Click here to view this media We knew all along that there was a powerful business incentive involved in the Arizona Senate’s recent rejection of the latest Russell Pearce anti-immigration slate. Now the New York Times corroborates it : The Senate move was a victory for the Arizona business lobby, which on many issues is more moderate than state lawmakers. And it was a rebuke for the State Senate president, Russell Pearce, a Republican and the driving force behind tough immigration measures, including the law passed last April requiring police to question the status of anyone they stop if they have a “reasonable suspicion” that the person might be an illegal immigrant. Opponents of the five bills said that the state’s image had been hit hard, and that it did not make sense to pass new measures while the state had already put itself so far out in front of other states and the federal government on the issue — at a cost to tourism and other industries. They said that previous immigration bills were still being reviewed by the courts, and that it was not smart to pass new legislation that plainly conflicted with the 14th Amendment of the Constitution. “I don’t believe that anyone, including myself, foresaw the national and international reaction” to April’s bill, said Glenn Hamer, chief executive of the Arizona Chamber of Commerce and Industry, who said estimates of lost tourism business ranged from $15 million to $150 million. “Now we have that experience under our belts. We know these measures can cause economic damage; it’s just a matter of degree.” The tourism and image-related business losses were only the tip of the iceberg, though, when it comes to the damage inflicted on the state by SB1070 and its related anti-immigration measures. As we’ve explained previously, simply deporting and/or driving out all the state’s undocumented immigrants would have disastrous economic consequences on a broad basis for the state — some of which are already being felt. A new study from the Center for American Progress, “A Rising Tide or a Shrinking Pie: The Economic Impact of Legalization Versus Deportation in Arizona” lays it all out in great detail: The economic analysis in this report shows the S.B. 1070 approach would have devastating economic consequences if its goals were accomplished. When undocumented workers are taken out of the economy, the jobs they support through their labor, consumption, and tax payments disappear as well. Particularly during a time of profound economic uncertainty, the type of economic dislocation envisioned by S.B. 1070-type policies runs directly counter to the interests of our nation as we continue to struggle to distance ourselves from the ravages of the Great Recession. Conversely, our analysis shows that legalizing undocumented immigrants in Arizona would yield a significant positive economic impact. Based on the historical results of the last legalization program under the Immigration Reform and Control Act of 1986, our analysis shows a similar program would increase wages not only for immigrants but also for their native-born co-workers. This would generate more tax revenue and more consumer and business spending, supporting additional jobs throughout the economy. Public debate over the wisdom of laws such as S.B. 1070 is heated but generally lacking in substance. The proponents of S.B. 1070 and related legislation now under debate in other cities and states claim to be acting in the best economic interests of native-born Americans, but as this report demonstrates, their claim is wholly unsubstantiated. The chart below makes it simple: Figure 1: Mass deportation versus mass legalization Costs and consequences Deportation effects in Arizona * Decrease total employment by 17.2 percent * Eliminate 581,000 jobs for immigrant and native-born workers alike * Shrink state economy by $48.8 billion * Reduce state tax revenues by 10.1 percent Legalization effects in Arizona * Increase total employment by 7.7 percent * Add 261,000 jobs for immigrant and native-born workers alike * Increase labor income by $5.6 billion * Increase tax revenues by $1.68 billion Some Arizonans are starting to wake up. The other night in Mesa, there was a spirited public debate over the so-called “Utah compact,” the Mormon-led deal in Utah that led to state leaders there taking a more thoughtful approach to immigration: Not everyone in Mesa was ready to agree, however. Of the nearly 30 speakers, almost half opposed the compact, and several speakers threatened the city with lawsuits and the loss of millions of dollars under provisions of last year’s Senate Bill 1070 if the city endorsed the Utah Compact. In their view, adopting such a statement would turn Mesa into a “sanctuary city” for illegal immigrants. Speakers against the compact complained that illegal immigrants are draining the state treasury, committing crimes, degrading Mesa’s quality of life and even providing cover for terrorists crossing the southern border. Arguments ranged from the theological, with speakers disagreeing on how Jesus would see the issue, to the economic, with sparring over whether immigrants help or hurt Arizona’s bottom line. “If you do pass this, you will be fulfilling what God told Micah: Do justice, love kindness and walk modestly with your God,” said