Greece’s annual deficit was 10.5% of national output last year and Portugal’s was 9.1% – both more than assumed by the European commission Greece and Portugal are deeper in debt than previously estimated, according to official figures that show attempts to contain their financial woes have so far failed. The statistics agency Eurostat said Greece’s deficit hit 10.5% of economic output in 2010, well above the 9.6% the European commission expected last autumn. Portugal, which is negotiating a bailout similar to those for Greece and Ireland, saw its debts reach 9.1%, far ahead of the 7.3% the commission used as a benchmark until only a few months ago. The rise in the annual debt levels are a blow to efforts in Brussels to ease growing fears among investors that Greece will be overwhelmed by its financial situation and default on hits debt. The country had to be saved from bankruptcy with €110bn (£98bn) in rescue loans last May, but continues to struggle to raise revenue as its economy shrinks. Most economists consider a Greek default a foregone conclusion, with either some debt forgiveness or a radically longer timetable of repayments. They argue only about the timing. Ben May, of research house Capital Economics, said a Greek default was inevitable but unlikely to happen this year. He believes the EU will keep the country afloat until a multibillion-euro bailout fund, known as the European Stability Mechanism, becomes available in 2013. At the weekend a prominent member of the European Central Bank said a Greek debt restructuring would be a disaster for the eurozone with knock-on effects on banks in France, Britain and Germany that hold Greek debt. “A restructuring would have legal and systemic consquences that are difficult to calculate right now but would in all probability be bigger than after the collapse of Lehman Brothers,” said José Manuel González-Paramo, an ECB executive board member. Prominent figures such as the International Monetary Fund boss Dominique Strauss-Kahn have insisted the Greeks will honour their commitments to repay. However, one adviser to German chancellor Angela Merkel hinted that Greece’s escalating debts could bring forward the need for a bailout. “I don’t think that Greece will succeed in this consolidation strategy without any restructuring in the future, or perhaps also in the near future,” Lars Feld, a member of the German prime minister’s council of economic advisers, told the news service Bloomberg. “Greece should restructure sooner rather than later.” Investor concerns pushed Greek bond yields to record highs with two-year bonds adding 64 basis points, or 0.64 percentage points, to 23.6%, while yields on 10-year bonds reached 15.26%. Portugal’s two-year bond yields touched 11.6%, before easing to 11.5%. EU officials said there were reasons to be cheerful following a decline in the average debt across the 17 member eurozone from 6.3% in 2009 to 6%. A majority of countries managed to repay some of their debts over the last year. The Greek finance ministry attributed the larger deficit to a deeper than expected recession, which cut into tax revenues and social security contributions. It conceded more needed to be done to stop tax and social security evasion and cut costs in hospitals, local administration and public enterprises. “The Greek government remains committed to achieving its deficit targets under the economic adjustment programme and will take all necessary measures in that direction,” the ministry said in a statement. The government has already revealed plans to cut an extra €23bn in expenditure by 2015 and privatise €50bn in public assets. Its failure to impose tax rises and spending cuts has sent the country’s debt spiralling to 142% of national income. Portugal’s total has reached 93% of GDP. Ireland’s hit 96%, Italy’s 119% and Belgium’s 97%. Britain’s annual debt of 10.5% last year pushed its total to 80%, compared with Germany’s 83% and France’s 82%. There was some good news for Spain, the country that most analysts view as the next weakest link in the eurozone. Its deficit was 9.2% of GDP, slightly below the 9.3% forecast by the commission. Investors are more concerned about the control governments are exercising over spending than their total debts. Italy has persistently spent more than it earned, but has kept its overspending low during the financial crisis, mainly because its banks stayed clear of the exotic financial instruments that rocked so many European banks. Euro Portugal Greece European commission European Central Bank Spain Currencies Europe European Union Europe Phillip Inman guardian.co.uk
