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Covehithe by China Miéville

A trip to the Suffolk coast takes on a new urgency when Dughan decides the time is right for a night-time adventure in this exclusive story from China Miéville There were a few nights in Dunwich, where the owner of the B&B kept telling her guests they were lucky to have found a room. Walking Dunwich Beach, showing his daughter wintering geese through binoculars so heavy they made her laugh, the man was glad they were not in Southwold or Walberswick. They were not so hemmed in by visitors. Each evening they had fish and chips or pub grub. Each night after she had gone to bed he hacked into next door’s wifi to check his messages and monitor the forums. On Thursday night he woke her. It was not long after midnight. ‘Come on lovey,’ he said. ‘Keep it down. Let’s not get anyone else up.’ ‘I hate you,’ she said into her pillow. ‘I know,’ he said. ‘Come on. Don’t bring your phone.’ There was not much on the roads. Still, Dughan took them roundabout ways, through Blythborough, on the A145 towards Uggeshall, past still diggers where roads were being widened. ‘Where are we going?’ the girl asked, only once. She hunkered; she wouldn’t ask him to turn up the heating. Wrentham was on the western rim of the security zone. It went north along the A12, south on the B1127 to Southwold. Within it, in daylight, fields were still worked, for animal feed, and roads mostly open, but those were, legally, indulgences not rights; the area was, in the absence of an official escort, no-go after dark. Exceptional laws applied in that little triangle, the coast a 6-mile hypotenuse, its midpoint Covehithe. Dughan stopped by a pub garden south of Wrentham. He opened the door for his daughter with his finger to his lips. ‘Dad,’ she said. ‘Hush,’ he said. It was overcast and windy, shadows taking them and releasing them as Dughan found a way through undergrowth to the boundary ditch. They were both quiet as they crossed it. Holding their breath. Beyond, they walked eastward on the edges of the fields. ‘Dad, seriously, you’re crazy.’ He had a torch but did not turn it on. When the moon came out enough he stopped and took bearings. ‘They’ve got guns,’ she said. ‘That’s why shhh.’ ‘What’ll they do if they catch us?’ ‘Feed us to wolves.’ ‘Har har.’ They went still at the sound of a helicopter. The beam passed by half a field ahead, so bright it looked solid. The air smelt. They could hear echoes. Dughan avoided the hamlet where until recently locals had lived, which had been requisitioned, with only minor scandal. They could see lit windows. They came instead at Covehithe from the north. He stopped her by the roofless ruin of the church, pointed, heard her gasp. She stared while moonlight got past the clouds to the holed and broken walls, onto a low newer church inside the nave of the old. He smiled. When eventually she was done looking they continued through the graveyard. There was nothing at all frightening about the graves. This close to the waves the land felt, as the girl said, misbehavicious. A good word to make her feel better. In the leafless trees of this region were cold, random and silent flares of light. Touch the soil, as Dughan did, and as his daughter did too at the sight of him, and it felt greasy, heavy, as if someone had poured cream onto loam. ‘Which way are we going?’ ‘Careful lovey,’ he said. ‘The ground here…’ ‘How do you know it’s tonight?’ For a while he didn’t answer. ‘Oh,’ he said. ‘Bits and pieces.’ He looked over his shoulder the way they had come. ‘Ways and means.’ ‘What if they find out?’ She pointed at the cottages. She rolled her eyes when he said nothing. They continued on the road past a sign forbidding exactly this last short walk, on tarmac so old it was becoming landscape. Perspective was peculiar. The smell should have been sappy and muddy and of the sea. ‘Look!’ His daughter gasped. The road stopped abruptly, rag-edged, fell into nothing. He watched her inch forward. ‘It goes right off the cliff!’ ‘The sea’s taking it all back,’ he said. ‘There used to be a lot more coast here. Careful.’ But she had lain responsibly on her stomach at a certain proximity and put only her fingertips and eyes over the tarmac rim to look down its sheer crumble at the beach. ‘Is it still going?’ she said. Her voice was faint, she was dipping her mouth below road-level. ‘Being eaten?’ Dughan shrugged. Waited till she scootched back and turned to him, shrugged again. He told her they would know within two or three hours if anything was going to happen. He did not say it was only hints and whispers he had to go on, trawlings from bulletin boards. Two names he knew, erstwhile colleagues, both announcing they’d be near Ipswich next week and did any of the old crew want a drink? The latest codes were beyond him, but that query and the night’s sudden burst of encrypted chatter had been reasons enough to move. So, he said, checked his watch and sat with her at the decomposing road-end. He was cross-legged, she with her chin on her knees, hugging them. She kept looking into the sea. The noise of it lulled them as if it were designed to. There was no light but the moon and those occasional sourceless mineral glows. Somewhere some insane bird, not a nightingale, was singing. All their layers could not keep them warm. They were shaking hard when, after less than an hour, Dughan saw movement on the beach. He motioned for his daughter to stay still and looked through his binoculars at lights jouncing on the shingle. Three sets of headlamps stopped, overlaying each other, illuminating the sea and a strip of the shore. ‘It’s them,’ he said. ‘They’re setting up. They must’ve…’ The girl could tell his excitement was not wholly enthusiasm. ‘They’ve… we’re on.’ He could make out nothing beyond the headlight gaze, and hear nothing but waves. He recced once more but they were not observed. This cliff-top was out of bounds and they, intruders, were alone. His daughter kept watching the water. Dughan wondered if she would complain or ask how long or anything, but she did not. Twenty minutes later, it was she who pointed, who first saw something in the sea. There were no helicopters now. Nothing so noisy. No downcast beams to light up what was coming, breaking water, way off the coast. It was only moonlit. A tower. A steeple of girders. Streaming, and rising. The girl stood. The metal was twisted. Off-true and angular like a skew-whiff crane, resisting collapse. It did not come steadily but lurched, hauling up and landward in huge jerks. After each a swaying hesitation; then another move higher, and closer. The lights on the beach went out. Flame ignited at the tower’s tip. Sooty sepia guttering lit the shaft. The sea at its base spread flat and fell away from suddenly rising intricate blockness, black, angled and extrusioned. As if a quarried wedge of the seabed itself had come up to look. The towerwork was on a platform. In the glow of the thing’s own flame they saw edificial flanks, the concrete and rust of them, the iron of the pylon barnacled, shaggy with benthic growth now lank gelatinous bunting. It was coming at the Covehithe cliff. Under its stains and excrescences were more regular markings, stencilled warnings. Paint remnants: an encircled H. Another step – because these were clumsy steps with which it came – and all the main mass was out of the water and raining brine. It waded. Each concrete cylinder leg a building or a smokestack wide. The two on one side came forward together, then those on the other. Pipes dangled from its roof-high underside, clots of it fell back into the sea. It wore steel containers, ruins of housing like a bad neighbourhood, old hoists, lift shafts emptying of black water. A few waves-width from the beach, it hesitated. It licked the air with a house-sized flame. ‘P-36,’ the man said. ‘Petrobras.’ One of the cars below turned its headlamps back on. The rig shied. Dughan hissed. But the lights quickly dipped and after a moment he said, ‘It’s probably ok now.’ The platform was at the level of their cliff-top. Now the girl understood its strange ungainliness. On each side, its supports merged at their base, into two horizontal struts, so it moved like a quadruped skiing. What must have been ten feet of water lapped at the struts like a puddle at a child’s shoes. The rig facelessly faced north and slide-stamped along the shoreline. ‘Quick,’ the man said. They took the cliff-edge path, a hedge to their right, the oil platform’s tower lurching beside them above its leaves. ‘Went down 2001,’ Dughan said. ‘Roncador field.’ ‘How many people died?’ ‘When it sank? No one.’ ‘Have you… is this the first…?’ He took a moment to stop, to turn and meet her eye. They could hear the flame bursts now. Its straining metal. ‘I’ve never seen it before, lovey’ he said. The path descended. She had been too small when her father left to imagine stories of his exploits, to be proud or afraid. All she remembered were his returnings, an exhausted, careful man who lifted her on to his lap and kissed her with wary love, brought her toys and foreign sweets. When later she had asked him what he had done on those trips, his answers were so vague guilt had hushed her. She did not ask about his injuries. The rig was slowing. The smell was stronger and the ground, the air juddered, not only in time to its huge steps. Dughan stopped at the last path-end trees. He and his daughter hugged the trunks and watched the oil rig sway in their direction. He held her hand. The girl watched him, too, but he showed no signs of angst, no flashback, no fear.