Paul Whitlock, senior pastor of Desert Heritage Church, which belongs to the United Church of Christ denomination. “It’s not about race, it’s about following laws,” said Joe Fletcher, representing the Mountain View Tea Party. “Why does one group get to choose which laws they want to follow and one group doesn’t?” Brenda Rascon, a Westwood High School and Arizona State University graduate who said she is the daughter of Mexican immigrants, said the compact is “a good alternative to the hostile climate created by laws like SB 1070,” which became law last year under the aegis of state Sen. Russell Pearce, R-Mesa. “I’m a citizen of this country. I see a growing hostility towards people who look like me, supported by my state senator,” she said. At that a member of the audience was heard to say, “Cry me a river.” Rascon continued, “Is this the kind of society that we actually want? A divisive, ugly society filled with leaders who appeal to the most basal instincts of our character?” That’s what Arizona has created for itself now. Someday, perhaps, the state’s residents with greater good sense will once again be running things. We’ll know, perhaps, when they finally show Sheriff Joe the door. But until then …
Continue reading …A defensive Brian Williams appeared on Wednesday's Late Night With Jimmy Fallon to explain away Barack Obama's handling of the situation in Libya. He also hit the show's for having a “political 'tude” against the President, complaining, “I've never heard you go into this area before.” After the comedian knocked Obama for “playing soccer in Rio,” Williams labeled that “unfair.” He added, “The President has scrambled phones. He's got video conferencing.” Following jokes from Fallon about the President's NCAA picks, the NBC Nightly News anchor sarcastically replied, ” I think we've seen a little political 'tude coming out tonight. This is interesting .” The journalist did allow that the White House has a perception problem, but continued to defend the President being out of the country: “Even though he's with his daughters and they get very little time off. He's down in South America, three country tour, doing all of the official business.” Williams oddly closed his appearance with an assertion of journalistic independence: ” I don't work for [The White House]. I cover them all equally, Democrats, Republicans .” A transcript of the March 23 segment, which aired at 12:50am EDT, follows: JIMMY FALLON: And it feels like to me, that President Obama is playing soccer in Rio with kids and Hillary Clinton seems to be weirdly stepping up, almost like she's being very presidential, I feel like. Isn't it weird? BRIAN WILLIAMS: It might be a bit unfair. He- you've got to remember, Jimmy- FALLON: Yeah? WILLIAMS: The machinery of the presidency, a lot like when you travel, the machinery of the presidency comes with the President. When you travel, you get, you know, the Late Night computer and your paging devices, so that decisions back in New York about guests, musical order can be made by you. The President has scrambled phones. He's got video conferencing. He's got the three big Irishmen in his life, [Tom] Donlan, Brennan and [William]Daley, who are part of his inner circle. He's got all of his people. They are all reachable. While he may come back early from this trip to South America, I think the command and control- American people like to see the President in the White House. FALLON: But, why is he there again? WILLIAMS: Well, this was a trip that, to have cancelled this- FALLON: It costs so much money? [Laughs] WILLIAMS: Yeah, right. FALLON: He can't get a refund? Come on. what is going down? He's making NCAA- doing his brackets on ESPN. I'm like, “Who is advising this?” WILLIAMS: Wow. I think- I think we've seen a little political 'tude coming out tonight. This is interesting. FALLON: Come on. A little. WILLIAMS: I think this is interesting. I've never heard you go into this area before. FALLON : I don't usually do it, but I feel like- I get upset. I go, what- I mean, I have better people advising me than the President does. WILLIAMS: Actually, I've met your staff. FALLON: Yeah, and- Yeah, you're right. WILLIAMS: Just one thing to remember. Every cruise missile, about like $1 million, 162 of those, think of what goes into launching each one. FALLON:: Sure, yeah, yeah. WILLIAMS: Target selection, all of that. It's- FALLON: I mean, it's a tough job. It's a crazy job. WILLIAMS: You feel like you have to hang on to something. FALLON: I'm always- I'm very patriotic. I'm always rooting for the President. I just feel like- I feel like I want to hear from him. WILLIAMS: Well this is a tough perception. The White House has to deal with this. Because, seriously, if you're saying it and you do hear this across America, it means it's real. And it means they've got to deal with the perception. Even though he's with his daughters and they get very little time off. He's down in South America, three country tour, doing all of the official business. I don't work for them. I cover them all equally, Democrats, Republicans. They've got an appearance issue, if you're saying they do. You have that kind of sway across this country. — Scott Whitlock is a news analyst for the Media Research Center. Click here to follow him on Twitter .
