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ESPN to show BBC sports archive

1966 World Cup final included in ESPN Classic’s deal to show top sports from BBC’s archive ESPN has agreed an archive programming deal with the BBC to show sporting events on its ESPN Classic channel, including the 1966 World Cup final between England and West Germany. As part of a channel revamp, the first since sister channel ESPN launched in the UK in 2009 with live FA Premier League football, ESPN Classic will show about 80 hours of BBC archive footage, along with unveiling its new look. The BBC deal includes archive footage from FA Cup matches, international football, Formula One , Test cricket, international rugby, horseracing and sports documentaries. New on-air graphics and music will accompany the revamp, with five artists portraying 20 of the most famous sporting stars of all time. Other new series on the channel include Legends of the Barclays Premier League, focusing on the finest footballers to have played in the top flight, and Uefa Euros: The Official Story. Ross Hair, the managing director of ESPN Europe, Middle East and Africa, said: “It reinforces ESPN Classic’s position as a part of the growth and vision of our business in the region and our ongoing strategy to create more continuity between the channels and brands in our portfolio.” ESPN Television industry Sport TV BBC Sports rights guardian.co.uk

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Early results from climate review

A group of scientists in California has released preliminary findings on how much the Earth is warming What happens when a group of scientists and statisticians leave the comfort of their own fields and wander headlong into one of the most fraught and ugly debates of modern times? The answer is slowly becoming clear, after a handful of academics at the University of California, Berkeley , came up with a plan to produce an independent assessment of global warming. For researchers used to the collegiate exchanges of campus life, the plan has all the makings of a first class ticket to Kill Zone 3 . The stated aim of the project is to publish a peer-reviewed assessment of global warming that is more accurate than those we have so far. Once the analysis is done, all the data and computer tools used to process the numbers will be made freely available on a website, so anyone with an interest can check them. Richard Muller, the Berkeley physicist who chairs the group , says that publishing an independent record of global warming will address some valid points raised by sceptics and even end the war between them and the climate scientists they criticise. Few ideas seem as laudable, ambitious and naive all at once. The vast majority of climate scientists agree that global warming is happening and that human activity plays a significant role in rising temperatures. For the best part, debate within the community centres on the precise magnitude of warming, the rate at which it is happening in different regions, and what can or should be done to mitigate its effects. But still climate change is one of the most argued-over issues in science. The broad agreement among climate researchers is under fire from a minority of sceptics and large portions of the public might well sit confused on the sidelines. Earlier today, Muller gave evidence to the House of Representatives committee on science, space and technology , and released a very preliminary analysis of historic land temperatures. I’ve pasted their findings below, but will give some background first. There are three major groups of scientists who already produce assessments of global warming that feed into the UN’s Intergovernmental Panel on Climate Change . There is Nasa’s Goddard Institute for Space Studies in New York City, another US agency, the National Oceanic and Atmospheric Administration (Noaa) , and finally a UK group led by the Met Office . Each group takes readings from instruments around the world to come up with a rolling record of the Earth’s mean surface temperature. The warming figures they arrive at differ very slightly because each group uses its own dataset and does its own analysis, but they reveal a common trend. Since pre-industrial times, all point to a warming of around 0.75C. The Berkeley Earth project aims to incorporate a larger quantity of data, much of which comes from temperature stations installed since the 1960s. Arguably the most interesting aspect of Muller’s project is the hope of dealing with biases in temperature data that might or might not be adequately dealt with in the analyses done by Nasa, Noaa and the Met Office. There are all kinds of things that can bias temperature readings, making them cooler or warmer than they should be. An oft-cited example is that a temperature station that was in a rural environment fifty years ago might today be on the fringes of a city, and feel more heat as a result. I gave a flavour of some other potential biases, and a more detailed explanation of the project, in an article on Muller last month . The results announced by Muller today are exceedingly preliminary. The group has compiled 1.6 billion temperature measurements from 39,028 stations around the world, but used only two percent of these in the analysis. The stations used were picked at random, to avoid any bias towards older instruments (which have longer temperature records), poor quality stations, or any particular geographical region. But apart from these, no other sources of bias have been dealt with yet. Here is the preliminary temperature record the Berkeley group made public today: Clearly, there is very close agreement between the Berkeley analysis and the warming trends reported by the major three climate groups, that is a rise of around 0.7 degrees C since 1957. In notes prepared in advance of Thursday’s hearings, Muller writes: “The Berkeley Earth agreement with the prior analysis surprised us, since our preliminary results don’t yet address many of the known biases. When they do, it is possible that the corrections could bring our agreement into disagreement.” Another interesting outcome from the analysis so far regards the impact of temperature stations being located near buildings, car parks and other urban sources of heat. In 2009, a former TV weatherman, Anthony Watts , published a report claiming the problem with “poor stations” was serious enough to render the US temperature record unreliable. Based on preliminary work, Muller says this isn’t true. “Over the past 50 years the poor stations in the US network do not show greater warming than do the good stations,” his notes say. There has already been some fuss over the Berkeley Earth project, with most criticism coming from bloggers who believe Muller has an agenda. You can get a flavour here . One point that is often raised is that some money for the project comes from the Charles G Koch Charitable Foundation . The man behind the outfit owns, with his brother David, , a company Greenpeace called a “kingpin of climate science denial” . Muller says that the project, which is run under the auspices of Novim, a non-profit public interest group, has funders on both the left and right. Here is a breakdown of funds behind the project, which total $623,087. The Lee and Juliet Folger Fund ($20k) Lawrence Berkeley National Laboratory ($188,587) William K. Bowes, Jr. Foundation ($100k) Fund for Innovative Climate and Energy Research, created by Bill Gates ($100k) Charles G. Koch Charitable Foundation ($150k) The Ann and Gordon Getty Foundation ($50k) Private donations totalling $14,500. As I have emphasised, these are very preliminary results. The data and the analysis are not yet peer reviewed, though a paper is being submitted to the Bulletin of the American Meteorological Society. We may have to wait several weeks or months for the full analysis that addresses all the sources of bias across the whole dataset. Climate change Climate change scepticism Climate change Ian Sample guardian.co.uk

