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Third of Africans ‘now middle class’

Findings challenge view of continent as a place of famine and poverty One in three Africans is middle class, a rising group of consumers to rival those of China and India, researchers have found. Record numbers of people in Africa own houses and cars, use mobile phones and the internet and send their children to private schools and foreign universities, according to the African Development Bank. Mthuli Ncube, the bank’s chief economist, said the findings should challenge long-held perceptions of Africa as a continent of famine, poverty and hopelessness. “Hey you know what, the world please wake up, this is a phenomenon in Africa that we’ve not spent a lot of time thinking about,” Ncube said. “There is a middle class that is driven by specific factors such as education and we should change our view and work with this group to create a new Africa and make sure Africa realises its full potential.” Ncube said the study used an absolute definition of middle class, meaning people who spend between $2 and $20 a day, which he believed was appropriate given the cost of living for Africa’s nearly 1 billion people. The study found that, by last year, Africa’s middle class had risen to about 34% of the continent’s population, or about 313m people – up from around 111m (26%) in 1980 and 196m (27%) in 2000. The growth rate of the middle class over the past 30 years was about 3.1%, slightly faster than that of the total population. Tunisia, Morocco and Egypt had proportionately the biggest middle classes in Africa, while Liberia, Burundi and Rwanda had the smallest. The Africa middle classes are more likely to have salaried jobs or own small businesses. They tend not to rely entirely on public health services, seeking more expensive medical care. The middle classes tend to have fewer children and spend more on their nutrition and schooling. Sales of fridges, TVs and mobile phones have surged in virtually every African country in recent years, the report said. Possession of cars and motorcycles in Ghana, for example, has gone up by 81% in the past five years. “They own houses and they account for the bulk of housing ownership,” Ncube said. “They own cars – people are driving cars in Lagos, in Kampala, in Harare, in Ouagadougou – it’s the same middle class. You can even see it in the consumption of petrol. The bulk of them are consuming ICT services and mobile telephony, although the poor are also consumers of mobile telephone services.. They would also send their children to school, preferably private schools, but also schools outside the continent. The same class is sending their children to universities outside their home country, in South Africa, in Australia, in Canada, naturally Europe – France is a bigger absorber from the French-speaking countries – and the US.” The middle class was responsible for at least half of Africa’s GDP of $1.6tn, he added. The trend reflected years of sustained economic growth, with sub-Saharan Africa projected at 5.5% this year. “This has implications,” Ncube said. “How should the rest of the world engage with Africa, given this middle class? I think it means that those who want to invest should take the opportunity and look for partners within Africa to invest jointly with.” The focus of aid and development assistance would also have to change in the next 10 to 15 years, he argued. “It will have to concentrate less on the bottom of the pyramid and move to the middle, which means it has to be supportive of private sector initiatives, which then are the way middle class people conduct their lives.” Africa has a relatively young population and has seen millions migrate from rural areas to cities, where shopping malls with designer labels and smart coffee shops are springing up across the continent. Ncube acknowledged that a widening, internet-literate middle class could pose a threat to autocratic leaders, as seen in Egypt and Tunisia. “The middle class is a source of democracy in Africa in a sense that they are custodians of democracy. They are the people who are educated, they know how to vote, they know what they want, they’ve got interests to protect. Supporting this class in a way also helps institution building in Africa. But the research found that poverty remains deeply entrenched, with 61% of Africa’s population living on less than $2 a day. An estimated 21% earn only enough to spend $2 to $4 a day, leaving about 180 million people vulnerable to economic shocks that could knock them out of the new middle class. At the top of the pyramid, an elite of about 100,000 Africans had a collective net worth of 60% of the continent’s gross domestic product in 2008, the report said. Social mobility David Smith guardian.co.uk

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The art looted by the Nazis

Gallery: Photos of art stolen by Nazis from Italian and French collections and retrieved by the Allies

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The art looted by the Nazis

Gallery: Photos of art stolen by Nazis from Italian and French collections and retrieved by the Allies