Continue reading …A Nebraska man was sentenced Thursday to 50 years in prison for a drunken crash that killed four motorcyclists in western Iowa. (March 25)
Continue reading …We’ve yet to see any sort of official announcement, but folks have been flooding various deal sites this morning with reports that Verizon is now selling the original iPad for just $299.99 in-store. That’s for the 16GB WiFi-only model, of course, but the 32GB and 64GB models have also apparently been discounted to $399.99 and $499.99, respectively. As you might suspect, however, there’s also plenty of reports of Verizon already being sold out, so you might not want to waste much time if you’re thinking about taking the plunge. MiFi sold separately, of course. Verizon now selling original iPad for as little as $300 originally appeared on Engadget on Fri, 25 Mar 2011 12:53:00 EDT. Please see our terms for use of feeds . Permalink
Continue reading …F1 FORMULA 1 FERNANDO ALONSO FERRARI MONTMELO ENTRENAMIENTOS F1 2011 Podcast Preview.wmv Senna : Trailer of the new Senna Movie from JAF1 Australia Practice 2: McLaren make Friday a day of 1-2s | Formula … McLaren took over the top of the timesheets from Red Bull, with Jenson Button leading the way in the second practice session for the 2011 Australian Grand Prix. Australia Practice 1: Red Bull leads the way early in 2011 … The season opening day of on-track action dawned cool and dreary in Melbourne with a decent wind, but the track was dry when the drivers headed out. Though it. F1 : Formula 1 tyre situation leaves Ferrari boss Stefano … F1 : Formula 1 tyre situation leaves Ferrari boss Stefano Domenicali concerned. First free practice results – 2011 Australian Formula 1 Grand Prix … news, photos, videos and results. Get all the latest news at the most-visited autosport website: GPUpdate.net. The Driver's Seat: Wings over Australia…how it'll work | Formula … The Driver’s Seat: Wings over Australia…how it’ll work. neba911 says: watching a bit of formula 1 practice highlights, thank god its back
Continue reading …This week’s intriguing selection includes French farce in Salisbury and an art deco drama in a Plymouth car park A week that will see Arts Council England (ACE) making its announcement about who is and isn’t getting National Portfolio Funding (around half of the 1,350 arts organisations who applied are likely to be disappointed) makes you wonder what the theatre landscape will look like in a few years time. But let’s begin this week’s theatrical grand tour of the country in Plymouth. Until tomorrow, at the Theatre Royal you can catch the devastating first world war drama Journey’s End in the main house and Theatre Alibi’s porky tale Goucher’s War in the Drum. The latter moves to the lovely Brewhouse in Taunton and the Burrell in Truro later in the week. But the most intriguing Plymouth show of the week takes place not in a theatre but in the car park of a 1930s art deco former car showroom. You’ve been to drive-in movies but Hidden City: Drive In Deco , open from next Thursday, combines live performance with music, radio broadcasts, film and popcorn to tell the story of the building. Staying south, Shakespeare at the Tobacco Factory’s The Comedy of Errors opens to the press on Wednesday and I’ll be taking in the Thursday matinee, so do say hello if you’re there. The Brewery Theatre plays host to the comedy circus-theatre troupe Yalla Yalla . It’s a big week all round for circus in Bristol, as the brilliant Circomedia celebrates 25 years of circus training in the city with a programme of events and workshops that continues into next weekend, which includes an Open Space event asking: What are we doing about circus in the UK? Marivaux’s 18th-century French farce The Game of Love and Chance is transposed to the 1960s in Neil Bartlett’s version directed by Philip Wilson at Salisbury Playhouse. Forest Forge take Kaite O’Reilly’s fine play, Peeling, about the choices women make and the things they hide, on a rural tour starting at Appleshaw Village Hall near Andover on Saturday night. Head for the south coast and Brighton offers Lone Twin’s celebration of the triumph and absurdity of the human spirit, The Catastrophe Trilogy , at the Dome on Saturday. There are also good things happening at the increasingly important The Basement, which is shaking up performance