Continue reading …• Hit F5 or tick the autorefresher for the latest updates • Email paul.doyle@guardian.co.uk with your thoughts Preamble: Like chain-ganged criminals Manchester United have toiled hard on the road this season – except in the Champions League, where defensively they’ve been tighter than Sir Alex Ferguson’s lips in front of a BBC camera. The German unterhunds will sure seek to test their solidity tonight, as they’re a charming gung-ho bunch who retain enough naivete to engage opponents in naked attacking duels. As their name suggests, they play with null fear. And that’s what we all like to see, isn’t it? Ferguson has sprung no surprises with his line-up, the inclusion of Park ahead of Nani not being worth raising an eyebrow over given the manager’s lubency to use the Korean in big games. Fabio ahead of his brother Rafael is not especially unexpected either, given the former has been performing well in recent weeks. Darron Gibson does not even make the bench, giving him time, perhaps, to pursue his research into a device for filtering rabid idiots out of cyberspace. As for Schalke, everyone knows about the threat of canny Raul, and goalkeeper Manuel Neuer has earned a reputation as one of the world’s best and possibly also a summer move to Old Trafford. There has been much fanfare too about Jefferson Farfan and, of course, their Charles Dickens-reading coach, Ralf Rangnick, is said to be a lot like a man who has been hit over the head with a bag-full of tiny echolocating mammals – totally shrewd. Though perhaps we should not have such Great Expectations of him. Hard Times could be ahead for him and his team. In other news, this stadium, the Veltins Arena, was the site of one of the most famous fouls in English football history: yes, it is the place where, in the 2006 World Cup quater-final, Ricardo Carvahlo attacked Wayne Rooney’s hallowed foot with his testicles, suckering the ref into showing the wronged Englishman a red card. Teams: Schalke 04: Neuer; Uchida, Matip, Metzelder, Sarpei; Farfan, Papadopoulous*, Jurado*, Baumjohann; Raul*, Edu Subs: Schober, Escudero, Plestan, Kluge, Charisteas, Karimi, Draxler * = on booking United: Van der Sar; Fabio, Ferdinand, Vidic, Evra; Valencia, Carrick, Giggs, Park; Rooney, Hernandez Subs: Kuszczak, Anderson, Smalling, Nani, Scholes, Rafael, Evans Ref: C Carballo (Spain) Champions League Schalke Manchester United Paul Doyle guardian.co.uk
Continue reading …Click here to view this media As his Fox News show reaches the end of the road , Glenn Beck has been feuding with a couple of noteworthy figures on his own side of the political aisle — with his Fox colleague Mike Huckabee, labeled by Beck a “progressive” Republican (which in Outer GlennBeckistan is the equivalent of being called a cancerous Nazi) and with Andrew Breitbart, who is still pissed that Beck “threw him under the bus” over the Shirley Sherrod fiasco. On his Fox show yesterday, Beck tried to address these feuds by claiming that he really doesn’t have any serious differences with these two — they’re all on the same side, after all. Then he proceeded to quarrel further with Breitbart by going on ad nauseam about how important God really is to America — a sly way of holding Breitbart up as unworthy for the Religious Right folks out there in his audience, and also absurdly misleading: Theire differences really aren’t about religion. Beck has mostly parted ways with Breitbart over the fact that not only has Breitbart misled, distorted, and lied egregiously in his attacks on liberals, he made the egregious misjudgment of getting caught at it. And he continued his attacks on Huckabee, even while claiming to be dismissing their differences. Indeed, he continued to insist that Huckabee is a “progressive” — which for Beckheads means he is heading down the path to Nazism (indeed, he’s in the same category as neo-Nazis) and is a cancer on the American body politic. Beck has even tried to claim he didn’t say these things. But then again, it isn’t only conspiracy theories that can be easily disproven. So can outright lies.