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Leave it to the Dutch. Two men stormed into a police office in the Dutch city of Tiburg this week to report Barack Obama for Osama bin Laden’s “murder.” There “is a murderer who has admitted the deed on television and who dumped the evidence at sea. And the whole…

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Oh là là. The latest gardener to watch over the most famous water lilies in the world is … British. James Priest, 53, is the new manager of a sumptuous garden and pond filled with water lilies created more than a century ago by painter Claude Monet at his home of…

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Today’s new band: Ny (No 1,016)

Still only 22, this singer already has worked with Tinchy, Dappy and Davinche. No wonder she’s been dubbed first lady of R&G Hometown: Kentish Town. The lineup: Nyomi Gray (vocals, songs). The background: The company that Ny keeps could be the clincher for you. You’re either going to be enticed by the fact that she’s good friends with N-Dubz, sang on their album and recently supported them on tour … or you’re not. Then again, you might be more heartened to learn that she’s worked with producer Davinche , collaborated with Professor Green, Tinchy Stryder and the Streets, sang backing vocals with Plan B and was the featured guest on Ironik’s top 5 hit Stay With Me. The latter collaboration was in 2008 and she’s still only 22. Plus she managed to fit in a stint as Wiley’s live-in girlfriend. She’s super-connected: she’s even got Giggs rapping on her debut single Be With You, while Kirk Norcross the club manager from the Only Way Is Essex is in the video. Makes sense. The music she makes is – and we’re not being snobby here because you should see where we live – utterly suited to London’s commuter-belt discos, to Biba’s in Bromley, Oceana in Watford and Liquid in Romford. It is “classy” and “upmarket” soul, with a veneer of chav sophistication but just enough echoes of grime and dubstep that it could be marketed to that crowd as well. No wonder RWD magazine crowned her first lady of R&G – she does garage-y ballads and commercial urban pop with singing as heavy on the melismas as you’d expect from a girl reared on Mariah and Aretha, and lyrics about fighting and surviving that should speak to the Cheryl Cole demographic. She’s an interesting character, is Ny. A strict vegetarian, she was home-schooled by her mum until the age of 10 and wrote poetry growing up. Apparently, these days she does a “great deal of philanthropy and mentoring work, particularly with disadvantaged children”. In a way, she’s more interesting than her music, which is fairly generic, albeit slickly produced and accomplished. Or at least it is now. From what we’ve heard of her two mixtapes, there are schizoid impulses afoot. In fact, on the cover of Splitz Endz Vol 2, there’s a photo of her on one side wearing a ballgown, and on the other she’s head to toe in budget sportswear: half smooth soulstress, half Lady Sov. One of the tracks, What I See, even features the melody from the White Stripes’ Seven Nation Army, played on what sounds like a synth-kazoo. We’re guessing she’s going to focus on urban chart fodder, though. Which even at its most shiny, you can tell is Not American, lending it a homespun charm. Think Rihanna being piped over the PA at Lidl’s. The buzz: “Fiercely independent and incredibly driven” – famemagazine.co.uk . The truth: She’s got the formula, she’s got the formula. Most likely to: Date Mark Wright. Least likely to: Date Joey Essex. What to buy: Be With You featuring Giggs is released on 22 May. File next to: Yasmin, Jodie Connor, Cheryl Cole, Alexandra Burke. Links: facebook.com . Friday’s new band: Bleeding Knees Club. Pop and rock R&B Grime Urban music Paul Lester guardian.co.uk

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Today’s new band: Ny (No 1,016)

