A British circus worker has been filmed repeatedly kicking and slamming a docile elephant with a pitchfork in her face and body as she was chained in her enclosure. The film of the 57-year-old Asian elephant Annie was taken by Animal Defenders International and has triggered a joint investigation by…
Continue reading …Back at CES, Samsung pulled out quite a few surprises, and no, we’re not referring to its Zoll-infused press conference — although , that performance still gives us the willies. Of all the Korean company’s announcements at the show, which we’ll remind you included an impressive new LTE phone and range of SmartTVs , it was its Series 9 laptop that left us the most stunned. And well, a glance at that picture above should explain why we found ourselves counting down the days until its March launch date. The 2.8-pound system is a complete and total 180 from Samsung’s typical bulky mainstream systems, yet its 0.64-inch thick chassis still crams in quite a bit of horsepower with a Core i5-2537M processor, a 128GB SSD, and 4GB of RAM. It’s also built from some of the toughest stuff on earth, has a backlit keyboard, and an incredibly high quality 400 nit LCD. You see, the $1,699 machine teeters on having the absolute perfect balance of beauty and brawn, and certainty has the core ingredients to compete with that other extremely popular and super thin ultraportable — but when you get it home and out of its fancy box, does it truly have the chops? Or is this just yet another rail thin and expensive Windows laptop that falls short? The time has come to find out – hit the break for our full review. Gallery: Samsung Series 9 review Gallery: Series 9 unboxing / Air compared Continue reading Samsung Series 9 (NP900X3A) laptop review Samsung Series 9 (NP900X3A) laptop review originally appeared on Engadget on Mon, 28 Mar 2011 12:45:00 EDT. Please see our terms for use of feeds . Permalink
Continue reading …Anarchists in Great Britain—who wreaked havoc in protests in London on Saturday—will likely next target the April wedding of Prince William and Kate Middleton, say Scotland Yard officials. “That has been on my radar for a long time,” says a police official in charge of security. “I will…
Continue reading …Orlando Sentinel reporter Scott Powers was confined to a closet by vice President Joe Biden’s advance team Thursday when he tried to cover a $500-a-plate fundraising lunch at a local mansion. Powers had not sneaked into the event. He was chosen as the pool reporter for local media and was expecting to speak with guests in addition to hearing speeches by Biden and Sen. Bill Nelson (D-Florida). Instead,… Broadcasting platform : YouTube Source : Reason Magazine – Hit & Run Discovery Date : 27/03/2011 05:00 Number of articles : 2
Continue reading …The Press Complaints Commission’s anti-harassment hotline often allows people in the news to regain their privacy Media scrums – the crowds of reporters, photographers and hangers-on that assemble around a celebrity or people in the news – are a feature of British journalism. They may congregate because of a legitimate news story where an unfortunate family is the centre of attention, or they may be made up of freelance paparazzi in pursuit of a celebrity shot. We saw them after the Cumbria shootings, where the media descended on the Whitehaven area, seeking to explain what had happened. Or they can crop up following stories of marital infidelity by public figures, or whenever scandal looms. The Press Complaints Commission has developed a system to deal with the issue, and we hope more people will become aware of it. A 24-hour anti-harassment hotline allows people facing unwelcome press attention to get in touch with a senior member of the PCC team at any time to ask for help. We can then disseminate their request for privacy across the whole newspaper and magazine industry, to some news and picture agencies, and to broadcasters. It is an interesting (perhaps) regulatory wrinkle that the broadcasting regulator, Ofcom , has no powers prior to transmission, and so cannot deal formally with concerns about the presence of broadcast crews. The PCC fills the void by communicating directly with broadcasters. A PCC “desist request” is an example of collaborative work across the industry, rather than any form of legalistic restraining order. Because it is voluntary, it can be more effective than a confrontational legal approach, at least as an initial response to a problem. The PCC circulates about 100 requests every year. So about twice a week we are using a system of voluntary collaboration to protect the privacy of people who ask for our help. This has increased year-on-year for the last three years, as more people become aware of the service and it becomes more established in newsrooms. The request goes to relevant senior figures within each news organisation: editors, managing editors, legal departments. The idea is simple: we are providing journalists with information to prevent them intruding on people’s lives by contacting or photographing them. It is worth emphasising that this is no more than a request, but the code enforced by the PCC requires that editors heed such a request (either by instructing members of staff, or