Continue reading …Padmanabh Singh, 13, inherits title of ‘first amongst the rajas of India’ but faces feud over £400m fortune and his own lineage By the time the sun sets over the fabled “pink city” of Jaipur on Wednesday, India will have a new king. The heir to the once independent Rajasthani city and its desert dominions will have succeeded to his throne – and to his heritage of lawsuits, snobbery and palace intrigues – at the age of 13. Maharaja Padmanabh Singh’s title is not recognised by law since such feudal remnants were swept away by legislation in the early 1970s, but it still inspires respect in this deeply hierarchical country where the aristocracy is venerated despite rapid social change. However, pending a court decision, the young royal’s wealth and power will be somewhat less magnificent than that of his illustrious predecessors who invited British royalty on tiger hunts. The estimated £400m family fortune is tied up in lawsuits and the teenage ruler will only be able to control the city palace – though its 30 acres, thousands of rooms, suites, courtyards, museum and elephant stables will bring in ample income. Many other royal palaces and forts were given or leased to the state government of Rajasthan for token amounts in the aftermath of India’s independence from Britain in 1947. The new monarch was adopted as heir in 2002 by his grandfather His Highness, First Amongst the Rajas of India, Lord of Princes, Great Prince over Princes, Lieutenant-General Sir Sawai Man Singhji Bahadur the Second, Knight Grand Commander of the Order of the Star of India, Grand Commander of the Order of the Indian Empire, Maharaja of Jaipur. The late maharaja died last week aged 79. His heir, currently studying at an exclusive Indian public school, lit his funeral pyre after a funeral attended by tens of thousands. Sawai Man Singhji Bahadur was a flamboyant polo-playing friend of Prince Charles. Known as “bubbles” because of the quantity of champagne consumed to celebrate his birth, his choice of successor was a controversial one as the young crown prince’s father had been a member of the household staff, a clerk according to some reports. The decision was opposed by the late maharajah’s two step brothers, sparking the ongoing family rift. Hugely complex and drawn out legal manoeuvres have consumed vast sums in lawyers’ fees. “The step family’s not happy when he was made the heir. But [the maharaja] adopted Padmanabh in front of everyone, with a really big ceremony, after completing all the needful legal formalities so there is no way [they] can challenge it now,” said Ramesh Sharma, advocate of the late maharaja. According to Aman Nath, co-founder of a chain of heritage hotels which include several palaces and forts, the fortunes of India’s hundreds of aristocratic dynasties have been variable, with many struggling to adapt to the changes sweeping the country in recent decades. “Some royals command respect because of their personal conduct – though it is not easy to play yesterday’s role with relatively empty pockets. Other’s have gone under, with their burdens or bad habits,” Nath told the Times of India newspaper. In today’s India, where social climbing, ostentation and snobbery are key attributes of the newly wealthy middle-classes, titles still retain prestige, though not always the right titles for the right reasons. The biggest attraction in Jaipur these days is even younger than its new ruler: it is the three-year-old Indian Premier League cricket team the Rajasthan Royals, complete with lycra-clad cheerleaders and who play with highly paid imported stars. India Jason Burke guardian.co.uk
Continue reading …Padmanabh Singh, 13, inherits title of ‘first amongst the rajas of India’ but faces feud over £400m fortune and his own lineage By the time the sun sets over the fabled “pink city” of Jaipur on Wednesday, India will have a new king. The heir to the once independent Rajasthani city and its desert dominions will have succeeded to his throne – and to his heritage of lawsuits, snobbery and palace intrigues – at the age of 13. Maharaja Padmanabh Singh’s title is not recognised by law since such feudal remnants were swept away by legislation in the early 1970s, but it still inspires respect in this deeply hierarchical country where the aristocracy is venerated despite rapid social change. However, pending a court decision, the young royal’s wealth and power will be somewhat less magnificent than that of his illustrious predecessors who invited British royalty on tiger hunts. The estimated £400m family fortune is tied up in lawsuits and the teenage ruler will only be able to control the city palace – though its 30 acres, thousands of rooms, suites, courtyards, museum and elephant stables will bring in ample income. Many other royal palaces and forts were given or leased to the state government of Rajasthan for token amounts in the aftermath of India’s independence from Britain in 1947. The new monarch was adopted as heir in 2002 by his grandfather His Highness, First Amongst the Rajas of India, Lord of Princes, Great Prince over Princes, Lieutenant-General Sir Sawai Man Singhji Bahadur the Second, Knight Grand Commander of the Order of the Star of India, Grand Commander of the Order of the Indian Empire, Maharaja of Jaipur. The late maharaja died last week aged 79. His heir, currently studying at an exclusive Indian public school, lit his funeral pyre after a funeral attended by tens of thousands. Sawai Man Singhji Bahadur was a flamboyant polo-playing friend of Prince Charles. Known as “bubbles” because of the quantity of champagne consumed to celebrate his birth, his choice of successor was a controversial one as the young crown prince’s father had been a member of the household staff, a clerk according to some