Retrospective expected to be aired next year will mark 60 years since the naturalist joined the corporation in 1952 The BBC is planning a TV retrospective of the work of Sir David Attenborough next year in a move that may signal the twilight of the naturalist’s career. The series, which has the working title Life Stories from a series of Radio 4 lectures he has been giving since 2009, will look back on his life’s work to mark 60 years since he joined the BBC in 1952. According to a senior BBC natural history source, the project, due to be formally approved soon, indicates that the 84-year-old may soon be calling it a day. Attenborough is due to return to the BBC this autumn with a seven-part series called Frozen Planet, following the cycle of the polar seasons, which took three years to film and saw him film at the north pole for the first time. “He was much more involved in the making of this than he has been with other series and is on screen a lot more,” said the BBC source, who added it was unlikely Attenborough would make another large-scale project for the corporation along the lines of Frozen Planet or his other epic series, such as Blue Planet or Planet Earth. “Frozen Planet took three years to film and David braced seriously cold temperatures that most people, let alone someone in their eighties, could not endure. These projects don’t happen very easily and I’d be very surprised if he makes another major BBC natural history series,” said the senior source. “He is 85 this year and you cannot go on forever.” Towards the end of Frozen Planet Attenborough will deliver what the BBC source called a “big polemic” on his views of nature and the environment in what the insider identified as something akin to a final word on his life’s work. The episode, called Meltdown, will be a “look at what the future might hold for the animals and people that live at the poles and what these changes might mean for the rest of us”, according to the BBC. “The poles – north and south – look superficially very similar, but when you visit them within a few weeks of one another, as I have just done, you realise how profoundly different they are – and how what is happening to them is going to affect the entire planet,” Attenborough said in pre-publicity for this autumn’s series. “A century ago the poles were just about the most inaccessible places on earth. Today that has changed. Nonetheless, to have visited them both within a few weeks of one another is a huge privilege.” Speculation about when he would stand down has long dogged Attenborough. In 2005 he told the Sunday Times that his work up until then had “given a series to every group of animals” and that he had made “enough”. Officially the BBC denies that Attenborough’s career will be over after 2012 and Attenborough himself remains defiantly hopeful that he will go on. He is filming another 3D film for Sky about botanical work at Kew Gardens in south-west London. This follows his 3D film Flying Monsters for the broadcaster last year. “Yes, I will be making Life Stories for 2012 to mark the anniversary, and I am not sure how much original filming it will involve,” he said . Asked if he would continue with his filming work, he said: “I sincerely hope so, yes.” David Attenborough Television Documentary BBC Wildlife Ben Dowell guardian.co.uk
Continue reading …Iron Dome fires radar-guided missiles from a truck-sized launcher and is designed to blow up incoming rockets in mid-air An Israeli missile system intercepted a rocket fired from Gaza in the first known use of Israel’s Iron Dome anti-missile shield. The new weapon, deployed last month to protect southern Israel, was launched as fighting flared with Palestinian militants in the Gaza Strip after militants fired an anti-tank weapon which hit an Israeli school bus, injuring two people. Two intercept missiles were fired at the rocket which appeared to be heading towards the Israeli coastal city of Ashkelon, just north of the enclave. Militants have fired rockets and mortar shells into southern Israel since 2007. In December 2008, cross-border clashes escalated into a three-week war in which Israel pounded the enclave. About 1,400 Palestinians and 13 Israelis were killed. Rocket fire and retaliatory Israeli air strikes increased again late last month. 16 Palestinians were killed, and a tourist died in a Jerusalem bomb attack, the first of its kind since 2005. Israel is known to have two operational Iron Dome shields. It deployed the first near the Gaza Strip last month and the second in Ashkelon, but has warned Israelis under fire from the Hamas-run territory they would not be completely protected since it can cover only limited areas. Iron Dome fires radar-guided missiles from a truck-sized launcher and is designed to track and blow up incoming rockets in mid-air. Iron Dome’s operators say it is designed to intercept only rockets that are about to hit residential areas and to ignore those on a harmless trajectory. Israel Middle East Gaza Palestinian territories guardian.co.uk
