Click here to view this media We knew all along that there was a powerful business incentive involved in the Arizona Senate’s recent rejection of the latest Russell Pearce anti-immigration slate. Now the New York Times corroborates it : The Senate move was a victory for the Arizona business lobby, which on many issues is more moderate than state lawmakers. And it was a rebuke for the State Senate president, Russell Pearce, a Republican and the driving force behind tough immigration measures, including the law passed last April requiring police to question the status of anyone they stop if they have a “reasonable suspicion” that the person might be an illegal immigrant. Opponents of the five bills said that the state’s image had been hit hard, and that it did not make sense to pass new measures while the state had already put itself so far out in front of other states and the federal government on the issue — at a cost to tourism and other industries. They said that previous immigration bills were still being reviewed by the courts, and that it was not smart to pass new legislation that plainly conflicted with the 14th Amendment of the Constitution. “I don’t believe that anyone, including myself, foresaw the national and international reaction” to April’s bill, said Glenn Hamer, chief executive of the Arizona Chamber of Commerce and Industry, who said estimates of lost tourism business ranged from $15 million to $150 million. “Now we have that experience under our belts. We know these measures can cause economic damage; it’s just a matter of degree.” The tourism and image-related business losses were only the tip of the iceberg, though, when it comes to the damage inflicted on the state by SB1070 and its related anti-immigration measures. As we’ve explained previously, simply deporting and/or driving out all the state’s undocumented immigrants would have disastrous economic consequences on a broad basis for the state — some of which are already being felt. A new study from the Center for American Progress, “A Rising Tide or a Shrinking Pie: The Economic Impact of Legalization Versus Deportation in Arizona” lays it all out in great detail: The economic analysis in this report shows the S.B. 1070 approach would have devastating economic consequences if its goals were accomplished. When undocumented workers are taken out of the economy, the jobs they support through their labor, consumption, and tax payments disappear as well. Particularly during a time of profound economic uncertainty, the type of economic dislocation envisioned by S.B. 1070-type policies runs directly counter to the interests of our nation as we continue to struggle to distance ourselves from the ravages of the Great Recession. Conversely, our analysis shows that legalizing undocumented immigrants in Arizona would yield a significant positive economic impact. Based on the historical results of the last legalization program under the Immigration Reform and Control Act of 1986, our analysis shows a similar program would increase wages not only for immigrants but also for their native-born co-workers. This would generate more tax revenue and more consumer and business spending, supporting additional jobs throughout the economy. Public debate over the wisdom of laws such as S.B. 1070 is heated but generally lacking in substance. The proponents of S.B. 1070 and related legislation now under debate in other cities and states claim to be acting in the best economic interests of native-born Americans, but as this report demonstrates, their claim is wholly unsubstantiated. The chart below makes it simple: Figure 1: Mass deportation versus mass legalization Costs and consequences Deportation effects in Arizona * Decrease total employment by 17.2 percent * Eliminate 581,000 jobs for immigrant and native-born workers alike * Shrink state economy by $48.8 billion * Reduce state tax revenues by 10.1 percent Legalization effects in Arizona * Increase total employment by 7.7 percent * Add 261,000 jobs for immigrant and native-born workers alike * Increase labor income by $5.6 billion * Increase tax revenues by $1.68 billion Some Arizonans are starting to wake up. The other night in Mesa, there was a spirited public debate over the so-called “Utah compact,” the Mormon-led deal in Utah that led to state leaders there taking a more thoughtful approach to immigration: Not everyone in Mesa was ready to agree, however. Of the nearly 30 speakers, almost half opposed the compact, and several speakers threatened the city with lawsuits and the loss of millions of dollars under provisions of last year’s Senate Bill 1070 if the city endorsed the Utah Compact. In their view, adopting such a statement would turn Mesa into a “sanctuary city” for illegal immigrants. Speakers against the compact complained that illegal immigrants are draining the state treasury, committing crimes, degrading Mesa’s quality of life and even providing cover for terrorists crossing the southern border. Arguments ranged from the theological, with speakers disagreeing on how Jesus would see the issue, to the economic, with sparring over whether immigrants help or hurt Arizona’s bottom line. “If you do pass this, you will be fulfilling what God told Micah: Do justice, love kindness and walk modestly with your God,” said Paul Whitlock, senior pastor of Desert Heritage Church, which belongs to the