in the city. Tomorrow, the Supper Club offers a chance to see bite-sized performances by artists from across the UK, and next Friday the remarkable Ivana Müller performs a new solo, 60 Minutes of Opportunism, which questions codes of representation. On to London: the Sprint Festival draws to a close with Michael Pinchbeck’s The End on Saturday and Sunday. Rattigan’s last play, Causé Celèbre , opens at the Old Vic on Tuesday, the same night as BAC’s One-on-One festival . I love the way visitors to the latter are offered menus of shows to suit their mood. Clifford Odets’s 1938 drama Rocket to the Moon (one of the few plays besides Little Shop of Horrors to feature a dentist as a main character) opens at the National on Wednesday, the same night that The Complete Works of William Shakespeare makes a comeback at the Old Red Lion’s new space. But if I were you, I’d head to the original pub for a rare revival of Naomi Wallace’s fantastic plague play, One Flea Spare , which was one of the jewels in the crown of Dominic Dromgoole’s reign at the Bush. Bed and Sofa is an American musical at the Finborough, and Smash at the Menier, written by the late Jack Rosenthal, stars Tom Conti. If you’ve been trying to get into Ecstasy at Hampstead and have been unlucky, don’t despair: it transfers immediately to the Duchess for 50 performances only from 12 April. Talking of Hampstead, that’s a pretty nifty new season that’s been lined up by Ed Hall featuring Richard Eyre, Nicholas Wright, Simon Stephens and Katie Mitchell, among others. With a little detour east to the New Wolsey in Ipswich to recommend Guys and Dolls , let’s head up the country. Polly Teale’s fine exploration of creativity, Brontë, is wuthering at Oxford Playhouse during the week before eventually heading to the Tricycle in London. The Fierce festival continues to burn brightly in Birmingham over the weekend and includes some great debates, including one about children and artists, provocatively titled The Pram in the Hallway, as well as performances . If you can grab a ticket to Symphony of a Missing Room, you will not be disappointed. The Belgrade in Coventry has a new version of Uncle Vanya , directed by Helena Kaut-Howson, and Mike Bartlett’s brilliant Love Love Love is at the Curve in Leicester until Saturday before heading to Live in Newcastle. Catch it where you can. The New Vic begins a four-play repertory season with The Rivals. Erica Whyman’s revival of Who’s Afraid of Virginia Woolf? delivers a knockout punch at the Sheffield Crucible before it heads to Northern Stage in Newcastle. Tomorrow is your last chance for the excellent revival of Yerma at West Yorkshire Playhouse. Philip Meeks’s supernatural thriller, I Met a Man Who Wasn’t There, is at the Pomegranate in Chesterfield. Steven Berkoff’s eye-catching Oedipus is at Nottingham Playhouse. In Bradford, The Mill is a promenade production exploring the city’s past and present. Takeover continues this weekend at York Theatre Royal, with work by young companies Belt-Up and Rashdash. A few things of interest in Manchester: Matthew Warchus’s London-bound musical staging of the movie Ghost previews at Manchester Opera House. The brilliant Search Party is at Contact with Growing Old With You, a 10-year performance project exploring age and accumulation. Private Lives continues at the Royal Exchange. Moving into Scotland, look out for Age of Arousal at the Tron Glasgow until Saturday and then out on tour. It’s a good week for family theatre, with Neil Duffield’s The Firebird at Dundee Rep and Catherine Wheels’s rewrite of Beauty and the Beast, Caged, at Brunton Theatre Musselburgh before going on tour. Iain Finlay Macleod’s tale of language and identity, Somersaults , is at the Citizens in Glasgow until tomorrow and then heads for Ullapool and Stornoway. New Territories concludes in Glasgow, and The Hard Man , inspired by the life of Jimmy Boyle, gets a rare revival at the King’s Theatre Edinburgh. Enjoy your theatregoing in the sunshine and share what you’re seeing. Theatre Lyn Gardner guardian.co.uk