Continue reading …Recep Tayyip Erdogan urges Gaddafi forces to withdraw from cities, and calls for comprehensive democratic change Turkey’s prime minister, Recep Tayyip Erdogan, has proposed a roadmap for peace in Libya, urging forces aligned with Muammar Gaddafi to withdraw from besieged cities, and calling for the establishment of humanitarian aid corridors and comprehensive democratic change. Erdogan said the measures would be discussed at a meeting by a group set up to guide the international intervention in Libya in Qatar next week. Turkey has held talks this week with envoys from Gaddafi’s government and representatives of the Libyan opposition. Erdogan also assured the opposition that Turkey supports their demands, following recent protests in Libya against Turkey by some opposition members. Turkey initially balked at the idea of military action in Libya, but is now taking part in the enforcement of a no-fly zone to shield civilians. It has also volunteered to lead humanitarian aid efforts. Britain’s Foreign Office said the contact group that will meet in Qatar – which includes European powers, US allies in the Middle East and a number of international organisations – will meet in Doha on Wednesday. The ministry could not confirm precisely who has been invited to attend. British government officials said the US would be represented, and that the Arab League is also expected to be at the talks. Britain’s foreign secretary, William Hague, said last week that he planned to travel to the talks alongside about a dozen other Arab, European and international officials. The group was established during a summit in London last week to act as the political guide to the Nato-led military operation and humanitarian assistance mission in Libya. Hague told parliament last week that the panel would “maintain international unity and bring together a wide range of nations in support of a better future for Libya.” Gaddafi has been widely excluded from international efforts to broker a peace plan, with rebels insisting that his four-decade rule must end. In Scotland, prosecutors confirmed that they would not have a chance Thursday to interview Moussa Koussa, the ex-Libyan foreign minister who fled to Britain via Tunisia last week and has spent eight days in discussions with diplomats and intelligence officials. Prosecutors said on Monday they hoped to speak with Koussa within days over the 1988 bombing of Pan Am Flight 103 over Lockerbie, which killed 270 people. In 2003, Libya acknowledged responsibility for the bombing and Scottish authorities believe Koussa could offer vital information to their ongoing inquiry. Another former Gaddafi loyalist, former energy minister Omar Fathi bin Shatwan, has also held talks with British and other European diplomats to discuss the state of Gaddafi’s regime. He told the Associated Press on Wednesday that he had fled to Malta on a fishing vessel. Turkey Libya Middle East Muammar Gaddafi United Nations Europe guardian.co.uk
Continue reading …Four phone companies dispute that police ‘ensured’ they warn potential News of the World phone-hacking victims John Yates, the senior police officer at the centre of the phone-hacking scandal, faces a new set of allegations that he has misled parliament. A Guardian investigation has found that all four leading mobile phone companies dispute evidence that Yates has given to a select committee about police efforts to warn public figures whose voicemails were intercepted by the News of the World. During the original police inquiry in 2006 phone companies identified a total of at least 120 politicians, police officers, members of the royal household and others whose voicemail had been accessed by Glenn Mulcaire, the NoW’s private investigator. Yates told the home affairs select committee last September that police had “ensured” the phone companies warned all of their suspected victims. But all four companies have told the Guardian police made no such move and that most of the victims were never warned by them. Two of the companies, Orange and Vodafone, wrote to Scotland Yard last autumn, spelling out the fact that they had told none of their customers that they had been hacked and that police had never asked them to. The home affairs committee on Thursday said that more than four months after those letters were sent to the Yard, it was unaware of Yates having made any attempt to tell it that there might be a problem with the evidence he gave. The committee chairman, Keith Vaz, said he would write to Yates and to the phone companies to clarify the position. The latest allegations come after a public dispute in which Keir Starmer, the director of public prosecutions, has challenged Yates’s account to parliament of the advice that police were given by prosecutors and the impact this had on the original investigation of the affair and the number of victims who were identified. At a session of the committee on Tuesday, Vaz said the DPP’s evidence clearly contradicted the account which Yates had given to the committee the previous week and that he would