United Church of Christ denomination. “It’s not about race, it’s about following laws,” said Joe Fletcher, representing the Mountain View Tea Party. “Why does one group get to choose which laws they want to follow and one group doesn’t?” Brenda Rascon, a Westwood High School and Arizona State University graduate who said she is the daughter of Mexican immigrants, said the compact is “a good alternative to the hostile climate created by laws like SB 1070,” which became law last year under the aegis of state Sen. Russell Pearce, R-Mesa. “I’m a citizen of this country. I see a growing hostility towards people who look like me, supported by my state senator,” she said. At that a member of the audience was heard to say, “Cry me a river.” Rascon continued, “Is this the kind of society that we actually want? A divisive, ugly society filled with leaders who appeal to the most basal instincts of our character?” That’s what Arizona has created for itself now. Someday, perhaps, the state’s residents with greater good sense will once again be running things. We’ll know, perhaps, when they finally show Sheriff Joe the door. But until then …
Continue reading …This week’s intriguing selection includes French farce in Salisbury and an art deco drama in a Plymouth car park A week that will see Arts Council England (ACE) making its announcement about who is and isn’t getting National Portfolio Funding (around half of the 1,350 arts organisations who applied are likely to be disappointed) makes you wonder what the theatre landscape will look like in a few years time. But let’s begin this week’s theatrical grand tour of the country in Plymouth. Until tomorrow, at the Theatre Royal you can catch the devastating first world war drama Journey’s End in the main house and Theatre Alibi’s porky tale Goucher’s War in the Drum. The latter moves to the lovely Brewhouse in Taunton and the Burrell in Truro later in the week. But the most intriguing Plymouth show of the week takes place not in a theatre but in the car park of a 1930s art deco former car showroom. You’ve been to drive-in movies but Hidden City: Drive In Deco , open from next Thursday, combines live performance with music, radio broadcasts, film and popcorn to tell the story of the building. Staying south, Shakespeare at the Tobacco Factory’s The Comedy of Errors opens to the press on Wednesday and I’ll be taking in the Thursday matinee, so do say hello if you’re there. The Brewery Theatre plays host to the comedy circus-theatre troupe Yalla Yalla . It’s a big week all round for circus in Bristol, as the brilliant Circomedia celebrates 25 years of circus training in the city with a programme of events and workshops that continues into next weekend, which includes an Open Space event asking: What are we doing about circus in the UK? Marivaux’s 18th-century French farce The Game of Love and Chance is transposed to the 1960s in Neil Bartlett’s version directed by Philip Wilson at Salisbury Playhouse. Forest Forge take Kaite O’Reilly’s fine play, Peeling, about the choices women make and the things they hide, on a rural tour starting at Appleshaw Village Hall near Andover on Saturday night. Head for the south coast and Brighton offers Lone Twin’s celebration of the triumph and absurdity of the human spirit, The Catastrophe Trilogy , at the Dome on Saturday. There are also good things happening at the increasingly important The Basement, which is shaking up performance in the city. Tomorrow, the Supper Club offers a chance to see bite-sized performances by artists from across the UK, and next Friday the remarkable Ivana Müller performs a new solo, 60 Minutes of Opportunism, which questions codes of representation. On to London: the Sprint Festival draws to a close with Michael Pinchbeck’s The End on Saturday and Sunday. Rattigan’s last play, Causé Celèbre , opens at the Old Vic on Tuesday, the same night as BAC’s One-on-One festival . I love the way visitors to the latter are offered menus of shows to suit their mood. Clifford Odets’s 1938 drama Rocket to the Moon (one of the few plays besides Little Shop of Horrors to feature a dentist as a main character) opens at the National on Wednesday, the same night that The Complete Works of William Shakespeare makes a comeback at the Old Red Lion’s new space. But if I were you, I’d head to the original pub for a rare revival of Naomi Wallace’s fantastic plague play, One Flea Spare , which was one of the jewels in the crown of Dominic Dromgoole’s reign at the Bush. Bed and Sofa is an American musical at the Finborough, and Smash at the Menier, written by the late Jack Rosenthal, stars Tom Conti. If you’ve been trying to get into Ecstasy at Hampstead and have been unlucky, don’t despair: it transfers immediately to the Duchess for 50 performances only from 12 April. Talking of Hampstead, that’s a pretty nifty new season that’s been lined up by Ed Hall featuring Richard Eyre, Nicholas Wright, Simon Stephens and Katie Mitchell, among others. With a little detour east to the New Wolsey in Ipswich to recommend Guys and Dolls , let’s head up the country. Polly Teale’s fine exploration of creativity, Brontë, is wuthering at Oxford Playhouse during the week before eventually heading to the Tricycle in London. The Fierce festival continues to burn brightly in Birmingham over the weekend and includes some great debates, including one about children