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British girls top binge drinking poll

Half of 15-year-old girls have been drunk at least twice, nearly double the average proportion in other developed countries British girls are the biggest teenage binge drinkers in the western world, according to a report. Half of 15-year-olds have been drunk at least twice – almost double the 29% average of other developed countries, while 44% of 15-year-old British boys admitted to being intoxicated on two or more occasions. Girls also drink more alcohol in the UK than their male counterparts, with 44% of 15-year-old boys being intoxicated on two or more occasions. The Organisation for Economic Co-operation and Development (OECD) figures were published in a Through the Looking Glass , a report commissioned by the thinktank Demos. They found that between 1998 and 2008 the proportion of girls who binge-drank – defined as consuming more than six drinks per session – increased from 17% to 27%. As part of the report, which offers recommendations for a policy to empower young women, Demos conducted a poll of 500 British females aged 16 to 19. It found 84% were anxious about being able to secure the job they wanted in the future, with 81% also worried about doing well in exams. Money fears also featured highly, with more than three-quarters (76%) saying they were worried about not having enough money, compared with 38% who were anxious about finding a partner and 57% who were worried about getting into university. Having more cash to spend was ranked as the top answer (27%), when girls were asked what would make them happiest, while in second place was a good or better relationship with their boyfriend, girlfriend or partner (26%). The poll also found teenage girls thought success in education (92%), having good friends (72%) and being kind (70%) would enable them to excel in life. Among respondents 16% were not very happy, while 64% were quite happy most of the time and 17% felt very happy. Teenage girls from lower socioeconomic groups were less happy than their wealthier counterparts, with 13% reporting being very happy most of the time, against 19%, and 21% reporting to being not very happy most of the time against 15%. More than half (55%) said their mobile phone was the most important item in their bag, while 62% said their main use of the internet was for social networking. Children Alcohol Health Women guardian.co.uk

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60th anniversary begins at Southbank