be writing to Yates to ask for an explanation. Yates is currently acting deputy commissioner of the Met. In relation to the phone companies, the key evidence from Yates was given to the committee in September last year when Vaz asked him whether police had warned all the public figures whose pin codes had been found in Glenn Mulcaire’s paperwork. Yates said: “We have taken what I consider to be all reasonable steps in conjunction with the major service providers – the Oranges, Vodafones – to ensure where we had even the minutest possibility they may have been the subject of an attempt to hack or hacking, we have taken all reasonable steps.” MP Mary Macleod asked what he meant by “reasonable steps”, and Yates replied: “Speaking to them or ensuring the phone company has spoken to them.” The four leading mobile phone companies all say that this is not correct and that the police did not ask them to warn any victims among their customers. All of them searched their call data as part of the police inquiry in 2006 and all initially followed the standard procedure, which is to keep such inquiries confidential. Vodafone found about 40 customers whose voicemail had been intercepted. They told none of them that they had been victims but warned a small number in particularly sensitive positions to check their security. A spokesman said: “We were not asked by the Met police to contact any customers but believed it was important that we inform as many as we could. As it was a live investigation, however, we were very limited in the information we could pass on to customers. We were only able to remind customers, where we believed it was appropriate, of the importance of voicemail security.” Orange identified about 45 customers whose voicemail had been dialled from Mulcaire’s phone numbers. It said it warned none of them but passed the customers’ details to Scotland Yard. A spokesman for Orange said: “At no point during the investigations were we asked, nor did we feel it right, to take further action in relation to these customers. The Metropolitan police are fully aware of our position on this.” T-Mobile gave police information from its call records but says it never finally identified customers who were victims and therefore warned none. A spokesman said: “We have never been supplied with a list of names or telephone numbers by the police of customers who may have been compromised, nor were we asked by the police to contact any of them.” O2 identified about 40 customers whose voicemail had been successfully accessed. It is the only company to have taken a corporate decision to approach and warn all of them. Asked about Yates’s evidence, a spokesman for O2 said: “We weren’t contacted by the police and asked proactively to get in touch with customers to warn them if they had been victims.” It is now clear that police failed to inform not only those victims who were identified by the phone companies but a large number of others whose details were found in notebooks, computer records and audiotapes seized from Mulcaire in August 2006 but never properly investigated until the Yard began its third investigation into the affair in January. The failure means that police broke an agreement with the DPP that they would contact “all potential victims”. It also means many of the victims were deprived of the chance to check the call data, which is kept by the phone companies for only 12 months, and that they had no opportunity to change their pin codes or to assess the damage done by the interception of their messages. The immediate problem for Scotland Yard is that the phone companies, like the DPP, are now challenging the evidence given to the public and parliament by the most senior officer in the affair, John Yates. In July 2009, he made a public statement: “Where there was clear evidence that people had potentially been the subject of tapping, they were all contacted by police.” In February 2010 he wrote to the culture, media and sport committee: “Where information exists to suggest some form of interception of an individual’s phone was or may have been attempted by Goodman and Mulcaire, the Metropolitan police has been diligent and taken all proper steps to ensure those individuals have been informed.” Yates’s evidence about the phone companies last September prompted an exchange of letters. According to one senior police source, speaking on condition of anonymity, Detective Chief Superintendent Philip Williams, who works directly under John Yates, wrote to mobile phone companies in October, claiming that he believed that the companies had contacted “all of the people potentially identified as being victims.” On November 2, Orange wrote back to DCS Williams. The company is understood to have told him that police had never asked them to contact victims and that they had not done so. On November 22 Vodafone also wrote to DCS Williams. It is understood that the company expressed surprise that he was claiming to believe that it had contacted victims in 2006; it pointed out that it was for the police, not