Still only 22, this singer already has worked with Tinchy, Dappy and Davinche. No wonder she’s been dubbed first lady of R&G Hometown: Kentish Town. The lineup: Nyomi Gray (vocals, songs). The background: The company that Ny keeps could be the clincher for you. You’re either going to be enticed by the fact that she’s good friends with N-Dubz, sang on their album and recently supported them on tour … or you’re not. Then again, you might be more heartened to learn that she’s worked with producer Davinche , collaborated with Professor Green, Tinchy Stryder and the Streets, sang backing vocals with Plan B and was the featured guest on Ironik’s top 5 hit Stay With Me. The latter collaboration was in 2008 and she’s still only 22. Plus she managed to fit in a stint as Wiley’s live-in girlfriend. She’s super-connected: she’s even got Giggs rapping on her debut single Be With You, while Kirk Norcross the club manager from the Only Way Is Essex is in the video. Makes sense. The music she makes is – and we’re not being snobby here because you should see where we live – utterly suited to London’s commuter-belt discos, to Biba’s in Bromley, Oceana in Watford and Liquid in Romford. It is “classy” and “upmarket” soul, with a veneer of chav sophistication but just enough echoes of grime and dubstep that it could be marketed to that crowd as well. No wonder RWD magazine crowned her first lady of R&G – she does garage-y ballads and commercial urban pop with singing as heavy on the melismas as you’d expect from a girl reared on Mariah and Aretha, and lyrics about fighting and surviving that should speak to the Cheryl Cole demographic. She’s an interesting character, is Ny. A strict vegetarian, she was home-schooled by her mum until the age of 10 and wrote poetry growing up. Apparently, these days she does a “great deal of philanthropy and mentoring work, particularly with disadvantaged children”. In a way, she’s more interesting than her music, which is fairly generic, albeit slickly produced and accomplished. Or at least it is now. From what we’ve heard of her two mixtapes, there are schizoid impulses afoot. In fact, on the cover of Splitz Endz Vol 2, there’s a photo of her on one side wearing a ballgown, and on the other she’s head to toe in budget sportswear: half smooth soulstress, half Lady Sov. One of the tracks, What I See, even features the melody from the White Stripes’ Seven Nation Army, played on what sounds like a synth-kazoo. We’re guessing she’s going to focus on urban chart fodder, though. Which even at its most shiny, you can tell is Not American, lending it a homespun charm. Think Rihanna being piped over the PA at Lidl’s. The buzz: “Fiercely independent and incredibly driven” – famemagazine.co.uk . The truth: She’s got the formula, she’s got the formula. Most likely to: Date Mark Wright. Least likely to: Date Joey Essex. What to buy: Be With You featuring Giggs is released on 22 May. File next to: Yasmin, Jodie Connor, Cheryl Cole, Alexandra Burke. Links: facebook.com . Friday’s new band: Bleeding Knees Club. Pop and rock R&B Grime Urban music Paul Lester guardian.co.uk

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Art stolen by Nazis goes online

