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Iran’s supreme leader attacks ‘harmful’ books

Ayatollah Ali Khamenei speaks out against books with ‘political hidden motives’, prompting criticism from former culture minister Iran’s former culture minister, Ataollah Mohajerani, has criticised the country’s supreme leader for restricting access to literature after Ayatollah Ali Khamenei publicly attacked “harmful books” and likened them to “poisonous” drugs. In a meeting with librarians and officials from Iran’s book industry on Wednesday, Khamenei spoke out against books “with a cultural appe arance but with specific political hidden motives. “Not all books are necessarily good and not all of them are unharmful, some books are harmful,” he said, according to his official website, Khamenei.ir. Mohajerani who was culture minister until 2000 under the reformist president Mohammad Khatami, said the ayatollah was worried about “literary, philosophical and social” books that might raise questions about his legitimacy as the supreme leader. “I think that he is very much concerned about books that can either implicitly or explicitly target his position as the supreme leader and also his legitimacy.” He had fallen foul of the ayatollah when he was at the ministry as he favoured greater cultural openness and removed thousands of titles from the lists of banned books. Some analysts believe his lack of deference to the hardline ayatollah was another reason he came under attack from conservative clerics which finally forced him to resign. Numerous publications were closed down after he went. He currently lives in exile in London. In his speech, the 72-year-old Khamenei, whose pronouncements are often interpreted as official guidelines, refused to give more details on which books he deemed “harmful”. However, titles ranging from uncensored version of Plato’s Symposium to Louis-Ferdinand Céline’s Journey to the End of the Night and works by James Joyce, Gabriel García Márquez, Kurt Vonnegut and Paulo Coelho have been banned in recent years by Iran’s ministry of culture and Islamic guidance which vets all books before publication. According to Mohajerani, Khamenei is a fan of fiction and closely follows publication of novels and other literary books. “Those responsible in the book industry should not let harmful books enter our book market on the basis that we let them [readers] choose [what they want to read],” Khamenei told cheering crowds. “Like poisonous, dangerous and addictive drugs which are not available for everyone without restrictions … as a publisher, librarian or an official in the book industry, we don’t have the right to make [such books] available to those without knowledge,” he said. “We should provide them with healthy and good books.” Mohajerani said: “His comments stem from a traditional clerical mentality that clerics guide people as shepherds guide their sheep, this is a viewpoint that doesn’t have any place in today’s life.” Although Iran’s constitution prohibits censorship, publishers are required to submit all books to the cultural ministry where they are usually checked by three separate people charged with censoring words and phrases or labelling them as “inappropriate” for publication. The supreme leader’s comments come weeks after several writers complained about the time-consuming procedure of book publishing; some said they have waited several months and even years for permission. Mohammad Mohammad-Ali, a celebrated fiction writer told the semi-official Isna news agency in a recent interview that he had waited for over two and a half years for permission to publish 10 of his books, but only one had so far been approved for publication. Hassan Homayoun, a journalist and poet who has monitored censorship in Iran has published on his blog a series of comments made by censors. According to Homayoun, in review of a poetry book, a censor commented that it lacked appropriate rhythm. With regard to a book by Gholam-Hossein Saedi, the censor said it contained sexually-provocative material and was too ambiguous and allegorical. In review of a book written by celebrated writer Mahmoud Dolatabadi, a censor said that it was too depressing. Censors go as far as advising writers to substitute certain words with other “appropriate” phrases, should they wish their book to be approved. In an interview with the semi-official Ilna news agency, another writer, Mohammad Baghaei Makan, said he was asked to change “wine” to “coffee” in a text he wrote in which he, ironically, expressed contempt for wine. According to Ilna, words such as “kiss”, “beloved”, “wine” ,”drunk”, “pork”, “dance”, “rape”, “dog” and “meditation” are among others frequently asked to be substituted. Shahriar Mandanipour, an Iranian novelist and a victim of censorship in Iran, has written a novel based on his experiences. Censoring an Iranian Love Story , published in 2009, follows the journey of a fictional writer who meets the man responsible for censoring his book. In the face of book censorship in Iran, many celebrated writers such as Mahmoud Dolatabadi and Reza Barahani whose books are banned in Iran have chosen to publish their books in other languages outside the country. Ayatollah Ali Khamenei Iran Saeed Kamali Dehghan guardian.co.uk