reports. The decision was opposed by the late maharajah’s two step brothers, sparking the ongoing family rift. Hugely complex and drawn out legal manoeuvres have consumed vast sums in lawyers’ fees. “The step family’s not happy when he was made the heir. But [the maharaja] adopted Padmanabh in front of everyone, with a really big ceremony, after completing all the needful legal formalities so there is no way [they] can challenge it now,” said Ramesh Sharma, advocate of the late maharaja. According to Aman Nath, co-founder of a chain of heritage hotels which include several palaces and forts, the fortunes of India’s hundreds of aristocratic dynasties have been variable, with many struggling to adapt to the changes sweeping the country in recent decades. “Some royals command respect because of their personal conduct – though it is not easy to play yesterday’s role with relatively empty pockets. Other’s have gone under, with their burdens or bad habits,” Nath told the Times of India newspaper. In today’s India, where social climbing, ostentation and snobbery are key attributes of the newly wealthy middle-classes, titles still retain prestige, though not always the right titles for the right reasons. The biggest attraction in Jaipur these days is even younger than its new ruler: it is the three-year-old Indian Premier League cricket team the Rajasthan Royals, complete with lycra-clad cheerleaders and who play with highly paid imported stars. India Jason Burke guardian.co.uk
Continue reading …Lonely Planet ‘s Tom Hall will be live online tomorrow from 1-2pm answering your travel queries. Post your questions for him below If you still haven’t got your summer holiday planned, don’t panic – Tom Hall will be along very shortly to discuss a selection of new air routes for the summer, plus some deals for getting away to the sun in late May. Tom will be live on Guardian Travel tomorrow offering expert advice on these and many other subjects. Post questions below in advance or on the day. Tom will get to as many as he can in an hour, but due to the volume of questions, he may not be able to answer all of them in the live blog. Unanswered questions will be considered for future Ask Tom blog posts. Tom Hall guardian.co.uk
Continue reading …Lonely Planet ‘s Tom Hall will be live online tomorrow from 1-2pm answering your travel queries. Post your questions for him below If you still haven’t got your summer holiday planned, don’t panic – Tom Hall will be along very shortly to discuss a selection of new air routes for the summer, plus some deals for getting away to the sun in late May. Tom will be live on Guardian Travel tomorrow offering expert advice on these and many other subjects. Post questions below in advance or on the day. Tom will get to as many as he can in an hour, but due to the volume of questions, he may not be able to answer all of them in the live blog. Unanswered questions will be considered for future Ask Tom blog posts. Tom Hall guardian.co.uk
Continue reading …Typewriters may have stopped rolling off the production line, but their mechanical chatter and precision components lend them an enduring enchantment “It was a dark and stormy night.” The image of Snoopy sitting on top of his kennel rattling out the opening of his latest bestseller on a typewriter is as familiar as it is cherished. It is also a delightful send-up of the archetypal would-be author at work. Endearing, yes, but dated. Today, we learn that possibly the world’s very last typewriter factory – in Mumbai – has closed. Although its typewriting business has been just one small portion of the Godrej & Boyce manufacturing empire, founded in 1897 by the lawyer and inventor Ardeshir Godrej, a spokesman has told the global media that “currently the company has just 500 machines left”. Hurry while stocks last, as the imposing Prima model dating from the 1950s, now selling for about £160 , is sure to become a sought-after classic of pre-digital design. Or is it? There are now millions of people worldwide tapping away on keyboards who have never sat in front of a typewriter, much less written with one. The machine that gave us the modern open-plan office, with its rows of clerks and typists, can seem as outmoded as Polaroid and Instamatic cameras , Super 8 film, Kodachrome , hand looms and horse-drawn ploughs. And yet, although it is true that desktop and laptop computers and any number of handheld devices have effectively replaced the typewriter in everyday use, there are many people who prefer these miniature desktop printing presses. Typewriters still hold a certain romance: something to do with the Mad Men charm of whisky bottles, green eyeshades , low office lighting, the mechanical chatter of keyboards, the ting of bells and the saw-like rasp and slap of carriages as they are whipped back hastily for the next line of copy to be churned out. And, alongside the image of Charles Schulz’s Snoopy, there are haunting scenes from so many films in which the typewriter has played a powerful role. Think of Schindler’s List , the list itself being typed up. Or Jack Nicholson sitting alone in an out-of-season mountain resort hotel typing that one line over and over – “All work and no play makes Jack a dull boy” – before he goes stark staring mad and takes an axe to his family in Stanley Kubrick’s The Shining . Such connotations aside, the typewriter – refined over more than a century – remains a satisfying machine to anyone who likes to watch precision components at work. I still use my Olivetti Lettera 22 – an elegantly sculpted design by Marcello Nizzoli, dating from 1950 – for personal letters rather than for journalism and books. Cormac McCarthy has written all of his novels to date on this trusty companion . It is small, more tactile and a lot more fun