Catalogue launched to help historians and families trace art looted during Hitler era Despite a reputation for reaching for their revolvers at the merest mention of culture, the Nazis were among the most ruthless, avaricious and methodical art collectors ever to cast a greedy eye and thieving hand over other people’s property. “Use every means of transport to get all works of art out of Florence … [save] works of art from English and Americans,” ran one of Heinrich Himmler’s orders. “In fine get anything away that you can get hold of. Heil Hitler.” That appetite for the most beautiful and precious works of European art saw thousands of pieces stolen from their owners between 1933 and 1945 and entire collections raided, scattered and lost. The quest to recover them and, where possible, return them to their rightful places has been under way for almost seven decades. Now, thanks to a deal between some of the world’s leading archives and museums, an online catalogue of documents has been created to help families, historians and researchers track down the missing artworks. Under an agreement signed on Thursday by organisations including Britain’s National Archives , the Commission for Looted Art in Europe , the US National Archives and Records Administration (Nara) and Germany’s Bundesarchiv , the records will be available through a single web portal . The records include files documenting the systematic expropriation of Jewish property, Adolf Hitler’s plans to establish a Führermuseum crammed with looted art in his Austrian hometown of Linz and the interrogation of art dealers. The British documents, which cover the years 1939 to 1961, also lay out the efforts made to identify the stolen works and reunite them with their owners. Among them is a report from a British art expert and RAF intelligence officer who was dispatched to Switzerland in 1945. The paper may have faded to yellow, but Douglas Cooper’s exasperation with the Swiss authorities remains fresh to this day. “Until I arrived here five weeks ago, practically nothing had been done,” he writes. “And still no steps have been taken by the Swiss government to put the looted pictures in security. This means that it is still possible for any of the present holders to dispose of them.” Cooper concedes that “a new spirit seems to have made its appearance” since his arrival, but appeals for Foreign Office support in ensuring that dispossessed owners do not have to make individual claims through the Swiss courts “because the issue is a moral one”. The National Archives and the Commission for Looted Art in Europe have worked together for two years to catalogue and digitise more than 128,000 pages of information, ranging from seizure orders and inventories to images of looted works and reports of the transfer of stolen pieces to neutral countries. All the original British government files have been scanned in colour and are searchable by name, place, subject and date. The aim of the enterprise, according to Oliver Morley, chief executive and keeper of the National Archives, is to provide unprecedented access to the past. “By digitising and linking archival records online, researchers will be able to piece together the stories of what became of cultural objects, be they books, paintings, sculpture, jewellery or any other stolen artefacts from evidence fragmented across borders and languages,” he said. Anne Webber, co-chair of the Commission for Looted Art in Europe, said that while records from the UK, France, Belgium, Germany, the US, and Ukraine were now accessible online, other countries – including Switzerland, Poland and Italy – also held documents that could help families and historians. “It’s been enormously difficult for families to access these records because before you had to physically go to them,” she said. “But now they’re all digitised and you can search by the name of the victim, the perpetrator, the artist and the artwork. It will dramatically change the possibilities for people, but there’s still more to come.” Adolf Hitler Second world war Holocaust Sam Jones guardian.co.uk

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Art stolen by Nazis goes online

Catalogue launched to help historians and families trace art looted during Hitler era Despite a reputation for reaching for their revolvers at the merest mention of culture, the Nazis were among the most ruthless, avaricious and methodical art collectors ever to cast a greedy eye and thieving hand over other people’s property. “Use every means of transport to get all works of art out of Florence … [save] works of art from English and Americans,” ran one of Heinrich Himmler’s orders. “In fine get anything away that you can get hold of. Heil Hitler.” That appetite for the most beautiful and precious works of European art saw thousands of pieces stolen from their owners between 1933 and 1945 and entire collections raided, scattered and lost. The quest to recover them and, where possible, return them to their rightful places has been under way for almost seven decades. Now, thanks to a deal between some of the world’s leading archives and museums, an online catalogue of documents has been created to help families, historians and researchers track down the missing artworks. Under an agreement signed on Thursday by organisations including Britain’s National Archives , the Commission for Looted Art in Europe , the US National Archives and Records Administration (Nara) and Germany’s Bundesarchiv , the records will be available through a single web portal . The records include files documenting the systematic expropriation of Jewish property, Adolf Hitler’s plans to establish a Führermuseum crammed with looted art in his Austrian hometown of Linz and the interrogation of art dealers. The British documents, which cover the years 1939 to 1961, also lay out the efforts made to identify the stolen works and reunite them with their owners. Among them is a report from a British art expert and RAF intelligence officer who was dispatched to Switzerland in 1945. The paper may have faded to yellow, but Douglas Cooper’s exasperation with the Swiss authorities remains fresh to this day. “Until I arrived here five weeks ago, practically nothing had been done,” he writes. “And still no steps have been taken by the Swiss government to put the looted pictures in security. This means that it is still possible for any of the present holders to dispose of them.” Cooper concedes that “a new spirit seems to have made its appearance” since his arrival, but appeals for Foreign Office support in ensuring that dispossessed owners do not have to make individual claims through the Swiss courts “because the issue is a moral one”. The National Archives and the Commission for Looted Art in Europe have worked together for two years to catalogue and digitise more than 128,000 pages of information, ranging from seizure orders and inventories to images of looted works and reports of the transfer of stolen pieces to neutral countries. All the original British government files have been scanned in colour and are searchable by name, place, subject and date. The aim of the enterprise, according to Oliver Morley, chief executive and keeper of the National Archives, is to provide unprecedented access to the past. “By digitising and linking archival records online, researchers will be able to piece together the stories of what became of cultural objects, be they books, paintings, sculpture, jewellery or any other stolen artefacts from evidence fragmented across borders and languages,” he said. Anne Webber, co-chair of the Commission for Looted Art in Europe, said that while records from the UK, France, Belgium, Germany, the US, and Ukraine were now accessible online, other countries – including Switzerland, Poland and Italy – also held documents that could help families and historians. “It’s been enormously difficult for families to access these records because before you had to physically go to them,” she said. “But now they’re all digitised and you can search by the name of the victim, the perpetrator, the artist and the artwork. It will dramatically change the possibilities for people, but there’s still more to come.” Adolf Hitler Second world war Holocaust Sam Jones guardian.co.uk