Southbank Centre’s four-month jamboree includes a theatre inside a cow, world’s longest bunting and Susan the straw fox From the patio of her concrete den, Susan the giant straw fox is keeping a vigil over Waterloo Bridge. Her glare, enough to chill the dreams of the capital’s pet rabbits, is softened by the sounds of piped birdsong and the distant giggles of toddlers playing on the sandy beach by the Thames. Past the gaudy beach huts, on the other side of Hungerford Bridge, lie a helter skelter and an enormous, upturned purple cow. The only thing missing from the riverside as the Southbank prepares to mark the 60th anniversary of the Festival of Britain is a towering steel cigar, but the Skylon is long missing, presumed scrapped, buried or submerged. To pay homage to the event that helped usher London and the rest of Britain out of the postwar doldrums, the Southbank Centre is hosting a four-month jamboree boasting everything from gardens sprouting from the concrete buildings to a museum chronicling the original festival. From Friday until 4 September, the Royal Festival Hall, Hayward Gallery and Queen Elizabeth Hall will be enhanced by a Mobile Gull Appreciation Unit (essentially a kiosk shaped like a seagull), the world’s longest bunting and, of course, Susan the fox. While the pop-up beach and bunting hail from Southend-on-Sea, the enormous fox was built over 10 days in a Nottingham barn before being cut in half and taken down the M1 “on a wing and a prayer and two big lorries”, according to her creator, Alex Rinsler. The festival also includes a theatre in the body of Udderbelly the purple cow, a funfair and a part-built dry stone wall. Although organisers are loth to draw explicit comparisons between today’s Britain and Britain in 1951 – an austere, war-weary nation unsure of its place in the world – parallels are present. On the way up to a new garden on the roof of the Queen Elizabeth Hall, where daisies and sunflowers bloom and a band plays English Country Garden, visitors come to an al fresco gallery known as Helmand. Staring down from its walls are the dirty and dusty faces of British service personnel in Afghanistan. In one of the photographs, taken by the war artist Robert Wilson, a union flag-draped coffin waits to be loaded on to a transport plane at an airfield far from the Thames. According to Jude Kelly, artistic director of the Southbank Centre, the festivities are about more than history. “The British Isles is truly worth celebrating and you don’t have to be jingoistic to celebrate it,” she said. “This summer, we pay homage to this extraordinary event – and the thinking and vitality behind it – which paved the way for a better future for the country, following the aftermath of the second world war.” The aim, said Kelly, was to celebrate the landscape, seaside, character and imagination of the British people just as the original had. And the early signs on a hot late April morning a day before the opening certainly were encouraging. “The reaction of the public has been great and people will be able to see the site from angles that they haven’t seen before,” said Kelly. “You can already see people walking past the beach huts and plotting to bring their sandwiches and deckchairs. And why not?” Still, she mused, as workers put the finishing touches to exhibits, a little more time would have been nice. “We were going to open in two weeks but then William and Kate decided to get married and we felt it would be ungenerous not to open earlier.” On the roof of the Queen Elizabeth Hall, a pebble’s toss from the sandy beach that had already been annexed by a dozen or so under-fives, a team of ex-prisoners and former homeless people from the Eden Project toiled to plant and water the garden. Watching them was Shân Maclennan, the Southbank Centre’s creative director of learning and participation and mother of Florence, the girl who decided, for reasons most readily evident to the nine-year-old mind, that the vulpine effigy should be christened Susan. “I felt an enormous responsibility towards the original festival and didn’t want to do anything that people would feel was disrespectful,” said Maclennan. “I really, really want a lot of people to come and enjoy it. In 1951, even when it was night-time, people put their coats on and danced on the terraces and we want that to happen again.” • Southbank Centre celebrates the 60th anniversary of the Festival of Britain, 22 April to 4 September 1951 vs 2011 The Festival of Britain, which was billed as “a tonic to the nation”, was a countrywide event designed to boost morale and promote British industry, ingenuity and art in the wake of the second world war. As one of its architects, the Labour MP Herbert Morrison, put it, the festival was “the British showing themselves to themselves – and the world”. It also allowed the country an opportunity to take stock of how it and the world had changed since the glory days of the Great Exhibition of 1851, for which the sumptuous Crystal Palace had been constructed. Although there were events all over Britain between May and September 1951, the festival is best remembered for the events held in London, much of which was still in ruins after the Blitz. The Royal Festival Hall, which sits at the centre of the South Bank complex, was designed and built within three years to make sure it would be ready for the festival’s kick-off in May 1951. The star of the show, though, was the Skylon, a and futuristic skinny steel tower, 90 metres high, that appeared to float above the Southbank. Incredible feat of engineering as it was, its enduring fame has been as punchline. Much like the economy at the time, the joke ran, the Skylon had no visible means of support. The festival attracted more than 10m visitors, acted as an enormous trade show for the best of Britain, and lifted spirits. And that, said another of the brains behind the projectorganisers, the newspaper editor Gerald Barry, was the whole point of it. “Don’t run away with the idea that the Festival of Britain is going to be solemn,” he wrote in early 1951. “Not a bit of it. It will afford us all the opportunity, as occasion allows, for some harmless jollification. After more than a decade of voluntarily imposed austerity, we deserve it, and it will do us good.” Or, as the festival guidebook noted: “It will leave behind not just a record of what we have thought of ourselves in the year 1951 but, in a fair community founded where once there was a slum, in an avenue of trees or in some work of art, a reminder of what we have done to write this single, adventurous year into our national and local history.” London Festivals Sam Jones guardian.co.uk

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Pope’s TV show makes history

Good Friday broadcast will make him the first pontiff to take part in a televised question-and-answer session The Pope will take a small but significant step into the modern media age this afternoon when he becomes the first pontiff to take part in a televised question-and-answer session . It will not, however, be a Today programme-style grilling on controversial issues for the Catholic church such as child abuse. The pre-recorded Good Friday broadcast will show Benedict XVI answering a small number of pre-selected questions about Jesus and the Christian thinking behind world events. The 80-minute programme, In His Image – A Good Friday Special, on Italy’s publicly owned RAI channel, will begin at 2.10pm local time (1.10pm BST) so it can be on TV at 3pm, the moment that Jesus is traditionally thought to have died on the cross, the Catholic news agency CNA said. The RAI website for the programme has been soliciting questions for the pope and those selected have an apparently deliberate global and multifaith spread. According to CNA they will include one from a Muslim woman in Ivory Coast asking about Jesus’s role in teaching peace, and one from a group of seven Christian students from Baghdad. The agency quotes the website as saying viewers will also hear “questions from an Italian mother whose son was in a coma for many years and a young Japanese girl who wrote to ask the pope to explain the cause of the recent earthquake”. The idea for the broadcast came from its host, Rosario Carello, who said it was initially devised as a format in which viewers could ask questions about Jesus. The production team them came up with the idea of asking Benedict to answer them. While the idea seemed “crazy”, they gave it a try, CNA quoted Carello as saying: “We proposed it and the Pope accepted.” Pope Benedict XVI Catholicism Italy Vatican Christianity Easter Religion Television Peter Walker guardian.co.uk

