Deep End: pulled from the water

Deep End was acclaimed by critics. Then it all but sank out of view. Ryan Gilbey on a newly salvaged British classic It’s not uncommon for movies to drop out of circulation and simply disappear, as fans of Deep End will attest. Barely seen since its release in 1971, the film concerns Mike (played by John Moulder-Brown ), a floppy-fringed 15-year-old who becomes dangerously infatuated with Susan ( Jane Asher ), his co-worker at the public baths. What’s unusual about this prolonged absence is that it should have befallen a film so passionately admired. The influential critic Andrew Sarris thought it measured up to the best of Godard, Truffaut and Polanski. The New Yorker’s Penelope Gilliatt called it “a work of peculiar, cock-a-hoop gifts”. If something as venerated as Deep End can sink, what hope for the rest of cinema? After years of being mired in rights issues, this vivid, rapturous film is about to return in a restored print. It’s appropriate that such an elusive picture should transpire to not be quite what it seems. What could have been just another coming-of-age story is transformed by an absurdist sensibility, uninhibited performances and a heightened use of colour. Although considered a defining British work, as well as one of the most acute screen portraits of London, Deep End is actually a US/German co-production, written and directed by a Pole ( Jerzy Skolimowski , best known then for co-scripting Polanski’s Knife in the Water ), and shot largely in Munich. There are glimpses of the capital –

Posted by on May 1, 2011. Filed under News, Politics, World News. You can follow any responses to this entry through the RSS 2.0. You can skip to the end and leave a response. Pinging is currently not allowed.