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Heather Mills considers suing NoW

Sir Paul McCartney’s former wife could join string of celebrities taking legal action, including Sienna Miller and Jude Law Heather Mills is considering suing the News of the World for breach of privacy over alleged phone hacking, joining the dozens of public figures who have either started legal proceedings against the paper or are considering doing so. The former model, best known for her four-year marriage to Sir Paul McCartney, has met with the Metropolitan police, who have shown her evidence seized from private investigator Glenn Mulcaire which could form the basis of a claim. Detectives are in the process of contacting hundreds of potential phone-hacking victims, most of whom are listed in Mulcaire’s notebooks, which cover his activities in 2005 and 2006. He was working exclusively for the News of the World at the time. It is understood that Mills’s name and mobile phone number are listed in Mulcaire’s notes along with those of her friends and associates. Mills and her younger sister Fiona are both considering filing writs in the high court against News Group, the News International subsidiary that publishes the News of the World. Mills’s solicitor, Mark Thomson of Atkins Thomson, declined to comment. In recent weeks, the Guardian has revealed that several high profile figures have threatened to sue the paper, part of Rupert Murdoch’s UK newspaper group News International, following meetings with Scotland Yard. They include footballer Wayne Rooney and his agent Paul Stretford . It was reported on Thursday that Chelsea and England defender Ashley Cole has also issued proceedings, as have actor Jude Law and a solicitor who has represented him. Law had already attached his name to a high court action brought by his former partner Sienna Miller, but has now issued separate proceedings, according to the Independent. The paper quoted Graham Shear, a solictor at Berwin Leighton, Paisner: “The police came to see me and alerted me that I was the subject of, or appeared to be the subject of, phone hacking relating to a client or clients during 2004 and 2005. We are currently awaiting additional disclosure from the police and from News Group and cross-referencing with other victims of phone hacking.” Mills has been the subject of intense tabloid interest since she began a relationship with McCartney in 1999 after meeting him at the Daily Mirror’s Pride of Britain Awards. Six years ago, at the time Mulcaire was allegedly taking notes of her mobile phone number, her marriage to McCartney was breaking up. The News of the World revealed in May 2006 that Mills had moved out of McCartney’s home. That followed months of speculation about the state of the couple’s relationship. Mills subsequently moved in with her sister. The couple divorced in February 2008 following a high court hearing at which Mills represented herself. News International has tried to bring an end to the hacking saga by offering to settle a number of the claimants who are pursuing civil cases. So far, none have chosen to do so. The high court has heard evidence from solicitors acting for Andy Gray and football agent Sky Andrew, two of at least 20 people who have started legal proceedings against News Group and Mulcaire, about the way the investigator allegedly targeted their clients. He had a habit of listing people of interest, along with other information including their mobile phone voicemail number and passwords, in his notes, often alongside the first name of the News of the World journalist who commissioned him. •

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