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Lorry boss Edward Stobart dies

Haulage supremo, who built up the Eddie Stobart empire, has died in hospital after suffering from heart problems Haulage magnate Edward Stobart, who ran the Eddie Stobart lorry empire for more than three decades, has died at the age of 56. Stobart was managing director of Eddie Stobart Ltd, a business started by his father Eddie in the 1950s. Eddie Stobart is now in his 80s. He died on Thursday morning at University hospital, Coventry, after suffering from heart problems. Stobart is credited with having built up the brand. He first became involved in the company towards the end of the 1960s, and oversaw its growth from a regional supplier in Cumbria to a giant of the haulage industry, with a cult following. From beginnings in agriculture and then as a road haulage company, the company has expanded into rail and air transport, as well as logistics management and warehousing. But haulage operations continue, with the distinctive trucks operating throughout Europe. The individually named trucks attracted an “Eddie spotting” fanbase, which subsequently led to an official fan club and a merchandising operation selling Stobart-branded goods. The fan club has more than 25,000 members. In 2004, Stobart sold the company to his brother William and business partner Andrew Tinkler. The Stobart Group said: “It is with great sadness and regret that Stobart Group shares the news that Edward Stobart has passed away. Our thoughts are with Edward’s wife Mandy, his children and family at this difficult time.” Eddie Stobart Automotive industry Transport Camilla Turner guardian.co.uk

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Irish banks need €24bn more capital