for the phone companies, to establish who had been victims of crime; and indicated it had no record of the police ever asking it to contact customers. Last month – more than four months after that exchange of letters – Yates gave evidence on phone-hacking to the home affairs committee and to the culture, media and sport committee. He made no reference to the letters. Nor did he tell the committee that the two companies had challenged his previous account. However, in evidence to the media committe, he did indicate some awareness of a problem. He said: “I think there is some confusion with some of the mobile phone companies as to who was doing what, and we need to get some clarity around that … I am not sure that the follow-up was as thorough as it could have been.” In a statement on Thursday night, Scotland Yard said Yates had told the home affairs select committee in September 2010: “We think we have done all that is reasonable but we will continue to review it as we go along.” A spokesman said the correspondence with the phone companies was part of that review and Yates had acknowledged in recent evidence to both select committees that more should have been done for victims. A spokesman said the current inquiry was reviewing the victim strategy. Nick Davies guardian.co.uk
Continue reading …George Allen is said to be running in 2012 for the Senate seat he once held and lost to Jim Webb; you may remember he was the favorite of the religious right to be the presidential pick until he famously uttered the “macaca” slur back in 2006. Well, he’s at it again with his racist stereotypes. It’s evident how he views the world and the people that live in it. Washington Post: NBC 4’s reporter-anchor Craig Melvin is a tall African-American. Which apparently led to this exchange with former Sen. George Allen, according to Melvin’s Twitter account Tuesday night: “For the 2nd time in 5 months, fmr. gov. and sen candidate George Allen asks me,”what position did you play?” I did not a play a sport.” enlarge Credit: Twitter How embarrassing. The fact that it happened a second time is what’s illuminating. Let’s say he actually forgot that he talked to NBC 4’s reporter-anchor Craig Melvin before, when he previously asked him not if he played sports in college, but what position ‘did’ he play. But to do it a second time to the same guy shows a pattern, ladies and gentlemen of the jury. Allen’s apology is not exactly persuasive: It might be natural and unrevealing to ask someone if they played sports — but to assume that a person played football specifically is just weird and stupid — unless your framework is that of your classic racial stereotype.
Continue reading …Click here to view this media Mike Pence had a moment of honesty on the House floor a bit earlier today. He attempted to blame Democrats for the impending government shutdown, and then said: “Then I say: Shut it down. And I’m certain the American people are going to know who to blame.” That’s right, we will. Liberal or not, we know who to blame. Republicans have control of this House of Representatives. They have filibuster control in the Senate. They’re holding the budget hostage to ideological issues like abortion and the EPA, neither of which has a single thing to do with the troops. So yes, we know who to blame. Especially when they’ve been out exhorting crowds to “Shut It Down!” The TeaBirchers and the Republican Party, who are now one and the same.
Continue reading …Frédéric Lefebvre ridiculed after muddling title of Voltaire’s Zadig with high-street store The literary credentials of the French government are looking increasingly shaky: first president Nicolas Sarkozy derided classic French novel The Princess of Cleves; now trade minister Frédéric Lefebvre has become an internet sensation after naming a clothes shop as his favourite novel. Asked at the Paris book fair last week which book had made the greatest impression on him during his life, Lefebvre told the interviewer it was “without doubt” Zadig et Voltaire – the name of a French fashion chain. “It’s a lesson about life, and I reread it pretty often,” said the politician, at the fair to publicise his own book, Le mieux est l’ami du bien, an exposition of his political views. He actually meant to refer to Voltaire’s celebrated philosophical novel Zadig , about a Babylonian man subjected to the whims of fate. The video of his mistake has now been viewed almost 200,000 times, and the French literati have been quick to mock Lefebvre for his slip, suggesting other combinations of consumerism and literature – from The Girl with the La Perla to The World According to Gap, Thus Spake Zara, Waiting for Gaultier and Victor Hugo Boss’s Les Misérables – on the trending Twitter hashtag #bibliolefebvre . “We are in France, a country where literature is placed on a pedestal and above all where it goes hand in hand with power,” wrote a blogger for French paper Le Figaro , which conducted the initial interview with Lefebvre. “Even if, since the departure of Mitterrand, literature has deserted