturing industry has been too small. As well as making business TV programmes, you’re also a presenter on the Today programme. Were you annoyed that you weren’t in when Osama bin Laden was killed? A little bit. I’m not a jealous person though actually, with Osama, I did think, God, that’s an interesting day to be on. But, in fairness, it was Jim and Justin and I’m modest enough to think, oh well, that’s the best team, as they are American experts. But why did I have to do some godforsaken bank holiday when nothing happens! When you started on Today , some people deemed you lightweight. Do you think you’ve improved? I’m keen not to lose the things that made people say I was lightweight, but I’m also keen not to be seen as lightweight. There would be no point if I became a clone of the others, but equally it would be no good if I was seen as the one who did funny features about walking dogs in the park. Finding that balance isn’t easy. In five years I might have cracked it. Does it annoy you when you’re called a gay presenter? It doesn’t annoy me but I think of myself as a presenter who is gay, rather than a gay presenter. It’s a subtle distinction, but that’s how I view it. I don’t think I’m hugely camp on air. Private Eye did do a funny spoof of me interviewing Peter Mandelson in which it was all, ‘Ooh get her…’ [laughs]. I’m quite proud to be gay; I’m not hiding it. What about when you were photographed in jeans with a biker chain… I was papped! Apparently, I was breaking some hidden Daily Mail sartorial rule that meant I had to dress in a suit to go across the road to get milk. I think the headline was “Please Mr Davis, Won’t You Dress Your Age?”. That phrase – “Please Mr Davis” – is used in our household quite a lot by my partner. “Pleeeease Mr Davis, won’t you do the washing up…” Evan Davis Radio Television Dragons’ Den Gay rights Miranda Sawyer guardian.co.uk

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13 Assassins – review

Miike is Japan’s most prolific film-maker, a director who’ll turn his hand to anything, and best known in Britain for the audacious psychological thriller Audition , in which a widower discovers an ideal bride through a fake movie-casting session, only to discover she’s an insane avenger. His new film is a welcome revival of the samurai movie, a homage to Kurosawa set in 1844, after a long period of peace. The vicious Lord Naritsugu, a psychotic sadist threatening the stability of the realm, has to be destroyed, and only a team of dedicated samurai can achieve this. The elegant first half is dedicated to the selection and training of this elite group by the stately warrior Shinzaemon. The last 50 minutes is a non-stop running battle that follows when the 13 honourable assassins ambush the lord and his vast entourage, a virtual army seven times their number. It is a stunning sequence, magnificently staged, an epic encounter with little in the way of special effects, that leaves the village in tatters and just two men standing. Kinetic film-making of a high order. World cinema Period and historical Action and adventure Philip French guardian.co.uk

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Online voice of the baby boomers