• Two new universal banks to be created • Cost of Irish bank bailout now €70bn Ireland’s embattled banks need to be bolstered by an extra €24bn (£21bn) – some €13bn of which needs to be used to prop up the troubled Allied Irish Banks (AIB). It takes the total bill for repairing the hole in the banking sector caused by the bursting of the Irish property bubble to €70bn. All the Irish banks are now likely to be state-owned. Two new universal banks are expected to be created from existing institutions – Bank of Ireland will remain while AIB and building society EBS are to be merged. “We will also ensure that they are fully recapitalised so that the world looks at these core banks with confidence and they in turn help instil confidence in our economy,” said Michael Noonan, minister for finance. The extra funds are within the funding envelope available for this purpose in the EU/IMF programme of support announced last year. Ireland’s central bank governor, Patrick Honohan, said it was “one of the costliest banking crises in history”. He said that by forcing banks to hold even more capital, he hoped that confidence would be restored to the sector, which is reliant on the European Central Bank for day-to-day funding. He said the banks needed to be able to have enough capital to meet even the markets’ most “gloomy prognostications”. While AIB will need €13.3bn, Bank of Ireland will need €5.2bn, EBS building society €1.5bn and Irish Life and Permanent some €4bn. Ireland had previously announced a figure of €46bn for the cost of bailing out its banks. Noonan blamed the cause of the crisis on the decision made in September 2008 by the former Fianna Fáil government to guarantee the banking sector and particularly Anglo Irish Bank during the international banking crisis. Anglo and Irish Nationwide were not part of the latest stress tests and there is no “immediate need” for extra capital there. “The country has been left with an appalling legacy: a legacy of debt, of unemployment, of emigration, of falling living standards and of low morale,” Noonan said. He added that overseas banks operating in Ireland, including Ulster Bank operation of Royal Bank of Scotland, “will help maintain the competitive fabric of the market” as Ireland’s banks were restructured. He described the revamped Bank of Ireland as “pillar one” of two “pillar banks”. It will shed €30bn of assets but retain its link with the Post Office in the UK. The “pillar two” bank – the combined AIB and EBS – will deleverage by €23bn by 2013. Ireland bailout European debt crisis Ireland European banks Europe Jill Treanor guardian.co.uk

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The video the Wisconsin GOP doesn’t want you to see! – *gasp*

Click here to view this media This complete video, once on YouTube and then on the Talking Points Memo website, has been yanked from both, simply because of the heat a rookie republican congressman (and former reality tv star) got for daring to mention he’s having trouble getting by on “only” $174,000, partly due to higher health care costs because of worse federal coverage than he was used to from Wisconsin as a District Attorney. Evan McMorris-Santoro at TPM details the farce controversy. GOPers Demand Sean Duffy Salary Tape Be Pulled From The Internet First the Republican Party in Polk County, Wisconsin, pulled the tape of Rep. Sean Duffy (R-WI) fretting about making ends meet on his $174,000 a year salary from its own website. Now they want it gone from the whole Internet. For a couple hours, the local county GOP was successful. But we’ve put an excerpt of the video back up. A day after TPM posted the video we obtained of Duffy talking about his salary at a Polk County town hall meeting earlier this year, the Polk County GOP contacted the video provider we used to host the video, Blip.tv, and demanded the video be taken down. The tape caused a stir for Duffy, a first-term conservative best known for his past as a reality TV show star on MTV’s The Real World. Democrats flagged the comments about his taxpayer-funded salary (which is nearly three times the median income in Wisconsin) and criticisms began to flow Duffy’s way. In the clip, Duffy is asked whether he’d support cutting his own salary. Duffy says he would, but only as part of a plan where all public employees’ salaries would be cut. He then said that the $174,000 in salary (not including benefits) he receives is a squeeze for his family of seven to live on: I can guarantee you, or most of you, I guarantee that I have more debt than all of you. With 6 kids, I still pay off my student loans. I still pay my mortgage. I drive a used minivan. If you think I’m living high on the hog, I’ve got one paycheck. So I struggle to meet my bills right now. Would it be easier for me if I get more paychecks? Maybe, but at this point I’m not living high on the hog. No doubt Crooks and Liars will receive a similarly sternly worded cease-and-desist letter, and the clip will be pulled from here also. But for now, here is the clip the Wisconsin GOP are so scared of being seen. (Can this story get any more pathetic?)