and artists, provocatively titled The Pram in the Hallway, as well as performances . If you can grab a ticket to Symphony of a Missing Room, you will not be disappointed. The Belgrade in Coventry has a new version of Uncle Vanya , directed by Helena Kaut-Howson, and Mike Bartlett’s brilliant Love Love Love is at the Curve in Leicester until Saturday before heading to Live in Newcastle. Catch it where you can. The New Vic begins a four-play repertory season with The Rivals. Erica Whyman’s revival of Who’s Afraid of Virginia Woolf? delivers a knockout punch at the Sheffield Crucible before it heads to Northern Stage in Newcastle. Tomorrow is your last chance for the excellent revival of Yerma at West Yorkshire Playhouse. Philip Meeks’s supernatural thriller, I Met a Man Who Wasn’t There, is at the Pomegranate in Chesterfield. Steven Berkoff’s eye-catching Oedipus is at Nottingham Playhouse. In Bradford, The Mill is a promenade production exploring the city’s past and present. Takeover continues this weekend at York Theatre Royal, with work by young companies Belt-Up and Rashdash. A few things of interest in Manchester: Matthew Warchus’s London-bound musical staging of the movie Ghost previews at Manchester Opera House. The brilliant Search Party is at Contact with Growing Old With You, a 10-year performance project exploring age and accumulation. Private Lives continues at the Royal Exchange. Moving into Scotland, look out for Age of Arousal at the Tron Glasgow until Saturday and then out on tour. It’s a good week for family theatre, with Neil Duffield’s The Firebird at Dundee Rep and Catherine Wheels’s rewrite of Beauty and the Beast, Caged, at Brunton Theatre Musselburgh before going on tour. Iain Finlay Macleod’s tale of language and identity, Somersaults , is at the Citizens in Glasgow until tomorrow and then heads for Ullapool and Stornoway. New Territories concludes in Glasgow, and The Hard Man , inspired by the life of Jimmy Boyle, gets a rare revival at the King’s Theatre Edinburgh. Enjoy your theatregoing in the sunshine and share what you’re seeing. Theatre Lyn Gardner guardian.co.uk
Continue reading …This week’s intriguing selection includes French farce in Salisbury and an art deco drama in a Plymouth car park A week that will see Arts Council England (ACE) making its announcement about who is and isn’t getting National Portfolio Funding (around half of the 1,350 arts organisations who applied are likely to be disappointed) makes you wonder what the theatre landscape will look like in a few years time. But let’s begin this week’s theatrical grand tour of the country in Plymouth. Until tomorrow, at the Theatre Royal you can catch the devastating first world war drama Journey’s End in the main house and Theatre Alibi’s porky tale Goucher’s War in the Drum. The latter moves to the lovely Brewhouse in Taunton and the Burrell in Truro later in the week. But the most intriguing Plymouth show of the week takes place not in a theatre but in the car park of a 1930s art deco former car showroom. You’ve been to drive-in movies but Hidden City: Drive In Deco , open from next Thursday, combines live performance with music, radio broadcasts, film and popcorn to tell the story of the building. Staying south, Shakespeare at the Tobacco Factory’s The Comedy of Errors opens to the press on Wednesday and I’ll be taking in the Thursday matinee, so do say hello if you’re there. The Brewery Theatre plays host to the comedy circus-theatre troupe Yalla Yalla . It’s a big week all round for circus in Bristol, as the brilliant Circomedia celebrates 25 years of circus training in the city with a programme of events and workshops that continues into next weekend, which includes an Open Space event asking: What are we doing about circus in the UK? Marivaux’s 18th-century French farce The Game of Love and Chance is transposed to the 1960s in Neil Bartlett’s version directed by Philip Wilson at Salisbury Playhouse. Forest Forge take Kaite O’Reilly’s fine play, Peeling, about the choices women make and the things they hide, on a rural tour starting at Appleshaw Village Hall near Andover on Saturday night. Head for the south coast and Brighton offers Lone Twin’s celebration of the triumph and absurdity of the human spirit, The Catastrophe Trilogy , at the Dome on Saturday. There are also good things happening at the increasingly important The Basement, which is shaking up performance in the city. Tomorrow, the Supper Club offers a chance to see bite-sized performances by artists from across the UK, and next Friday the remarkable Ivana Müller performs a new solo, 60 Minutes of Opportunism, which questions codes of representation. On to London: the Sprint Festival draws to a close with Michael Pinchbeck’s The End on Saturday and Sunday. Rattigan’s last play, Causé Celèbre , opens at the Old Vic on Tuesday, the same night as BAC’s One-on-One festival . I love the way visitors to the latter are offered menus of shows to suit their mood. Clifford Odets’s 1938 drama Rocket to the Moon (one of the few plays besides Little Shop of Horrors to feature a dentist as a main character) opens at the National on Wednesday, the same night that The Complete Works of William Shakespeare makes a comeback at the Old Red Lion’s new space. But if I were you, I’d head to the original pub for a rare revival of Naomi Wallace’s fantastic plague play, One