the Elysée, it is always bad for a politician to confuse a clothing brand and a philosophical tale.” But Lefebvre has taken the mockery in good part, writing on Twitter : “I love Zadig, I love Voltaire and I love Twitter. Thank you for this good time!” His mistake follows Sarkozy’s criticism of Madame de Lafayette’s The Princess of Cleves two years ago, which prompted a literary backlash against the French president. Sales of the 17th-century novel soared, public protest readings of the book were held and the 2009 Paris book fair sold out of badges saying “I’m reading La Princesse de Clèves”. It is too early to say whether Lefebvre’s appreciation will provide a similar boost to Zadig by Voltaire – or even to Zadig and Voltaire. Francois Marie Arouet de Voltaire France Europe Alison Flood guardian.co.uk
Continue reading …Frédéric Lefebvre ridiculed after muddling title of Voltaire’s Zadig with high-street store The literary credentials of the French government are looking increasingly shaky: first president Nicolas Sarkozy derided classic French novel The Princess of Cleves; now trade minister Frédéric Lefebvre has become an internet sensation after naming a clothes shop as his favourite novel. Asked at the Paris book fair last week which book had made the greatest impression on him during his life, Lefebvre told the interviewer it was “without doubt” Zadig et Voltaire – the name of a French fashion chain. “It’s a lesson about life, and I reread it pretty often,” said the politician, at the fair to publicise his own book, Le mieux est l’ami du bien, an exposition of his political views. He actually meant to refer to Voltaire’s celebrated philosophical novel Zadig , about a Babylonian man subjected to the whims of fate. The video of his mistake has now been viewed almost 200,000 times, and the French literati have been quick to mock Lefebvre for his slip, suggesting other combinations of consumerism and literature – from The Girl with the La Perla to The World According to Gap, Thus Spake Zara, Waiting for Gaultier and Victor Hugo Boss’s Les Misérables – on the trending Twitter hashtag #bibliolefebvre . “We are in France, a country where literature is placed on a pedestal and above all where it goes hand in hand with power,” wrote a blogger for French paper Le Figaro , which conducted the initial interview with Lefebvre. “Even if, since the departure of Mitterrand, literature has deserted the Elysée, it is always bad for a politician to confuse a clothing brand and a philosophical tale.” But Lefebvre has taken the mockery in good part, writing on Twitter : “I love Zadig, I love Voltaire and I love Twitter. Thank you for this good time!” His mistake follows Sarkozy’s criticism of Madame de Lafayette’s The Princess of Cleves two years ago, which prompted a literary backlash against the French president. Sales of the 17th-century novel soared, public protest readings of the book were held and the 2009 Paris book fair sold out of badges saying “I’m reading La Princesse de Clèves”. It is too early to say whether Lefebvre’s appreciation will provide a similar boost to Zadig by Voltaire – or even to Zadig and Voltaire. Francois Marie Arouet de Voltaire France Europe Alison Flood guardian.co.uk
Continue reading …The Dutch designer’s iconic typography can be seen everywhere from posters to postage stamps – and, now, in a brilliant exhibition at the Design Museum Wim Crouwel’s iconic typography – seen on posters, postage stamps, exhibition catalogues and telephone directories – sums up Dutch design and perhaps even the Netherlands itself. Crouwel’s rational, modern visual world of grids and pure lines feels as intriguingly artificial as the painstakingly constructed Dutch landscape. His revered body of work, which spans 60 years, has a deep humanity and an artistic quirkiness that combines precision with emotion. You can see for yourself by joining the crowds of graphic designers who have been making a pilgrimage to London’s Design Museum to pay homage to the Dutch master’s work in the first major retrospective of his career held in Britain. Wim Crouwel: A Graphic Odyssey is an exhibition that anyone with the remotest interest in typography and graphic design will find utterly engrossing. There is a fascinating tension at work in Crouwel’s prolific output: between the rational and the irrational, the logical and the illogical, the scientific and the waywardly artistic. Crouwel, born in Groningen in 1928, began his career as a painter. His expressionist paintings were a stark contrast to the delight he took in the Bauhaus-inspired typography of the Swiss designers Karl Gerstner and Gerard Ifert. And yet, while he believed in the machine aesthetic espoused by the Bauhaus, he is on record as saying, the best part of 60 years ago, “the machine cannot replace the precision of the human eye and human feeling”. This is why he was also influenced by the work of Eric Gill, the English letterer, sculptor, sex maniac and type designer whose epochal sans-serif typeface Gill Sans (inspired by Edward Johnston’s