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Governor Rick Scott of Florida is not a popular guy in Florida right now and this video is evidence of that fact. It’s a meaningless spring training game and for him to be booed there is pretty chilly, indeed. Gov. Rick Scott received a chilly reception while throwing the first pitch at a spring training game between the New York Yankees and Toronto Blue Jays. Scott was greeted by boos, mixed with modest applause, at Saturday’s game in Tampa. The governor was wearing Yankee’s garb when he delivered a straight fastball. He did not comment after the pitch. Scott has done a number of stupid things, but attacking collective bargaining rights hasn’t been one of them. That might be his only smart move at this point. His latest move to put the government into people’s lives by forcing drug testing is pretty insane. Isn’t he supposed to be for limited government? Joy Ann Reid at the Reid Report . In Florida, Felonious Monk (A/K/A Rick Scott) is serving up a policy of mandatory, random drug tests for all state employees reporting to the executive branch (as well as anyone receiving public assistance) that will serve the twin purposes of humliating and demonizing the state workers Republicans so despise, while also potentially lining his pockets by pushing tens of thousands of new custormers to the chain of walk-in clinics he has temporarily signed over to his wife . However, Scott’s push could very well be … wait for it … illegal. Besides the fact that Joy-Ann’s post exposes the naked greed and powerlust in Florida, I had to share it just because the name Felonious Monk fits Scott so well. Well, doesn’t it? Sports talk radio is going to play a big role during the 2012 election because many of the hosts are right-wingers in the mold of a Curt Schilling. Just an early heads up.

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A green light for the redtops

That you can’t libel the dead under English law means an apology is simply the cost of doing business for tabloid editors It is an interesting quirk of the English legal system that you can’t libel the dead. Very handy if you’re a tabloid news editor, at say, the Sun, and you publish an article about 23-year-old Julian Brooker from Brighton becoming a “human fireball” after touching a railway line while crawling around pretending to be Gollum from Lord of the Rings. The shop assistant was drunk, the red top behemoth informed its readers in 2005, because it was 23 October and Julian was obsessed with the number 23. A great tabloid exclusive. Were an iota of it true, that is. In the last 24 hours the Sun’s subsequent apology to the late Julian (“His parents have asked us to make clear he was not turned into a fireball, was not obsessed with the number 23 and didn’t go drinking on that date every month. We apologise for the distress this has caused Julian’s family and friends”) has resurfaced across the Twittersphere to howls of derision. Some unacquainted with the idiosyncrasies of Britain’s newspaper industry have questioned whether the whole thing is in fact a hoax. Sadly, it’s not. Far from being an exception, such cases stray dangerously close to being a rule. I make that claim with authority because during the two years I worked at the Daily Star I wrote similar, arguably worse, yarns. When Boyzone star Stephen Gately died in October 2009, I was dispatched to Mallorca to investigate. Beneath my byline in the days that followed were lurid revelations of heavy drinking, drugs he may have taken, and gay orgies he may have been part of. We tabloid reporters knew little, but under pressure to deliver much, the hotel bar soon swirled with speculation. Thoughts morphed into theories, theories shifted into fact. After all, you can’t libel the dead. The same month Kevin McGee, former husband of Little Britain star Matt Lucas, committed suicide. At the Daily Star I picked up the phone to a reader who claimed he knew the couple and the story behind the tragedy. “How much is that worth?” He asked. I told him we needed to meet first. He replied that he was out of town. “Sod it, you can’t libel the dead,” someone proffered. That afternoon I wrote the story: “LUCAS EX BLEW £2 MILLION ON DRUGS AND BOOZE.” The tabloid news cycle, unrelenting, waits for no man. It also doesn’t like whistleblowers, as I found out after I wrote a public resignation letter earlier this month. Tabloid editors often argue that the Press Complaints Commission is there to put things right when they get them wrong (except at Express Newspapers, where they have withdrawn their subscription to the PCC ). This is a disingenuous argument. They know the horse has bolted, and strapped to its back is a big bag of cash from readers who thought they were paying for thrusting journalism, for the inside scoop. Privately, they know human tragedy is a raw material ready to be forged into facile tabloid narratives, while an apology is just a cost of doing business, a gesture to keep the news wheel greased. But the association of Gollum will always taint Julian Brooker’s memory, and the cliche of a drugs- and booze-fuelled suicide always devalue that of Kevin McGee. Tabloids may not be able to libel the dead, but they can certainly start having more respect for them. Newspapers Libel reform Newspapers & magazines Richard Desmond Daily Star Northern & Shell National newspapers Stephen Gately Richard Peppiatt guardian.co.uk

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Oddbins to go into administration