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Iran’s supreme leader attacks ‘harmful’ books

Ayatollah Ali Khamenei speaks out against books with ‘political hidden motives’, prompting criticism from former culture minister Iran’s former culture minister, Ataollah Mohajerani, has criticised the country’s supreme leader for restricting access to literature after Ayatollah Ali Khamenei publicly attacked “harmful books” and likened them to “poisonous” drugs. In a meeting with librarians and officials from Iran’s book industry on Wednesday, Khamenei spoke out against books “with a cultural appe arance but with specific political hidden motives. “Not all books are necessarily good and not all of them are unharmful, some books are harmful,” he said, according to his official website, Khamenei.ir. Mohajerani who was culture minister until 2000 under the reformist president Mohammad Khatami, said the ayatollah was worried about “literary, philosophical and social” books that might raise questions about his legitimacy as the supreme leader. “I think that he is very much concerned about books that can either implicitly or explicitly target his position as the supreme leader and also his legitimacy.” He had fallen foul of the ayatollah when he was at the ministry as he favoured greater cultural openness and removed thousands of titles from the lists of banned books. Some analysts believe his lack of deference to the hardline ayatollah was another reason he came under attack from conservative clerics which finally forced him to resign. Numerous publications were closed down after he went. He currently lives in exile in London. In his speech, the 72-year-old Khamenei, whose pronouncements are often interpreted as official guidelines, refused to give more details on which books he deemed “harmful”. However, titles ranging from uncensored version of Plato’s Symposium to Louis-Ferdinand Céline’s Journey to the End of the Night and works by James Joyce, Gabriel García Márquez, Kurt Vonnegut and Paulo Coelho have been banned in recent years by Iran’s ministry of culture and Islamic guidance which vets all books before publication. According to Mohajerani, Khamenei is a fan of fiction and closely follows publication of novels and other literary books. “Those responsible in the book industry should not let harmful books enter our book market on the basis that we let them [readers] choose [what they want to read],” Khamenei told cheering crowds. “Like poisonous, dangerous and addictive drugs which are not available for everyone without restrictions … as a publisher, librarian or an official in the book industry, we don’t have the right to make [such books] available to those without knowledge,” he said. “We should provide them with healthy and good books.” Mohajerani said: “His comments stem from a traditional clerical mentality that clerics guide people as shepherds guide their sheep, this is a viewpoint that doesn’t have any place in today’s life.” Although Iran’s constitution prohibits censorship, publishers are required to submit all books to the cultural ministry where they are usually checked by three separate people charged with censoring words and phrases or labelling them as “inappropriate” for publication. The supreme leader’s comments come weeks after several writers complained about the time-consuming procedure of book publishing; some said they have waited several months and even years for permission. Mohammad Mohammad-Ali, a celebrated fiction writer told the semi-official Isna news agency in a recent interview that he had waited for over two and a half years for permission to publish 10 of his books, but only one had so far been approved for publication. Hassan Homayoun, a journalist and poet who has monitored censorship in Iran has published on his blog a series of comments made by censors. According to Homayoun, in review of a poetry book, a censor commented that it lacked appropriate rhythm. With regard to a book by Gholam-Hossein Saedi, the censor said it contained sexually-provocative material and was too ambiguous and allegorical. In review of a book written by celebrated writer Mahmoud Dolatabadi, a censor said that it was too depressing. Censors go as far as advising writers to substitute certain words with other “appropriate” phrases, should they wish their book to be approved. In an interview with the semi-official Ilna news agency, another writer, Mohammad Baghaei Makan, said he was asked to change “wine” to “coffee” in a text he wrote in which he, ironically, expressed contempt for wine. According to Ilna, words such as “kiss”, “beloved”, “wine” ,”drunk”, “pork”, “dance”, “rape”, “dog” and “meditation” are among others frequently asked to be substituted. Shahriar Mandanipour, an Iranian novelist and a victim of censorship in Iran, has written a novel based on his experiences. Censoring an Iranian Love Story , published in 2009, follows the journey of a fictional writer who meets the man responsible for censoring his book. In the face of book censorship in Iran, many celebrated writers such as Mahmoud Dolatabadi and Reza Barahani whose books are banned in Iran have chosen to publish their books in other languages outside the country. Ayatollah Ali Khamenei Iran Saeed Kamali Dehghan guardian.co.uk