Continue reading …This week’s intriguing selection includes French farce in Salisbury and an art deco drama in a Plymouth car park A week that will see Arts Council England (ACE) making its announcement about who is and isn’t getting National Portfolio Funding (around half of the 1,350 arts organisations who applied are likely to be disappointed) makes you wonder what the theatre landscape will look like in a few years time. But let’s begin this week’s theatrical grand tour of the country in Plymouth. Until tomorrow, at the Theatre Royal you can catch the devastating first world war drama Journey’s End in the main house and Theatre Alibi’s porky tale Goucher’s War in the Drum. The latter moves to the lovely Brewhouse in Taunton and the Burrell in Truro later in the week. But the most intriguing Plymouth show of the week takes place not in a theatre but in the car park of a 1930s art deco former car showroom. You’ve been to drive-in movies but Hidden City: Drive In Deco , open from next Thursday, combines live performance with music, radio broadcasts, film and popcorn to tell the story of the building. Staying south, Shakespeare at the Tobacco Factory’s The Comedy of Errors opens to the press on Wednesday and I’ll be taking in the Thursday matinee, so do say hello if you’re there. The Brewery Theatre plays host to the comedy circus-theatre troupe Yalla Yalla . It’s a big week all round for circus in Bristol, as the brilliant Circomedia celebrates 25 years of circus training in the city with a programme of events and workshops that continues into next weekend, which includes an Open Space event asking: What are we doing about circus in the UK? Marivaux’s 18th-century French farce The Game of Love and Chance is transposed to the 1960s in Neil Bartlett’s version directed by Philip Wilson at Salisbury Playhouse. Forest Forge take Kaite O’Reilly’s fine play, Peeling, about the choices women make and the things they hide, on a rural tour starting at Appleshaw Village Hall near Andover on Saturday night. Head for the south coast and Brighton offers Lone Twin’s celebration of the triumph and absurdity of the human spirit, The Catastrophe Trilogy , at the Dome on Saturday. There are also good things happening at the increasingly important The Basement, which is shaking up performance in the city. Tomorrow, the Supper Club offers a chance to see bite-sized performances by artists from across the UK, and next Friday the remarkable Ivana Müller performs a new solo, 60 Minutes of Opportunism, which questions codes of representation. On to London: the Sprint Festival draws to a close with Michael Pinchbeck’s The End on Saturday and Sunday. Rattigan’s last play, Causé Celèbre , opens at the Old Vic on Tuesday, the same night as BAC’s One-on-One festival . I love the way visitors to the latter are offered menus of shows to suit their mood. Clifford Odets’s 1938 drama Rocket to the Moon (one of the few plays besides Little Shop of Horrors to feature a dentist as a main character) opens at the National on Wednesday, the same night that The Complete Works of William Shakespeare makes a comeback at the Old Red Lion’s new space. But if I were you, I’d head to the original pub for a rare revival of Naomi Wallace’s fantastic plague play, One Flea Spare , which was one of the jewels in the crown of Dominic Dromgoole’s reign at the Bush. Bed and Sofa is an American musical at the Finborough, and Smash at the Menier, written by the late Jack Rosenthal, stars Tom Conti. If you’ve been trying to get into Ecstasy at Hampstead and have been unlucky, don’t despair: it transfers immediately to the Duchess for 50 performances only from 12 April. Talking of Hampstead, that’s a pretty nifty new season that’s been lined up by Ed Hall featuring Richard Eyre, Nicholas Wright, Simon Stephens and Katie Mitchell, among others. With a little detour east to the New Wolsey in Ipswich to recommend Guys and Dolls , let’s head up the country. Polly Teale’s fine exploration of creativity, Brontë, is wuthering at Oxford Playhouse during the week before eventually heading to the Tricycle in London. The Fierce festival continues to burn brightly in Birmingham over the weekend and includes some great debates, including one about children and artists, provocatively titled The Pram in the Hallway, as well as performances . If you can grab a ticket to Symphony of a Missing Room, you will not be disappointed. The Belgrade in Coventry has a new version of Uncle Vanya , directed by Helena Kaut-Howson, and Mike Bartlett’s brilliant Love Love Love is at the Curve in Leicester until Saturday before