Wine retailer says decision follows refusal by HM Revenue & Customs to back a potential rescue deal Wine retailer Oddbins has said it will go into administration after HM Revenue & Customs refused to back a potential rescue deal. The struggling off-licence hoped to restructure its debts through a company voluntary arrangement (CVA), but the tax office – a significant creditor – would not support the move. A statement from Oddbins said the firm expects to enter into administration on 4 April, sparking fears for the future of its 400 staff. The retailer, which recently shut nearly 40 stores, is the latest independent wine trader in the UK to find itself in trouble. Threshers owner, First Quench Retailing, collapsed in 2009 and the Unwins chain folded in 2005. Oddbins, which has 89 stores left in the UK, has been under pressure amid competition from supermarket chains and falling consumer confidence. It is understood the chain owes HMRC £8m– about 30% of the company’s debt. Oddbins said a significant majority of creditors clearly wanted it to continue trading, but HMRC’s vote was heavily weighted and tipped the outcome. The company needed 75% of creditors to back the deal. Managing director Simon Baile, whose father founded the company in the 1970s, said he remained optimistic for the firm, revealing that a number of potential investors had come forward to buy the business, or parts of it. HMRC is unable to discuss specific details about its debtors due to its statutory duty of taxpayer confidentiality, but a spokesman said: “We do everything we reasonably can to support viable businesses but we have to do the right thing for the country’s finances and other creditors when casting our vote.” Retail industry Food & drink industry guardian.co.uk

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Malalai Joya’s journey west

The Afghan activist has become a celebrated critic of US policy, but her status abroad has cost her legitimacy in her homeland Malalai Joya’s article about the US kill team in Afghanistan expressed the disgust of many if not all Afghans , but her categorical rejection of the US intervention in Afghanistan is unfair. After all, without US intervention, Joya would not have been able to own a passport, let alone travel abroad. Equally, without the international community’s interference, there would not have been the 2003 Loya Jerga where she first gained international fame. Joya’s anti-US military rhetoric resonates with the leftist circles of the west who are her chief audience, and Joya’s celebrity status reached a climax recently when she appeared alongside Noam Chomsky in Boston . Back home in Afghanistan, though, she has become irrelevant. But to understand Joya’s contradictory views, we need to look at how her career began and developed. Let’s go back to the constitutional Loya Jerga of 2003 when Joya first became famous. At the time, she was an independent voice and had the audacity to make a relevant, but politically explosive comment. She said that the inclusion of war criminals threatened to undermine the assembly’s legitimacy with Afghans risking to miss out of a historical chance for justice. Morally, she was absolutely right; but the truth was that, after two decades of violence, it was inevitable that the leaders that had emerged owed their power to war. The international community had to work with what was there – and what was there was war leaders with dubious human rights records. To exclude them from the assembly was unreasonable because it would have driven them to start a new war front. Including them in the assembly meant that the Taliban remained the sole insurgents while the former mujahedin stopped fighting and began a new government. It was a morally flawed but pragmatic solution. Joya was driven by a burning desire for justice – pragmatism has never been her strength. Joya’s outspoken comment took the assembly by surprise. It was up to the assembly leader, Sebghatullah Mojaddedi, to diffuse the situation because he was older and more experienced. But Mojaddedi took offence and ordered Joya to leave the assembly. He then changed his mind and struck a gentler note, “Come back, child, you owe us an apology.” But it was too late: the old man had lost the young woman. And with that, Joya lost a chance to fully develop her potential and work on the kind of constructive and reconciliatory politics that Afghanistan needed. Since then, Joya’s career as MP has been marked by repeats of that crucial early scene of her, a young woman, confronting old jihadi men. The location shifted from the Loya Jerga tent to parliament, but Joya and her jihadi nemesis remained stuck in an endless cycle of accusation and counter-accusation. The Afghan audiences found the confrontations first interesting, then amusing and finally lost interest in them altogether. By then, Joya was ousted from parliament, but her career abroad was beginning to flourish. Her book tour of the US is part of this development. The tragedy of Joya is that she was spotted by the international media and a clandestine radical leftist Afghan organisation at a time when Afghan democracy was in its infancy. At the time, Afghan human rights groups had not yet developed fully to give Joya the kind of support she needed. Isolated and vulnerable, she became an easy prey and was picked up by a group whose politics were steeped in the anti-imperialist revolutionary world of the 1960s and 70s ideological battles. Joya has served as a respectable front for a group that otherwise has little backing in Afghanistan. Joya’s recurrent reference to “warlords in the pay of the US” are all about the group’s bitterness that Washington allied itself with the group’s Islamists rivals in the 1980s, enabling them to defeat the left. The alliance was abandoned between 1992 and 2001, but resumed fully with the 2001 intervention. Little wonder, then, that the group felt doubly betrayed by Washington. But Joya’s sudden fame in the west offered the group an unexpected chance to turn the tables and use Joya’s popularity abroad to give her legitimacy to attack the group’s jihadi nemesis in parliament. Joya’s confrontations often came out of the blue. During a session about trade, Joya raised her hand but instead of asking questions about trade, she questioned the mujahedin’s legitimacy . The speaker cautioned her that her comments were irrelevant because the session was about trade, but the damage was done and the session disrupted. Joya’s disruptions of parliament eerily resembled similar incidents of leftwing versus rightwing fights that interrupted parliament in the 1960s. The resemblance is natural because the parties involved were the same old leftist comrades versus rightwing Islamist brothers. Joya has become simply a new player in an old political dynamic. This also explained the intensity of the jihadis’ reaction to Joya. After all, criticising warlords was nothing unusual by 2007. But Joya was re-opening old wounds. Her repeated reference to the internal wars of the 1990s was the group’s message that the jihadi victory was not complete since they had failed to cement it through establishing a solid state. Needless to say, such nuances have been lost on the western media who presented Joya’s provocations as a woman’s struggle for rights and democracy. The thought that her disruption of parliament was evidence of an anti-democratic attitude on her part did not occur to them. After all, in the simplistic world of western politics, a young woman fighting bearded old men simply cannot be wrong. Afghanistan Noam Chomsky United States Gender Islam US foreign policy US military Middle East Nushin Arbabzadah guardian.co.uk