to operate than the wireless iPad, although of course the latter can do so much more than type. It’s a bit like comparing the cockpit of a Tiger Moth biplane to that of the latest Airbus. A physicist friend of mine is currently wiring up another Lettera 22 so that I can plug it into a desktop and enjoy the benefits of both typing the old way and doing at least some of the things a modern computer can. This kind of steampunk word processor has become a popular contraption the world over. And why not? Typewriter design never did stand still. Those who say that typewriters were too much bother, with all those inky ribbons, jammed keys and hours spent sploshing with correcting fluid, have been strangers to advanced machines such as the IBM Selectric , which first appeared in 1961. With its rapid-fire golf ball typing head and invaluable backspace correcting key, here was a marvel of modern office design, however cumbersome. Even my slimline Olivetti Lettera 22 (weighing in at 4kg) feels very heavy indeed compared to an Apple MacBook Air (335g). New technologies naturally push old ones aside for any number of reasons – from practicality to the promise of new functions and efficiencies. And yet, just as photographers still find uses for Polaroid cameras, musicians retain a fondness for vinyl , and steam locomotives attract crowds of fans when they appear on main lines billowing between the latest electric trains, the typewriter will rattle through many a dark and stormy night yet.
Continue reading …Typewriters may have stopped rolling off the production line, but their mechanical chatter and precision components lend them an enduring enchantment “It was a dark and stormy night.” The image of Snoopy sitting on top of his kennel rattling out the opening of his latest bestseller on a typewriter is as familiar as it is cherished. It is also a delightful send-up of the archetypal would-be author at work. Endearing, yes, but dated. Today, we learn that possibly the world’s very last typewriter factory – in Mumbai – has closed. Although its typewriting business has been just one small portion of the Godrej & Boyce manufacturing empire, founded in 1897 by the lawyer and inventor Ardeshir Godrej, a spokesman has told the global media that “currently the company has just 500 machines left”. Hurry while stocks last, as the imposing Prima model dating from the 1950s, now selling for about £160 , is sure to become a sought-after classic of pre-digital design. Or is it? There are now millions of people worldwide tapping away on keyboards who have never sat in front of a typewriter, much less written with one. The machine that gave us the modern open-plan office, with its rows of clerks and typists, can seem as outmoded as Polaroid and Instamatic cameras , Super 8 film, Kodachrome , hand looms and horse-drawn ploughs. And yet, although it is true that desktop and laptop computers and any number of handheld devices have effectively replaced the typewriter in everyday use, there are many people who prefer these miniature desktop printing presses. Typewriters still hold a certain romance: something to do with the Mad Men charm of whisky bottles, green eyeshades , low office lighting, the mechanical chatter of keyboards, the ting of bells and the saw-like rasp and slap of carriages as they are whipped back hastily for the next line of copy to be churned out. And, alongside the image of Charles Schulz’s Snoopy, there are haunting scenes from so many films in which the typewriter has played a powerful role. Think of Schindler’s List , the list itself being typed up. Or Jack Nicholson sitting alone in an out-of-season mountain resort hotel typing that one line over and over – “All work and no play makes Jack a dull boy” – before he goes stark staring mad and takes an axe to his family in Stanley Kubrick’s The Shining . Such connotations aside, the typewriter – refined over more than a century – remains a satisfying machine to anyone who likes to watch precision components at work. I still use my Olivetti Lettera 22 – an elegantly sculpted design by Marcello Nizzoli, dating from 1950 – for personal letters rather than for journalism and books. Cormac McCarthy has written all of his novels to date on this trusty companion . It is small, more tactile and a lot more fun to operate than the wireless iPad, although of course the latter can do so much more than type. It’s a bit like comparing the cockpit of a Tiger Moth biplane to that of the latest Airbus. A physicist friend of mine is currently wiring up another Lettera 22 so that I can plug it into a desktop and enjoy the benefits of both typing the old way and doing at least some of the things a modern computer can. This kind of steampunk word processor has become a popular contraption the world over. And why not? Typewriter design never did stand still. Those who say that typewriters were too much bother, with all those inky ribbons, jammed keys and hours spent sploshing with correcting fluid, have been strangers to advanced machines such as the IBM Selectric , which first appeared in 1961. With its rapid-fire golf ball typing head and invaluable backspace correcting key, here was a marvel of modern office design, however cumbersome. Even my slimline Olivetti Lettera 22 (weighing in at 4kg) feels very heavy indeed compared to an Apple MacBook Air (335g). New technologies naturally push old ones aside for any number of reasons – from practicality to the promise of new functions and efficiencies. And yet, just as photographers still find uses for Polaroid cameras, musicians retain a fondness for vinyl , and steam locomotives attract crowds of fans when they appear on main lines billowing between the latest electric trains, the typewriter will rattle through many a dark and stormy night yet.