Gransnet, a social networking site for Britain’s 14m grandparents, aims to counter deeply ingrained ageism Back in 1965, the chief executive of Elizabeth Arden wrote in Forbes magazine: “We don’t want to be connected with older women.” Not much has changed. Today there are more than 20 million Britons over 50; yet, despite our numbers, we can be forgiven for feeling that we are ever so slightly embarrassing. The ageing population is almost never out of the news, but the fact that we’re all living longer, which really ought to be a good thing, is always seen as a problem. The country can’t afford the pension bills or the social care. We’re threatening the social fabric with our healthcare costs and our housing wealth. David Willetts, minister for universities and science, has written a book, The Pinch , claiming the over-50 baby boomers have stolen our children’s future. Two bright young journalists, Ed Howker and Shiv Malik, have written another book identifying themselves as the Jilted Generation . Thanks to greedy boomers and their incessant needs, we appear to be heading for intergenerational warfare. Last week Gransnet was launched as a social networking site for Britain’s 14m grandparents. It is the offspring of Mumsnet, which has, in its 11 years, given a voice to a group – parents – that was previously somewhat disenfranchised. We’re hoping that we may be able to do something similar for people in the second half of life. Yet it’s fair to say that when we approached advertising agencies before the launch, many of the young people we met looked at us blankly. Like, you mean, old people? There’s a paradox here. At the same time as older people are presented as a threat, they are also widely ignored. That older women feel invisible is a common complaint, of course, in a society where a bit of cellulite on a celebrity thigh is cause for scandalised newspaper articles, and in which Miriam O’Reilly was advised to get Botox before being removed from her job as a television presenter. But men also suffer from a similar sense of vertigo, especially once they have retired. Between the ages of 50 and old age, who are we? What’s our purpose? It appears we’re not even wanted as consumers. We can feel as though we exist in a kind of identity void. After 50, you join a group that might as well be on another planet when it comes to marketing. Advertisers think in demographic blocs of 18-49, or, at a push, 25-54. It’s as if there is no adulthood beyond that. This is very short-sighted because, by 2030, over-65s are going to account for a quarter of the consumer market in Britain. Presumably the assumption is that we’ll only be interested in buying insurance and cruises – and they all have the same advert anyway. It’s that picture of a silver-haired couple walking along a beach. It will need to be a very long beach. One-fifth of Britons alive today can expect to see 100. Increasing longevity and improved healthcare mean that many people over 50 are fit and capable. And they are confidently looking forward to all those spare years and wondering what to do with them. We hear an awful lot about the ageing population, but the real story is that there’s an explosion of people in late middle age. We mid-lifers have very few roadmaps through the new phase that has opened up. All the assumptions about life courses were made for a different time, when childhood was followed by adulthood, retirement and, then, in fairly short order, decline and death. In the 20th century, as lifespans began to increase, the “golden years” were invented – a time for the golf course, for that beach so beloved of advertisers and, er, that’s it. In the 21st century, that looks rather boring and, frankly, a bit infantilising. It may be that many mid-lifers will continue to leave 9-5 jobs in big companies (to “make way” for younger people, who are, not entirely coincidentally, cheaper), but that doesn’t mean we don’t want to go on working or volunteering or being involved with our families. We still want to be a part of things. One in three working mothers relies on grandparents for childcare; in practice, grans and grandads are crucial to the smooth running of busy families. Some of us are also founder members of what has been called the club-sandwich generation caring for elderly relatives. Our lives can be complicated. Mumsnet has demonstrated that if you are overloaded the best place to get advice, information and support is from other people in a similar situation. We hope that this will also be true for Gransnet; in the process, we may even find that we are not a homogeneous horde, but as diverse as any other group. On the first day on Gransnet, people were posting about growing basil outside in England, their daughters-in-law, swearing (annoying or not?), political militancy, grandparents’ rights when families break up, and a lot of other things. The age group turns out to be as diverse in its preoccupations as any other. As it happens, 10% of grandparents in the UK are under 50 and half are under-65. But age is one of the least useful ways of segmenting people; identity and interests are far more important, for older people as much as for the younger ones whom advertisers assiduously segment into tribes. As someone has said, “once you’ve seen one 80-year-old, you’ve seen one 80-year-old”. A number of people, looking at Mumsnet’s track record in influencing the political agenda, have asked me what I think our first campaign will be on Gransnet. That depends on what the members care about and what emerges from the forums – it’s not my decision. What is clear, however, is that because mid-life has never existed as a stage before in quite the way it does now, we lack rituals and established routes through it, which can be unnerving, although also exhilarating. As the US writer Marc Freedman has argued in his new book Shift , we need gap years for grown-ups and more backing for mid-life entrepreneurs (who have a great track record of establishing successful businesses) as well as internships to help older people make the transition from one stage of life to another. Freedman has gone some way towards this by setting up internships for executives from Silicon Valley to move into third-sector organisations when they retire. Until all that happens, mid-lifers will continue to suffer from prejudice. Ageism is so deeply ingrained that most of the time we don’t even notice it. The words “young” and “old” are often used simply to denote good and bad – think of “sunset industries” and “young cities” and “ageing infrastructure”. It is acceptable to speak of old people in a way that would be unthinkable about race or disability. The actor Harriet Walter, who curated an exhibition of photographs of women aged from 48 to 97 last year, marvels at this obsession with newness. “We are terribly dismissive of experience. Everything has to be the latest,” she says. “I am in the business of human wisdom: I speak words written 400 years ago which cannot be improved upon. But there is scant respect for wisdom nowadays.” Ageism fuels the idea that older generations can’t or won’t learn to use technology. I’ve lost count of the number of people who have asked me whether enough grandparents are online to warrant a social networking forum all of their own. Of course, it’s true that many of the digitally excluded are old. That’s a serious problem and I don’t want to minimise it. But not all older people are digitally excluded and, in fact, those over-65s who are online spend on average 42 hours a month on the web, more than any other group. And the over-50s are the fastest-growing group for internet usage. So, we live in exciting times. We are in the middle of two social revolutions, one to do with longevity, the other with technology. I don’t think it’s too much to hope that we can make them join up. www.gransnet.com Social networking Family Advertising Parents and parenting Ageing Population Geraldine Bedell guardian.co.uk