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Forensic scientists are conducting tests on a skull unearthed at the bottom of Pearl Harbor to determine if it is that of a Japanese pilot who died in the historic attack on Dec. 7, 1941. An excavation crew dredging the harbor recently made the startling discovery; after early analysis, an…

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Jennifer Aniston and Justin Theroux have been dating for two months, so it’s about time for the inevitable deluge of breathless stories about their progress toward the altar. Hollywood Life reports that they’ve been spotted wearing engagement rings, and cites an OK! story claiming the pair is “kind of pre-engaged,…

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Anjelica Huston: ‘I find extreme characters irresistible’

Her father was scary. Vincent Gallo got vicious. And Jack Nicholson taught her never to give a brown present. Anjelica Huston tells John Patterson about a life among Hollywood royalty The last time I met Anjelica Huston was six or seven years ago in a luxury oceanfront hotel in Venice, California. It was windy and cold, Huston was still a smoker – we talked outside in the wind while she lit up like a naughty schoolgirl. Today, it’s a blisteringly hot day, she’s an enviably youthful 60, an ex-smoker now, sitting in the lounge of the luxury hotel next door, before a gigantic cinemascope window affording guests a million-dollar view of the Pacific, which looks seriously tempting in today’s heat. “I went in the ocean this year, the day after my birthday,” she tells me as we watch the breakers gently roll in, “and it was actually really nice. It’s like the Eiffel Tower is for Parisians, though, the beach in LA. It’s right there, but you barely even look at it most of the time.” Spoken like a true Angeleno. We’re here to talk about Horrid Henry: The Movie , a swivel-eyed comedy based on the children’s books by Francesca Simon and Tony Ross, in which she plays the screechy teacher, Miss Battle-Axe (we’re on the uglied-up Morticia Addams end of the Huston spectrum again). “It’s very British material to me, and I’ve always been strangely attracted to these extreme characters, like Miss Battle-Axe. I found her irresistible! I hadn’t seen the cartoon or the book, which I hear is second in popularity in Britain to Harry Potter. I guess you have to have a few seven-year-old children to really appreciate that.” How was it working with all those kids? “Most of my scenes were with Theo Stevenson [the titular bad boy], but English kids are so polite and enthusiastic, and not blase. I did that movie Daddy Day Care , with a bunch of five- and six-year-old American kids, and they were so sophisticated and scarily together compared with this group, who were sweet and happy and enthusiastic. The script was very charming, I liked the director, and it felt like a good idea to go and play in London for a while.” Huston arrives alone, no PR flak, no retinue, no muscle, just a slender, well-dressed and coiffed California woman of a certain age and, if you look closely enough, a striking, instantly familiar cast of feature. But today, in white pants, a simple blouse and open-toed sandals, she might as well be in disguise. She probably walked here today from her home nearby, unrecognised and unmolested. To be as unassuming and well-adjusted and as smart and, well, as normal as Anjelica Huston has turned out to be is, to say the least, unusual among the children of fathers as legendary – and notorious – as hers, the buccaneering, larger-than-life, genius-hero-monster John Huston , a maverick back when that word still meant

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Anjelica Huston: ‘I find extreme characters irresistible’