Flea Spare , which was one of the jewels in the crown of Dominic Dromgoole’s reign at the Bush. Bed and Sofa is an American musical at the Finborough, and Smash at the Menier, written by the late Jack Rosenthal, stars Tom Conti. If you’ve been trying to get into Ecstasy at Hampstead and have been unlucky, don’t despair: it transfers immediately to the Duchess for 50 performances only from 12 April. Talking of Hampstead, that’s a pretty nifty new season that’s been lined up by Ed Hall featuring Richard Eyre, Nicholas Wright, Simon Stephens and Katie Mitchell, among others. With a little detour east to the New Wolsey in Ipswich to recommend Guys and Dolls , let’s head up the country. Polly Teale’s fine exploration of creativity, Brontë, is wuthering at Oxford Playhouse during the week before eventually heading to the Tricycle in London. The Fierce festival continues to burn brightly in Birmingham over the weekend and includes some great debates, including one about children and artists, provocatively titled The Pram in the Hallway, as well as performances . If you can grab a ticket to Symphony of a Missing Room, you will not be disappointed. The Belgrade in Coventry has a new version of Uncle Vanya , directed by Helena Kaut-Howson, and Mike Bartlett’s brilliant Love Love Love is at the Curve in Leicester until Saturday before heading to Live in Newcastle. Catch it where you can. The New Vic begins a four-play repertory season with The Rivals. Erica Whyman’s revival of Who’s Afraid of Virginia Woolf? delivers a knockout punch at the Sheffield Crucible before it heads to Northern Stage in Newcastle. Tomorrow is your last chance for the excellent revival of Yerma at West Yorkshire Playhouse. Philip Meeks’s supernatural thriller, I Met a Man Who Wasn’t There, is at the Pomegranate in Chesterfield. Steven Berkoff’s eye-catching Oedipus is at Nottingham Playhouse. In Bradford, The Mill is a promenade production exploring the city’s past and present. Takeover continues this weekend at York Theatre Royal, with work by young companies Belt-Up and Rashdash. A few things of interest in Manchester: Matthew Warchus’s London-bound musical staging of the movie Ghost previews at Manchester Opera House. The brilliant Search Party is at Contact with Growing Old With You, a 10-year performance project exploring age and accumulation. Private Lives continues at the Royal Exchange. Moving into Scotland, look out for Age of Arousal at the Tron Glasgow until Saturday and then out on tour. It’s a good week for family theatre, with Neil Duffield’s The Firebird at Dundee Rep and Catherine Wheels’s rewrite of Beauty and the Beast, Caged, at Brunton Theatre Musselburgh before going on tour. Iain Finlay Macleod’s tale of language and identity, Somersaults , is at the Citizens in Glasgow until tomorrow and then heads for Ullapool and Stornoway. New Territories concludes in Glasgow, and The Hard Man , inspired by the life of Jimmy Boyle, gets a rare revival at the King’s Theatre Edinburgh. Enjoy your theatregoing in the sunshine and share what you’re seeing. Theatre Lyn Gardner guardian.co.uk
Continue reading …• ‘It was time for John Terry to return,’ says Fabio Capello • Irritated Capello admits Ferdinand turned down meeting Fabio Capello has defended his decision to take the England captaincy off Rio Ferdinand and replace him with John Terry, but admits he has regret at how the situation was handled. Terry’s return as captain following a 13-month exile after allegations about his private life has dominated the headlines in the buildup to Saturday’s game with Wales, while it has been reported that Capello did not tell Ferdinand that he was being replaced as captain before the story emerged in the media. “Look it could have been done something better but it is the past,” Capello said. “I respect the players, I respect all the people and sometime I regret what really happened, but it’s possible to do something better.” Ferdinand’s absence through injury, plus that of the vice-captain Steven Gerrard, meant that Capello had a captaincy decision to make, and he believes he has made the right choice. “Something happened in my mind when I saw the armband being passed around during our game in Copenhagen [against Denmark],” he said. “We changed it in the second half and it was unfair for John Terry to see this. I thought that it was time for John Terry, after punishment, to return and be captain. “I know that Rio Ferdinand and Steven Gerrard are not fit. I knew it was the moment, with one game which is so important, to have one captain like John Terry.” Capello said he attempted to discuss the situation with Ferdinand when he attended Manchester United’s Champions League match against Marseille on 15 March but the defender rejected to chance to meet the England manager. “I tried to meet him [Ferdinand] when Manchester United played against Marseille but he told me no. I can understand everything, but I need to make decisions. I think I will be happy and will meet him [Ferdinand] in the future.” When pressed as to whether or not he had spoken to Ferdinand at any stage a visible irritated Capello responded defensively. “It didn’t happen, he didn’t come. It’s a question for him, not for me. I was in the directors’ box. You have to ask him, OK?” Capello said he consulted several players before reinstating Terry as captain. “I spoke with the players and personally with some players, and I spoke with the squad before I decided that John Terry will be the captain, and all the players were happy because John Terry was always a very important leader on the pitch and to the team.” Fabio Capello England John Terry Rio Ferdinand guardian.co.uk