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Riviera homes: €30 a month

Cut-price housing for locals aims to revive a dying community in Italy near a haven for Hollywood stars An idyllic fishing village tucked away on the Italian Riviera just over a mile from the celebrity hang-out of Portofino is offering stone cottages with sea views for rent from €30 a month in a desperate bid to bring back local families as the rural population dies out. The empty homes in San Fruttuoso, which are being dubbed the “world’s most beautiful council houses”, will be redecorated and handed over later this year as the full-time population of the once thriving village dips from around 100 in the last century to just five. “This is a unique case of a beauty spot that is known around the world gradually emptying,” said Giovanni Boitano, the regional housing assessor who is vetting locals to fill the 11 new apartments. Hidden in protected woodland and connected only by footpaths to the outside world, San Fruttuoso amounts to a cluster of houses and a disused 10th-century Benedictine abbey that give on to a beach and transparent waters where fishermen have cast their nets for centuries. Just over the headland sits bustling Portofino, a haven for Hollywood stars since Richard Burton proposed to Elizabeth Taylor in a local restaurant. In the town where Dolce and Gabbana host Madonna at its villa, small apartments in old fishermen’s houses are snapped up for around €1.5m. In San Fruttuoso, where inhabitants must go by boat to reach nearby towns – or take an hour’s walk through chestnut trees and ancient olive groves when rough seas stop sailings – it is a different story. Visiting celebrities rarely stay longer than the time it takes for a leisurely lunch in the harbour, while locals have kept up a steady exodus for years. In the 1980s, a teacher who arrived by boat from nearby Camogli to teach classes in the abbey’s tower stopped coming as the population dwindled. In 1994 politicians stopped showing up to set up voting booths at elections. “The place is all yours in the winter, although you share it with torrential rain and fog and not everyone likes it,” said Giuseppina Repetto, 68, whose husband’s family has run a restaurant in the summer for generations. “In the summer it is like a film,” said Mario Scevola, 65, one of the five full-time residents left. “But in winter, if the boats can’t make it, you need to get in the supplies, you can’t get a doctor and we play a lot of cards.” Alessandro Capretti, who is restoring the abbey, said: “When the last tourist boat leaves, the village returns to how it was when the monks were here. There is a kind of mystical silence.” Repetto was less convinced. “The community spirit we once had has long gone,” she said. Apart from the restoration of the houses abandoned in the 1970s, spaces for two new restaurants, a bed and breakfast, a small museum and an olive oil mill are being opened to boost job prospects. Only local residents qualify for the cut-price housing, and no millionaires would be let in, said Boitano. “You need to be on less than €30,000 a year to get an apartment, and anyone caught sub-letting will immediately be ejected,” he said. The plan is just one of many being put into action up and down Italy as stunning but often remote villages are slowly abandoned by young Italians moving to the cities. Immigrants landing on the island of Lampedusa are being invited to take up a trade in the Calabrian town of Riace, while other villages are turned into tourist destinations or wired for high-speed internet to attract artists. “I remember the beach here packed with 20 fishing boats, including my father’s, when I was a child,” recalled Scevola. “I can’t wait to see life starting to be lived again here.” Italy Housing Europe Elizabeth Taylor Communities Tom Kington guardian.co.uk

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