display face for the London Underground) showed how a machine type could also be imbued with a humanity that came from craftsmanship. When Crouwel took to typography on an almost industrial scale with the founding of the Total Design studio in 1963, he honed a distinctive approach to design that has captivated fellow designers since. Crouwel’s work for the Stedelijk Museum, Amsterdam from 1964 showed how seemingly cool typography could be used to subtly evoke the characteristics of the artists on show. He had, in fact, been working on this approach since the early 1950s: his poster of 1957 for an exhibition of Leger paintings held at the Stedelijk van Abbemuseum, Eindhoven, is so in tune with the artist that it’s not surprising that, while not quite commanding the price of a Leger in auction rooms today, you would have to pay handsomely for an original Crouwel poster. In day-to-day service, perhaps the best-known Crouwel typeface is Gridnik – a digitised version of the Politene face he designed for Olivetti in 1974. Shaped on a square grid, each letter has an elegant machine quality balanced with a playfulness that makes you want to look at it for its own sake as well as read the messages it was designed to give, most famously on the standard issue postage stamps issued by the Dutch PTT between 1976 and 2002. The Politene that became Gridnik was originally designed for Olivetti’s latest generation of electric typewriters, but as these became outmoded almost immediately, the typeface was rescued to live another life. Crouwel’s eye-boggling New Alphabet of 1967 was another historical accident of sorts. It was meant to be a purely experimental design based on cathode ray tube technology, with each letter abstractly composed of vertical and horizontal lines, some of them – g, j, s, w and z – all but unrecognisable. “The New Alphabet was over the top,” Crouwel has said, “and never meant to be really used. It was unreadable.” But, it was also great fun in a space age, computer-era way. Crouwel, busy today as an adviser to the company that has become Total Identity , is aware of the seeming contradiction in typography: the fact that many of the best-loved typefaces are looked at for their design rather than the written messages they convey. But that’s the joy of type. You can read words on the page to gain understanding of what they impart while still enjoying their form. If they become too fussy, and you spend more time looking at the curves of individual letters than reading, the type designer has failed you. Crouwel has never disappointed. He is the first to say his work shouldn’t be fetishised, but see if you can visit Wim Crouwel: A Graphic Odyssey and not be caught in this Dutch designer’s captivating grid. Design Typography Jonathan Glancey guardian.co.uk
Continue reading …The Place, London Everyone knows what it’s like to be sitting in a theatre, at odds with the general mood. But I’ve rarely felt that disconnect as acutely as at this year’s Place Prize . At each of the 10 finals’ performances, audiences are invited to vote live for their favourite work, with the popular winner being given £1,000 at the end of each night (the judges’ prize of £25,000 is awarded on the final night of the run). And for me, on opening night the numbers were brutal: 43% voted for the work I admired least, just 12% for the one I wanted to win. That was Begin to Begin – a meticulously crafted, beautifully performed trio by Eva Recacha . It’s based on the traditional ballad Michael Finnegan , with the circular logic of the lyrics (“There once was a man named Michael Finnegan/ He grew whiskers on his chinnegan”) reflected in dance phrases that stop, start, embellish and repeat. With the (live and recorded) words of the song also prized open by questions such as “Who is Michael?”, “How did he die?”, the dance becomes by turns elegiac, comic and anarchic. Cameo by Riccardo Buscarini and Antonio de la Fe Guedes is another smart fusion of structural game playing and emotion. Its three dancers prowl around an elegantly furnished stage, meeting in a film noir-ish tableau of lust, violence and fear. Yet this murder mystery is one from which all causal logic has been removed – what’s left is a dark, tense abstraction. My third choice was Fidelity, which sees Freddie Opuku-Addaie and Frauke Requardt giving free rein to their choreographic instincts as they block, feint and anticipate each other’s semi-improvised moves. It’s a fascinating performance, but too insubstantial to merit the final prize. And even less deserving is Ben Duke and Rachel Meseguer’s It Needs Horses , in which two desperately down-at-heel performers abandon their tired circus acts for a money-spinning burlesque routine. A couple of beautifully finessed jokes feature in the self-conscious bump and grind that ensues. But most of the material is shockingly lazy and generalised. Or so I thought: it walked away with the audience award. Rating: 3/5 Dance Theatre Judith Mackrell guardian.co.uk
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