Continue reading …Apple remains ahead of the pack with the iPad 2, which offers faster web browsing, better graphics – and a really clever cover Apple chief Steve Jobs made a point of knocking rivals’ “copycat” tablet computers at the iPad 2 launch earlier this month. Samsung, RIM and Motorola “aren’t even catching up with the first iPad”, he said. Apple didn’t need to launch a second-generation iPad. The original commands around 80% of the US tablet market. It is less than a year out of the box. But when Jobs can improve on one of Apple’s products, you can rest assured that he will. Thinner, lighter and faster than its predecessor, the iPad 2 has a smaller footprint than the original – plus two cameras and extra software such as GarageBand. At 241mm tall, 186mm wide and 8.6mm thick, Apple’s iPad 2 is the sleekest tablet computer on the market. Its minimalist outer shell is complemented by a new “smart cover” that removes all the smears that come with thumbing and prodding the screen. Unlike its older brother, the iPad 2 has rounded edges, meaning it can be held more comfortably for longer. And at 100g lighter, it is noticeably more comfortable to hold than its predecessor, which could become uncomfortable if held in the same position for more than 10 minutes. The greatest departure from the original iPad is its speed. Apple claims that loading apps, playing games and browsing the internet are up to up to twice as fast as on the original. Certainly, internet browsing is the most striking difference. Fixtures on the average internet page tend to load all at once – Flash excepted, of course – and sometimes five or six seconds ahead of the original iPad. As an owner of the original iPad, I’ve never felt that performance was lagging (then again, I also own a 20-month-old iPhone 3G), but the iPad 2′s A5 dual core processor makes it much more responsive to touch. The graphics upgrade is really only noticeable when playing £5.99 shoot-em-up games or streaming long-form programming such as the iPlayer. For most people, I suspect the greatest immediate draw to the iPad 2 will be the cameras. Apple was slammed when it didn’t include them in its first edition and later claimed it to be users’ most-wanted function. Sadly, the cameras on this device are left wanting. Leaving aside the question of whether people really want to wave a 10inch x 7inch computer around in public, the VGA-quality front and rear-facing cameras – for video and stills – are pixel-poor and not flattered by the iPad’s high-quality screen. The rear-facing camera is put to best use with FaceTime, Apple’s video-calling function. Which leads us to software. The iPad 2 includes a string of media apps which first-generation owners won’t ever get a look at. Apple’s popular music-making software GarageBand (which iPad 1 users can get if they upgrade to iOS 4.3) is great fun and a boon for those with rambunctious young kids knocking about the house. Warning: it doesn’t come with headphones so don’t turn the volume up too loud. Apple’s movie-making app, iMovie, also finds a new home on the iPad 2. Precision editing was never one of the iPad’s strong points – writers bemoan spending hours hovering over misspelt words before the cursor would respond to the change – so the iPad seems an unnatural home for iMovie. Frankly, uploading to the web or to a synced Mac is so painless that iMovie could happily gather dust for most users. (A new hall-of-mirrors-style app called Photo Booth is so pointless it wastes good real estate – it can’t be deleted.) Despite the faster processor and enhanced graphics, the iPad 2′s battery life is on a par with the original; long-life performance is one of the device’s strongest selling points. My one qualm has to be the amount of time it takes for the iPad to charge – inordinately long compared with drain time. Apple’s attention to detail shines through with the new “Smart Cover”. At the iPad 2 launch, Jobs spent so much time demonstrating this magically magnetic clip-on sheath that I thought it would inevitably be a flop. In fact, the Smart Cover promises to shut out all the third-party manufacturers that churned out dog-eared cases for the iPad 1. Overall, the iPad 2 offers a string of incremental but important improvements on its predecessor. It remains a stretch ahead of the pack – though not quite “lapping the competition”, as Apple would like to make out – and it is hard to find any serious shortcomings with the second-generation tablet. However owners of the original iPad should not feel too sore about the upgrade: you don’t need to buy a new tablet. Those waiting to buy their first tablet could do much worse than the iPad 2. iPad Tablet computers Apple Computing Digital media Josh Halliday guardian.co.uk