Her father was scary. Vincent Gallo got vicious. And Jack Nicholson taught her never to give a brown present. Anjelica Huston tells John Patterson about a life among Hollywood royalty The last time I met Anjelica Huston was six or seven years ago in a luxury oceanfront hotel in Venice, California. It was windy and cold, Huston was still a smoker – we talked outside in the wind while she lit up like a naughty schoolgirl. Today, it’s a blisteringly hot day, she’s an enviably youthful 60, an ex-smoker now, sitting in the lounge of the luxury hotel next door, before a gigantic cinemascope window affording guests a million-dollar view of the Pacific, which looks seriously tempting in today’s heat. “I went in the ocean this year, the day after my birthday,” she tells me as we watch the breakers gently roll in, “and it was actually really nice. It’s like the Eiffel Tower is for Parisians, though, the beach in LA. It’s right there, but you barely even look at it most of the time.” Spoken like a true Angeleno. We’re here to talk about Horrid Henry: The Movie , a swivel-eyed comedy based on the children’s books by Francesca Simon and Tony Ross, in which she plays the screechy teacher, Miss Battle-Axe (we’re on the uglied-up Morticia Addams end of the Huston spectrum again). “It’s very British material to me, and I’ve always been strangely attracted to these extreme characters, like Miss Battle-Axe. I found her irresistible! I hadn’t seen the cartoon or the book, which I hear is second in popularity in Britain to Harry Potter. I guess you have to have a few seven-year-old children to really appreciate that.” How was it working with all those kids? “Most of my scenes were with Theo Stevenson [the titular bad boy], but English kids are so polite and enthusiastic, and not blase. I did that movie Daddy Day Care , with a bunch of five- and six-year-old American kids, and they were so sophisticated and scarily together compared with this group, who were sweet and happy and enthusiastic. The script was very charming, I liked the director, and it felt like a good idea to go and play in London for a while.” Huston arrives alone, no PR flak, no retinue, no muscle, just a slender, well-dressed and coiffed California woman of a certain age and, if you look closely enough, a striking, instantly familiar cast of feature. But today, in white pants, a simple blouse and open-toed sandals, she might as well be in disguise. She probably walked here today from her home nearby, unrecognised and unmolested. To be as unassuming and well-adjusted and as smart and, well, as normal as Anjelica Huston has turned out to be is, to say the least, unusual among the children of fathers as legendary – and notorious – as hers, the buccaneering, larger-than-life, genius-hero-monster John Huston , a maverick back when that word still meant

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Lucian Freud dies aged 88

Art dealer William R Acquavella says the painter died after an illness British artist Lucian Freud has died at the age of 88, his solicitor said. In a statement, Diana Rawstron, who has represented Freud for many years, said: “Lucian Freud, artist, born 8 December 1922 in Berlin, died peacefully last night [Wednesday 20 July] at his home in London.” The painter, a towering figure in the art world for more than 50 years, died after an illness, his New York-based art dealer said. William Acquavella said in a statement that he would mourn Freud “as one of the great painters of the 20th century”. Mr Acquavella added: “He lived to paint and painted until the day he died, far removed from the noise of the art world.” Nicholas Serota, director of the Tate art gallery, said: “The vitality of his nudes, the intensity of the still life paintings and the presence of his portraits of family and friends guarantee Lucian Freud a unique place in the pantheon of late 20th century art. “His early paintings redefined British art and his later works stand comparison with the great figurative painters of any period.” • More details to follow shortly … Lucian Freud Painting Art guardian.co.uk

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Lucian Freud dies aged 88

Art dealer William R Acquavella says the painter died after an illness British artist Lucian Freud has died at the age of 88, his solicitor said. In a statement, Diana Rawstron, who has represented Freud for many years, said: “Lucian Freud, artist, born 8 December 1922 in Berlin, died peacefully last night [Wednesday 20 July] at his home in London.” The painter, a towering figure in the art world for more than 50 years, died after an illness, his New York-based art dealer said. William Acquavella said in a statement that he would mourn Freud “as one of the great painters of the 20th century”. Mr Acquavella added: “He lived to paint and painted until the day he died, far removed from the noise of the art world.” Nicholas Serota, director of the Tate art gallery, said: “The vitality of his nudes, the intensity of the still life paintings and the presence of his portraits of family and friends guarantee Lucian Freud a unique place in the pantheon of late 20th century art. “His early paintings redefined British art and his later works stand comparison with the great figurative painters of any period.” • More details to follow shortly … Lucian Freud Painting Art guardian.co.uk

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Not only did President Obama screw up his toast to the Queen and the date on his signature in the Westminster Abbey guest book during his visit to England in May, he also screwed up traffic protocol. His motorcade apparently failed to pay the $16 congestion charge required when driving…

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Though police still don’t know exactly what happened on the day Rebecca Nalepa was found hanging, naked, in the home of her pharmaceutical CEO boyfriend Jonah Shacknai, details are emerging as to her state the day before. The Daily Mail reports that Nalepa was sobbing at a local kennel where…

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