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Modern art: Are the stuckists right?

Conceptual naysayers can be unhelpful, but the hegemony of Turner prize art could truly be damaging the future of painting What if the stuckists are right? Just a thought. Stuckism, for better or worse, has entered our language. It refers both to an actual organisation and, in art chatter, to the belief that British art is dominated by conceptual values to the point that it puts figurative painters at a serious disadvantage. I’ve argued with the stuckists – indeed I’ve abused them, calling them the enemies of art . I object to their obsession with conflict and polemic rather than actually getting on with training themselves to be great painters (because great painters never stop learning). By insisting that painting v conceptualism is an ideological battle, they invite a similarly ideological tone from their opponents. They have coarsened the debate. They also miss out a third part of the equation – abstract painting, a profound tradition that evolved in the modern age. By setting “traditional painting” against conceptualist “modern” art, they ignore great modernist painters from Picasso to Cy Twombly . But what if – in spite of their follies – they are right in their basic claim? In Britain today, there are more galleries and museums than ever before dedicated to the promotion of “modern art” as it is defined by the Turner prize. In this week’s funding announcements , the Whitechapel gallery, the Serpentine gallery and other contemporary art venues got increases. David Cameron is getting Tracey Emin to do a neon for 10 Downing Street . The hegemony of Turner prize art crosses party lines, and is as evident in the Telegraph as the Guardian. Where, as the stuckists ask, does this leave skilled painters? There is a palpable tension between painters and the current – inaccurate – British idea of what modern art is. If you reject the notion that physical skill, natural talent or technical training have any value as art in themselves, then painters are screwed. Painting has an astonishing history of technique and style, and all great paintings engage with that legacy in some way. Painting well is hard work. It takes time and knowledge. Will there be any Lucian Freuds around a century from now? Not unless we find space for talented and disciplined painters in our idea of art. Not unless we encourage young artists who are talented at drawing and painting to deepen those skills, instead of immediately turning to other media. No novelist can win the Booker prize without being able to write. But if you said all artists must be able to draw, you’d be laughed at. I’m not trying to reimpose academic art education. But tolerance and creative freedom must be a two-way street. If artists are free to do what they like, this should also include the right to learn to draw and paint superbly well – and to have that ability recognised and valued. Painting Turner prize Tate Britain Art Awards and prizes Jonathan Jones guardian.co.uk

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