Continue reading …Apple remains ahead of the pack with the iPad 2, which offers faster web browsing, better graphics – and a really clever cover Apple chief Steve Jobs made a point of knocking rivals’ “copycat” tablet computers at the iPad 2 launch earlier this month. Samsung, RIM and Motorola “aren’t even catching up with the first iPad”, he said. Apple didn’t need to launch a second-generation iPad. The original commands around 80% of the US tablet market. It is less than a year out of the box. But when Jobs can improve on one of Apple’s products, you can rest assured that he will. Thinner, lighter and faster than its predecessor, the iPad 2 has a smaller footprint than the original – plus two cameras and extra software such as GarageBand. At 241mm tall, 186mm wide and 8.6mm thick, Apple’s iPad 2 is the sleekest tablet computer on the market. Its minimalist outer shell is complemented by a new “smart cover” that removes all the smears that come with thumbing and prodding the screen. Unlike its older brother, the iPad 2 has rounded edges, meaning it can be held more comfortably for longer. And at 100g lighter, it is noticeably more comfortable to hold than its predecessor, which could become uncomfortable if held in the same position for more than 10 minutes. The greatest departure from the original iPad is its speed. Apple claims that loading apps, playing games and browsing the internet are up to up to twice as fast as on the original. Certainly, internet browsing is the most striking difference. Fixtures on the average internet page tend to load all at once – Flash excepted, of course – and sometimes five or six seconds ahead of the original iPad. As an owner of the original iPad, I’ve never felt that performance was lagging (then again, I also own a 20-month-old iPhone 3G), but the iPad 2′s A5 dual core processor makes it much more responsive to touch. The graphics upgrade is really only noticeable when playing £5.99 shoot-em-up games or streaming long-form programming such as the iPlayer. For most people, I suspect the greatest immediate draw to the iPad 2 will be the cameras. Apple was slammed when it didn’t include them in its first edition and later claimed it to be users’ most-wanted function. Sadly, the cameras on this device are left wanting. Leaving aside the question of whether people really want to wave a 10inch x 7inch computer around in public, the VGA-quality front and rear-facing cameras – for video and stills – are pixel-poor and not flattered by the iPad’s high-quality screen. The rear-facing camera is put to best use with FaceTime, Apple’s video-calling function. Which leads us to software. The iPad 2 includes a string of media apps which first-generation owners won’t ever get a look at. Apple’s popular music-making software GarageBand (which iPad 1 users can get if they upgrade to iOS 4.3) is great fun and a boon for those with rambunctious young kids knocking about the house. Warning: it doesn’t come with headphones so don’t turn the volume up too loud. Apple’s movie-making app, iMovie, also finds a new home on the iPad 2. Precision editing was never one of the iPad’s strong points – writers bemoan spending hours hovering over misspelt words before the cursor would respond to the change – so the iPad seems an unnatural home for iMovie. Frankly, uploading to the web or to a synced Mac is so painless that iMovie could happily gather dust for most users. (A new hall-of-mirrors-style app called Photo Booth is so pointless it wastes good real estate – it can’t be deleted.) Despite the faster processor and enhanced graphics, the iPad 2′s battery life is on a par with the original; long-life performance is one of the device’s strongest selling points. My one qualm has to be the amount of time it takes for the iPad to charge – inordinately long compared with drain time. Apple’s attention to detail shines through with the new “Smart Cover”. At the iPad 2 launch, Jobs spent so much time demonstrating this magically magnetic clip-on sheath that I thought it would inevitably be a flop. In fact, the Smart Cover promises to shut out all the third-party manufacturers that churned out dog-eared cases for the iPad 1. Overall, the iPad 2 offers a string of incremental but important improvements on its predecessor. It remains a stretch ahead of the pack – though not quite “lapping the competition”, as Apple would like to make out – and it is hard to find any serious shortcomings with the second-generation tablet. However owners of the original iPad should not feel too sore about the upgrade: you don’t need to buy a new tablet. Those waiting to buy their first tablet could do much worse than the iPad 2. iPad Tablet computers Apple Computing Digital media Josh Halliday guardian.co.uk
Continue reading …Nazareth in Colombia says travellers don’t spend much and show little respect to indigenous people The small Amazonian town of Nazareth is a traveller’s dream. Wildlife prowls the surrounding jungles and the indigenous inhabitants practise ceremonies that long predate the arrival of the Spanish conquistadores. But it may be advisable for tourists to give the place a wide berth. Villagers here have declared their town off limits to travellers, even though this stretch of the Amazon river is playing host to more visitors than ever. Their main complaint: tourists’ behaviour, and that only a fraction of the money they spend trickles down to the indigenous. “What we earn here is very little. Tourists come here, they buy a few things, a few artisan goods, and they go. It is the travel agencies that make the good money,” said Juvencio Pereira, an Indigenous Guard, Nazareth’s unofficial volunteer police force. The town of 800 people, a 20-minute boat