heading to Live in Newcastle. Catch it where you can. The New Vic begins a four-play repertory season with The Rivals. Erica Whyman’s revival of Who’s Afraid of Virginia Woolf? delivers a knockout punch at the Sheffield Crucible before it heads to Northern Stage in Newcastle. Tomorrow is your last chance for the excellent revival of Yerma at West Yorkshire Playhouse. Philip Meeks’s supernatural thriller, I Met a Man Who Wasn’t There, is at the Pomegranate in Chesterfield. Steven Berkoff’s eye-catching Oedipus is at Nottingham Playhouse. In Bradford, The Mill is a promenade production exploring the city’s past and present. Takeover continues this weekend at York Theatre Royal, with work by young companies Belt-Up and Rashdash. A few things of interest in Manchester: Matthew Warchus’s London-bound musical staging of the movie Ghost previews at Manchester Opera House. The brilliant Search Party is at Contact with Growing Old With You, a 10-year performance project exploring age and accumulation. Private Lives continues at the Royal Exchange. Moving into Scotland, look out for Age of Arousal at the Tron Glasgow until Saturday and then out on tour. It’s a good week for family theatre, with Neil Duffield’s The Firebird at Dundee Rep and Catherine Wheels’s rewrite of Beauty and the Beast, Caged, at Brunton Theatre Musselburgh before going on tour. Iain Finlay Macleod’s tale of language and identity, Somersaults , is at the Citizens in Glasgow until tomorrow and then heads for Ullapool and Stornoway. New Territories concludes in Glasgow, and The Hard Man , inspired by the life of Jimmy Boyle, gets a rare revival at the King’s Theatre Edinburgh. Enjoy your theatregoing in the sunshine and share what you’re seeing. Theatre Lyn Gardner guardian.co.uk
Continue reading …This week’s intriguing selection includes French farce in Salisbury and an art deco drama in a Plymouth car park A week that will see Arts Council England (ACE) making its announcement about who is and isn’t getting National Portfolio Funding (around half of the 1,350 arts organisations who applied are likely to be disappointed) makes you wonder what the theatre landscape will look like in a few years time. But let’s begin this week’s theatrical grand tour of the country in Plymouth. Until tomorrow, at the Theatre Royal you can catch the devastating first world war drama Journey’s End in the main house and Theatre Alibi’s porky tale Goucher’s War in the Drum. The latter moves to the lovely Brewhouse in Taunton and the Burrell in Truro later in the week. But the most intriguing Plymouth show of the week takes place not in a theatre but in the car park of a 1930s art deco former car showroom. You’ve been to drive-in movies but Hidden City: Drive In Deco , open from next Thursday, combines live performance with music, radio broadcasts, film and popcorn to tell the story of the building. Staying south, Shakespeare at the Tobacco Factory’s The Comedy of Errors opens to the press on Wednesday and I’ll be taking in the Thursday matinee, so do say hello if you’re there. The Brewery Theatre plays host to the comedy circus-theatre troupe Yalla Yalla . It’s a big week all round for circus in Bristol, as the brilliant Circomedia celebrates 25 years of circus training in the city with a programme of events and workshops that continues into next weekend, which includes an Open Space event asking: What are we doing about circus in the UK? Marivaux’s 18th-century French farce The Game of Love and Chance is transposed to the 1960s in Neil Bartlett’s version directed by Philip Wilson at Salisbury Playhouse. Forest Forge take Kaite O’Reilly’s fine play, Peeling, about the choices women make and the things they hide, on a rural tour starting at Appleshaw Village Hall near Andover on Saturday night. Head for the south coast and Brighton offers Lone Twin’s celebration of the triumph and absurdity of the human spirit, The Catastrophe Trilogy , at the Dome on Saturday. There are also good things happening at the increasingly important The Basement, which is shaking up performance in the city. Tomorrow, the Supper Club offers a chance to see bite-sized performances by artists from across the UK, and next Friday the remarkable Ivana Müller performs a new solo, 60 Minutes of Opportunism, which questions codes of representation. On to London: the Sprint Festival draws to a close with Michael Pinchbeck’s The End on Saturday and Sunday. Rattigan’s last play, Causé Celèbre , opens at the Old Vic on Tuesday, the same night as BAC’s One-on-One festival . I love the way visitors to the latter are offered menus of shows to suit their mood. Clifford Odets’s 1938 drama Rocket to the Moon (one of the few plays besides Little Shop of Horrors to feature a dentist as a main character) opens at the National on Wednesday, the same night that The Complete Works of William Shakespeare makes a comeback at the Old Red Lion’s new space. But if I were you, I’d head to the original pub for a rare revival of Naomi Wallace’s fantastic plague play, One Flea Spare , which was one of the jewels in the crown of Dominic Dromgoole’s reign at the Bush. Bed and Sofa is an American musical at the Finborough, and Smash at the Menier, written by the late Jack Rosenthal, stars Tom Conti. If you’ve been trying to get into Ecstasy at Hampstead and have been unlucky, don’t despair: it transfers immediately to the Duchess for 50 performances only from 12 April. Talking of Hampstead, that’s a pretty nifty new season that’s been lined up by Ed Hall featuring Richard Eyre, Nicholas Wright, Simon Stephens and Katie Mitchell, among others. With a little detour east to the New Wolsey in Ipswich to recommend Guys and Dolls , let’s head up the country. Polly Teale’s fine exploration of creativity, Brontë, is wuthering at Oxford Playhouse during the week before eventually heading to the Tricycle in London. The Fierce festival continues to burn brightly in Birmingham over the weekend and includes some great debates, including one about children and artists, provocatively titled The Pram in the Hallway, as well as performances . If you can grab a ticket to Symphony of a Missing Room, you will not be disappointed. The Belgrade in Coventry has a new version of Uncle Vanya , directed by Helena Kaut-Howson, and Mike Bartlett’s brilliant Love Love Love is at the Curve in Leicester until Saturday before heading to Live in Newcastle. Catch it where you can. The New Vic begins a four-play repertory season with The Rivals. Erica Whyman’s revival of Who’s Afraid of Virginia Woolf? delivers a knockout punch at the Sheffield Crucible before it heads to Northern Stage in Newcastle. Tomorrow is your last chance for the excellent revival of Yerma at West Yorkshire Playhouse. Philip Meeks’s supernatural thriller, I Met a Man Who Wasn’t There, is at the Pomegranate in Chesterfield. Steven Berkoff’s eye-catching Oedipus is at Nottingham Playhouse. In Bradford, The Mill is a promenade production exploring the city’s past and present. Takeover continues this weekend at York Theatre Royal, with work by young companies Belt-Up and Rashdash. A few things of interest in Manchester: Matthew Warchus’s London-bound musical staging of the movie Ghost previews at Manchester Opera House. The brilliant Search Party is at Contact with Growing Old With You, a 10-year performance project exploring age and accumulation. Private Lives continues at the Royal Exchange. Moving into Scotland, look out for Age of Arousal at the Tron Glasgow until Saturday and then out on tour. It’s a good week for family theatre, with Neil Duffield’s The Firebird at Dundee Rep and Catherine Wheels’s rewrite of Beauty and the Beast, Caged, at Brunton Theatre Musselburgh before going on tour. Iain Finlay Macleod’s tale of language and identity, Somersaults , is at the Citizens in Glasgow until tomorrow and then heads for Ullapool and Stornoway. New Territories concludes in Glasgow, and The Hard Man , inspired by the life of Jimmy Boyle, gets a rare revival at the King’s Theatre Edinburgh. Enjoy your theatregoing in the sunshine and share what you’re seeing. Theatre Lyn Gardner guardian.co.uk
Continue reading …Oscar-winning actress Cate Blanchett has described the late Elizabeth Taylor as ‘utterly inspiring.’ Speaking in Sydney whilst promoting her new film ‘Hanna,’ she described Taylor’s death as ‘an enormous loss for cinema worldwide.’ (March 25)
Continue reading …Oscar-winning actress Cate Blanchett has described the late Elizabeth Taylor as ‘utterly inspiring.’ Speaking in Sydney whilst promoting her new film ‘Hanna,’ she described Taylor’s death as ‘an enormous loss for cinema worldwide.’ (March 25)
Continue reading …