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Breitbart Challenges MSNBC’s Bashir to Take a Lie Detector Test

Following Martin Bashir's absolutely pathetic interview with Andrew Breitbart Wednesday, the conservative publisher has proposed a $10,000 bet with the perilously liberal MSNBC host. “I’m willing to take a lie detector test next to him on anything,” Breitbart told WOR radio's Steve Malzberg Thursday, “if he’s willing to take a lie detector test next to me talking about whether he read my book” (video follows with transcript and commentary): ANDREW BREITBART: I will, look, how about this? How about a $10,000, I’m willing to take a lie detector test next to him on anything, Sherrod, all the stuff, where he thinks I’m Mr. Selective Edit, all the propaganda against me, if he’s willing to take a lie detector test next to me talking about whether he read my book. STEVE MALZBERG, HOST: Alright, great. So you’re making this challenge. BREITBART: Absolute, well, you know, I’d, let’s see. Let’s just have a lie detector test because he could read the book between now and then. But he did not read the book. MALZBERG: Well, if he had read it, you could always preface it the question would be asked to him by the lie detector administrator, “Did you read it prior to the interview?” BREITBART: There you go. MALZBERG: Yeah. BREITBART: I’m willing to take that. I’ll, I’ll do my lie detector… MALZBERG: Ten grand. Ten grand. BREITBART: …he can do his lie detector test. MALZBERG: And for ten grand, right? BREITBART: Yes. For those that missed it, Breitbart on Wednesday accused Bashir of having not read his book “Righteous Indignation” prior to their interview, and instead just got talking points from the George Soros-funded shills at Media Matters. This certainly wouldn't be the first time liberal media members have questioned conservative authors about their books without having actually read them. Frankly, it happens all the time. In this instance, Breitbart has marvelously thrown down the gauntlet. Will Bashir accept the challenge? Stay tuned.

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Open Thread – C&L Bumper Sticker Spotted in Florida!

enlarge Credit: @Shoq on Twitter We love seeing the love out on the street! Feel free to send action photos of you and your C&L swag (which benefits the site, needless to say) to crooksandliars AT gmail DOT com. And thank you for contributing to our Spring Fundraiser . Every dollar counts, especially in today’s economy, and we need the dough to pay our server costs. Thanks! Open Thread below.

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Remember that old joke about the guy who went on vacation and left his brother home to watch his cat? The cat fell off the roof and died. When the brother called to ask how his cat was, his friend said, “I’m sorry to tell you that your cat just died.” The brother was really upset and said, “You don’t just come out and say something like that. You should have prepared me. You could have said, ‘The cat’s on the roof, I’ve called the fire department, we’re trying to get him down’. That’s how you prepare someone for bad news: something like that.” Then he asked his brother, “By the way, how’s mom?” “She’s on the roof…” Every single time we get an “official” update on Fukushima , I think of this joke. Fuel of the Fukushima nuke plant plant’s No. 1 reactor could be melting , an official said on Wednesday at Tokyo Electric Power Co. (TEPCO) , the operator of the crippled plant. TEPCO said last week some of the spent nuclear fuel rods stored in the No. 4 reactor building of the Fukushima Daiichi power plant were damaged.. The company’s workers have put iRobot PackBots to measure radiation, oxygen and temperature inside the reactor. . In other reports, they’re having problems with the robots: Tokyo Electric Power Company says radioactive debris and high humidity are hampering the investigation by robots at the Fukushima Daiichi nuclear plant. The company began using remote-controlled robots to explore the first three reactor buildings on Sunday and Monday. At the Number 2 reactor building, the robot’s camera lens was instantly clouded by high humidity. TEPCO officials think that the steam is coming from the damaged section of the reactor’s suppression pool. But they have not found a way to resolve the problem as the steam could be highly toxic. Robots entered the Number 3 reactor building through the southern entrance, but their path was blocked by debris. The firm is considering using another robot that can remove obstacles weighing up to 100 kilograms. At the first reactor building, robots were able to advance 40 meters along the northern side wall. The use of robots is aimed at paving the way for staff to work inside the contaminated buildings to stabilize the reactors, but the prospects of success remain unclear. Do I hear a “meow”?