ride from the tourist hub of Leticia, takes its ban seriously. At the entrance, Pereira and other guards stand armed with their traditional sticks ready to deter unwelcome visitors. Nazareth resident Grimaldo Ramos feels that some tourists can’t distinguish between the wildlife and the Amazon’s residents, snapping photos of indigenous families as if they were another animal. “Tourists come and shove a camera in our faces,” he said. “Imagine if you were sitting in your home and strangers came in and started taking photos of you. You wouldn’t like it.” Nazareth’s actions reveal a split among the indigenous communities that live along the river about what role tourism should play in the region’s development. With the rise of eco-tourism, this part of the Amazon, which joins Colombia, Peru and Brazil, has seen a flood of travellers arriving to experience the world’s most biologically diverse region. Tourists swim with the Amazon’s pink dolphins, fish for piranhas, hike through the rainforests and take in the sunsets over the mighty river. According to the tourism office for the Colombian province of Amazonas, the 35,000 people who trekked to the region in 2010 represent a fivefold surge in numbers over the past eight years. But as Nazareth complains, the indigenous people have so far seen little of the benefits, mostly just the sharp end of tourism. A common concern among indigenous leaders is that local children are adopting the outsiders’ ways. A stroll through the riverbank towns of Macedonia, Puerto Narino and even Nazareth itself shows many children are more comfortable in “western” dress and listening to the imported music of reggaeton and Colombia’s vallenato. And then there are the inevitable misunderstandings of two cultures interacting. What a tourist may consider polite curiosity about indigenous culture can seem to some here intrusive and even an attempt to gain sacred tribal wisdom. “We don’t like it when they ask members of the community about our traditional knowledge and the medicines we possess,” said Pereira. Other communities, however, take the view that the number of visitors to the region is only going to rise, so they might as well profit from it. A couple of hours downriver lies Puerto Narino. It hosts a steady flow of visitors, but all must use the travel agencies based in the town. Puerto Narino’s mayor, Nelson Ruiz, understands Nazareth’s worries, but says that if tourism is well regulated it can help lift these communities out of the poverty that troubles much of this zone. “Other communities fear tourism can damage culture, damage our water resources with trash, destroy the environment, we don’t want that,” he says, adding visitors are expected to abide by certain rules, such as no drug-taking and no sexual tourism. For the residents back in Nazareth though, the loss of tourist revenue is a trade-off worth making. “We feel good here without tourists, there are no little annoyances,” said Ramos. Indigenous peoples Amazon Biodiversity South America Colombia Colombia Toby Muse guardian.co.uk
Continue reading …Click here to view this media America has gone crazy! Well, Arizona certainly leads the way to bizzaro land with the actions of Sheriff Joe Arpaio . And is there such a thing as Action Star Steven Seagal anymore? Sheriff Joe Arpaio rolled out the tanks to take down a man suspected of cockfighting. West Valley residents in the neighborhood are crying foul after armored vehicles, including a tank, rolled into their neighborhood to make the bust. Neighbor Debra Ross was so worried she called 911 and went outside where a nearby home had its windows blown out, was crawling with dozens of SWAT members in full gear, armored vehicles and a bomb robot .“When the tank came in and pushed the wall over and you see what’s in there, and all it is, is a bunch of chickens,” Ross said. In a massive show of force on Monday, the Maricopa County Sheriff’s Office executed a search warrant and arrested the homeowner, Jesus Llovera, on charges of suspected cockfighting. Llovera was alone in the house at the time of the arrest, and he was unarmed.“I think taxpayers should be shocked,” said Robert Campus, Llovera’s attorney. Campus said he believes the operation costs tens of thousands of dollars. Deputies had no probable cause to believe Llovera was armed or dangerous, according to Campus. Campus said he believes the entire scene was basically a stage, to help actor Steven Seagal’s TV show, “Lawman.” Seagal was riding in the tank . The Sheriff’s Department has entered into a contract with Seagal and part of that contract gives Seagal carte blanche to go along with the sheriff as he arrests people. Thousands of dollars in damages were made to the property and 115 birds were euthanized on the spot.Llovera was convicted of a misdemeanor last year of attending a cockfight and has no history of owning weapons. Yet the sheriff’s office said they had reasons to believe Llovera might be armed. “We’re going to err on the side of caution. We’re going to make sure that we have the appropriate amount of force in case we do run into anything like that,” said Sgt. Jesse Spurgin. We noticed that Seagal had been recruited along with Lou Ferrigno into Arpaio’s “posse” of brown-people-rounder-uppers back when it happened. Gee, who could have foreseen it would turn out to be a gigantic publicity stunt at taxpayer expense?