Continue reading …Typewriters may have stopped rolling off the production line, but their mechanical chatter and precision components lend them an enduring enchantment “It was a dark and stormy night.” The image of Snoopy sitting on top of his kennel rattling out the opening of his latest bestseller on a typewriter is as familiar as it is cherished. It is also a delightful send-up of the archetypal would-be author at work. Endearing, yes, but dated. Today, we learn that possibly the world’s very last typewriter factory – in Mumbai – has closed. Although its typewriting business has been just one small portion of the Godrej & Boyce manufacturing empire, founded in 1897 by the lawyer and inventor Ardeshir Godrej, a spokesman has told the global media that “currently the company has just 500 machines left”. Hurry while stocks last, as the imposing Prima model dating from the 1950s, now selling for about £160 , is sure to become a sought-after classic of pre-digital design. Or is it? There are now millions of people worldwide tapping away on keyboards who have never sat in front of a typewriter, much less written with one. The machine that gave us the modern open-plan office, with its rows of clerks and typists, can seem as outmoded as Polaroid and Instamatic cameras , Super 8 film, Kodachrome , hand looms and horse-drawn ploughs. And yet, although it is true that desktop and laptop computers and any number of handheld devices have effectively replaced the typewriter in everyday use, there are many people who prefer these miniature desktop printing presses. Typewriters still hold a certain romance: something to do with the Mad Men charm of whisky bottles, green eyeshades , low office lighting, the mechanical chatter of keyboards, the ting of bells and the saw-like rasp and slap of carriages as they are whipped back hastily for the next line of copy to be churned out. And, alongside the image of Charles Schulz’s Snoopy, there are haunting scenes from so many films in which the typewriter has played a powerful role. Think of Schindler’s List , the list itself being typed up. Or Jack Nicholson sitting alone in an out-of-season mountain resort hotel typing that one line over and over – “All work and no play makes Jack a dull boy” – before he goes stark staring mad and takes an axe to his family in Stanley Kubrick’s The Shining . Such connotations aside, the typewriter – refined over more than a century – remains a satisfying machine to anyone who likes to watch precision components at work. I still use my Olivetti Lettera 22 – an elegantly sculpted design by Marcello Nizzoli, dating from 1950 – for personal letters rather than for journalism and books. Cormac McCarthy has written all of his novels to date on this trusty companion . It is small, more tactile and a lot more fun to operate than the wireless iPad, although of course the latter can do so much more than type. It’s a bit like comparing the cockpit of a Tiger Moth biplane to that of the latest Airbus. A physicist friend of mine is currently wiring up another Lettera 22 so that I can plug it into a desktop and enjoy the benefits of both typing the old way and doing at least some of the things a modern computer can. This kind of steampunk word processor has become a popular contraption the world over. And why not? Typewriter design never did stand still. Those who say that typewriters were too much bother, with all those inky ribbons, jammed keys and hours spent sploshing with correcting fluid, have been strangers to advanced machines such as the IBM Selectric , which first appeared in 1961. With its rapid-fire golf ball typing head and invaluable backspace correcting key, here was a marvel of modern office design, however cumbersome. Even my slimline Olivetti Lettera 22 (weighing in at 4kg) feels very heavy indeed compared to an Apple MacBook Air (335g). New technologies naturally push old ones aside for any number of reasons – from practicality to the promise of new functions and efficiencies. And yet, just as photographers still find uses for Polaroid cameras, musicians retain a fondness for vinyl , and steam locomotives attract crowds of fans when they appear on main lines billowing between the latest electric trains, the typewriter will rattle through many a dark and stormy night yet.
Continue reading …