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Remember that old joke about the guy who went on vacation and left his brother home to watch his cat? The cat fell off the roof and died. When the brother called to ask how his cat was, his friend said, “I’m sorry to tell you that your cat just died.” The brother was really upset and said, “You don’t just come out and say something like that. You should have prepared me. You could have said, ‘The cat’s on the roof, I’ve called the fire department, we’re trying to get him down’. That’s how you prepare someone for bad news: something like that.” Then he asked his brother, “By the way, how’s mom?” “She’s on the roof…” Every single time we get an “official” update on Fukushima , I think of this joke. Fuel of the Fukushima nuke plant plant’s No. 1 reactor could be melting , an official said on Wednesday at Tokyo Electric Power Co. (TEPCO) , the operator of the crippled plant. TEPCO said last week some of the spent nuclear fuel rods stored in the No. 4 reactor building of the Fukushima Daiichi power plant were damaged.. The company’s workers have put iRobot PackBots to measure radiation, oxygen and temperature inside the reactor. . In other reports, they’re having problems with the robots: Tokyo Electric Power Company says radioactive debris and high humidity are hampering the investigation by robots at the Fukushima Daiichi nuclear plant. The company began using remote-controlled robots to explore the first three reactor buildings on Sunday and Monday. At the Number 2 reactor building, the robot’s camera lens was instantly clouded by high humidity. TEPCO officials think that the steam is coming from the damaged section of the reactor’s suppression pool. But they have not found a way to resolve the problem as the steam could be highly toxic. Robots entered the Number 3 reactor building through the southern entrance, but their path was blocked by debris. The firm is considering using another robot that can remove obstacles weighing up to 100 kilograms. At the first reactor building, robots were able to advance 40 meters along the northern side wall. The use of robots is aimed at paving the way for staff to work inside the contaminated buildings to stabilize the reactors, but the prospects of success remain unclear. Do I hear a “meow”?

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What’s eating Eric Bana?

He’s talented, charismatic and good-looking – so why isn’t Eric Bana the biggest star on the planet? Joe Queenan thinks he knows what’s eating him Do you ever wonder why movies stars sometimes vanish from the screen for years at a stretch? Not the way Mel Gibson did (no films between 2004 and 2010, largely because personal issues induced him to keep a low profile), but the way major stars will retreat from the limelight for awhile. Hey, what ever happened to Jon Voight? Gosh, what’s Neve Campbell been doing the last few years? Wait a sec, is Jean-Claude Van Damme still alive? The following, then, may be of interest to you. In 2009′s rollicking blockbuster Star Trek, the Romulan commander of the aerodynamically implausible, hydra-like spaceship that is threatening to destroy Earth with the deadly weapons mounted in its weird tentacles somehow manages to muff the assignment. Even though his ship is a hundred times bigger than the Starship Enterprise, and even though it boasts infinitely more firepower than its puny

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What’s eating Eric Bana?

He’s talented, charismatic and good-looking – so why isn’t Eric Bana the biggest star on the planet? Joe Queenan thinks he knows what’s eating him Do you ever wonder why movies stars sometimes vanish from the screen for years at a stretch? Not the way Mel Gibson did (no films between 2004 and 2010, largely because personal issues induced him to keep a low profile), but the way major stars will retreat from the limelight for awhile. Hey, what ever happened to Jon Voight? Gosh, what’s Neve Campbell been doing the last few years? Wait a sec, is Jean-Claude Van Damme still alive? The following, then, may be of interest to you. In 2009′s rollicking blockbuster Star Trek, the Romulan commander of the aerodynamically implausible, hydra-like spaceship that is threatening to destroy Earth with the deadly weapons mounted in its weird tentacles somehow manages to muff the assignment. Even though his ship is a hundred times bigger than the Starship Enterprise, and even though it boasts infinitely more firepower than its puny

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