Continue reading …Oscar Pistorius, ticketing guides and Visa’s new Olympics ad 490 days to go As promised , here is this week’s selection of the best London 2012 Olympics content on the web (please add links below the line or send via email or Twitter . 1. Top 10 Olympic travel tips from Diamon Geezer . He also has a pretty good ticket guide (Via Owen Gibson ) 2. There’s an (unofficial) app for that . 3. Visa has a London 2012 ad featuring plenty of Olympic stars. Eat your heart out Mastercard. Oliver Holt in the Mirror had this to say about it. (Via Penny Woods ) 4. Worried about staying in London during the Games? Matt Beard of the London Evening Standard reports: “Top hotel chains in crisis talks with 2012 Olympics organisers over ‘rip-off’ re-sale packages.” 5. Have you looked at the terms and conditions of Olympic Tickets ? Nick Pearce did and here’s what he found . 6. Oscar Pistorius’ dream of running in theOlympic Games at London 2012 moved a step closer when the South African set a new personal best, just 0.06 seconds short of the ‘A’ standard needed for automatic Olympic qualification, reports the BBC . 7. Want to know more about the BOA v Locog row? This piece by Alan Hubbard uses boxing metaphors to explain. (Via Owen Gibson again) 8. The mountain-biking arena is ready . 9. Should handball be an Olympic sport? There was a brief but entertaining below the line debate on our Watching The Games series . 10. For 2012 refuseniks, here’s an apposite cartoon from the Daily Telegraph’s Matt . (Via Chei Amlani ) Please share your thoughts or more links below the line or send via email or Twitter . Olympic Games 2012 Olympics 2012: Handball Steve Busfield guardian.co.uk
Continue reading …High hopes for green motoring as UK’s first mass-produced electric vehicle hits dealerships • Testdriving the Nissan Leaf Their sometimes clunky designs, short range between recharges and super-car price tags have put many drivers off buying an electric car. But that could soon change with the launch of the UK’s first mass-produced electric vehicle. The Nissan Leaf, an all-electric family car with the performance of a Ford Focus but a fraction of the greenhouse gas emissions, is delivered to UK dealerships today. More than 600 fans of greener driving have been waiting since last September to get their hands on the Leaf, one of only a handful of electric vehicles available in the UK. Mark Goodier, the Smooth Radio DJ, is one of the first. “The great thing about electric cars is that the fuel distribution is already in place,” he said. “We all have mains electricity at home. We have it at work and councils are already working on how to install thousands of charging points at the roadside. You can see why electric vehicles make such sense, particularly in towns and cities.” At £30,990, the Leaf is at the expensive end of the family car budget, but drivers can claim a £5,000 government grant towards the cost . They are also exempt from road tax and congestion charges, and if it is used as a company car, it is not taxed as a benefit-in-kind and the employer pays no national insurance contributions on it. A full charge will last for about 110 miles, Nissan calculates, and cost about £2 in electricity. That compares with about £12 for 110 miles for a petrol-driven car of a similar size. Even with George Osborne’s budget give-away to “Ford Focus families”, in the form of a 1p cut to fuel duty announced on Wednesday , switching to an electric car is likely to save the average driver more than £1,500 a year. Ministers are hoping that the wider availability of electric cars will help to reduce greenhouse gas emissions from transport, which will be essential to meeting climate change targets. They also hope to spark investment in a new manufacturing industry. While the Leafs being driven out of dealerships this week were built in Japan, from 2013 they will be built at the Nissan plant in Sunderland . Other electric cars available in the UK include the Mitsubishi i-MiEV, the Smart Fortwo electric drive, the Peugeot iOn and Citroen C-Zero, but some are limited to leasing deals at present. More are scheduled to follow, including the Chevrolet Volt and Tata Vista. But the electric “revolution” in driving has got off to a slow start. Only 55 electric cars were sold in the UK in 2009, though that was before the government’s new grants took effect. The government’s climate advisers, the Committee on Climate Change , says the country needs 1.7m of them on the roads by 2020 to help meet the country’s tough carbon targets. This year is not likely to prove a breakthrough, despite the new cars reaching garages, according to Andrew Close, European manager for powertrain forecasts at IHS Global Insight. “It might be the first year people notice electric cars driving around – normal people rather than G-Wiz owners,” he said. “But 2011 will not see any breakthrough in volume [of cars on the road], though it will be a considerable jump from before. 2011 is way too early, £5,000 or not – the vehicles are expensive, constrained in supply and there are still too many good [conventional car] alternatives.” Fans of greener cars are happy with their expanded choice, though. Richard Todd, a silicon chip designer from St Albans, used to drive a Toyota Prius, a hybrid half-electric and half-petrol car. “As an engineer I have always wanted an electric car – I’ve just had to wait for the battery technology to arrive,” he said. “Hybrids are good but the driving experience of an all-electric vehicle is way beyond this.” A comprehensive charging network is currently under development in the UK, and Nissan’s network of EV dealers – currently 26 sites nationwide – will be equipped with a quick charger, which will charge the battery from zero to 80% capacity in under 30 minutes. Across the UK there are programmes under way to install around 9,000 charge points by 2013. Electric, hybrid and low-emission cars Carbon emissions Travel and transport Ethical and green living Motoring Fiona Harvey Adam Vaughan guardian.co.uk
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