not taking freelance copy), unless they feel that the public interest will be served by persistent approaches. In the case of a family coming to terms with the death of a loved one, no such public interest is likely to be present. The system does not assume that no one involved in a news event will wish to speak to the press. Even in the saddest stories there are those who wish to communicate their thoughts about what has happened. However, we feel the PCC can perform a legitimate service in representing those who have decided not to speak. The response is generally immediate and effective. Indeed, that is why we proactively contact those at the centre of news stories to offer our services either directly to them or via representatives, such as police family liaison officers or MPs. During the recent inquest we did a lot of work with families in west Cumbria connected to the Derrick Bird shootings, and will visit the region soon to meet them face-to-face. An example of someone who approached us directly was a mother whose son had taken his own life. She was aware there would be legitimate attention from the media in the inquest but asked the PCC to make clear that she did not wish to offer any comment. This wish was respected, and we were told a few days later that we had helped during the particularly difficult days. At the heart of all of this is the intent to protect the vulnerable. The strict rules on photographing or approaching children, for example, are widely followed. But a large number of those contacting the PCC are concerned about how the presence of journalists might adversely affect their children, and we seek to ensure those concerns are allayed. One key constituency is mothers connected to those in the public eye, who wish to pursue their normal lives with their children without harassment. Once editors are aware of a potential problem, the market for such images is reduced, and the pressure on the individual is relieved. In the end, the system has applications across all types of journalism. It is now regularly used by public figures (often via PRs and lawyers) who are the victims of paparazzi harassment. The idea is that we are able to inform editors of concerns about general paparazzi behaviour, or specific incidents. If an individual is being subject to persistent pursuit and harassment (being followed in cars, say, or staked out at home), we want to warn editors so they do not become complicit in behaviour that is in breach of their own code. One benefit of this all of this that editorial decisions are left in the hands of editors. This is not a watered-down injunctive system. However, it means that editors are given the relevant information to make responsible decisions, and are expected to do so. It is striking – as complainants will testify – how often such decisions are taken. This is not to say there is no place for legal action, or that problems do not arise, but rather that the PCC offers a service that is free, confidential and collaborative, which should be viewed as a legitimate and effective option. It will never be a perfect solution to a potentially messy problem, but it is a practical response that can bring real relief to those who use it. Stephen Abell is the director of the Press Complaints Commission Media law Privacy & the media Press Complaints Commission Newspapers & magazines National newspapers Newspapers TV news Television industry guardian.co.uk
Continue reading …Shooting expected to begin later this year on film version of cult 70s detective show that starred Martin Shaw and Lewis Collins The nostalgic trend for cult classic television shows resurfacing on the big screen looks set to continue with a big screen remake of late 70s favourite The Professionals . Studio Lionsgate has acquired the rights to produce a film version of the adventures of Bodie and Doyle, the style-conscious, crime-fighting vanguard of the fictional CI5 agency. The original series starred Martin Shaw as Doyle, a hot-headed police detective, and Lewis Collins as ruthless former SAS sergeant and mercenary Bodie. Running for 57 episodes on ITV between 1977 and 1983, it offered a six-year showcase for bubble perms and polar neck jumpers. Lionsgate said the film would take up the story of Bodie and Doyle’s first CI5 mission together. Zygi Kamasa, the studio’s UK chief executive, said: “This production will combine the wit and fast-paced action of the original TV series but also completely reinvent it for a new, modern audience.” The company will team up with producers Callum McDougall, who was an executive producer on the last two James Bond films, and Richard Whelan, who worked on Marvel’s Captain America. Shooting is expected to begin in the UK later this year. Action and adventure The news on TV Television Ian J Griffiths guardian.co.uk
Continue reading …Oh-oh, the black swan is emerging in the ballet dancer who doubled for actress Natalie Portman. Sarah Lane, a performer with the American Ballet Theatre, now says she performed some 95% of the “full body shot” dances in Black Swan . “I would say 5% are Natalie,” says Lane. “From a…
Continue reading …Japan-based Furukawa Kiko has developed a “magical” robot hand [JP] that can scoop off semi-liquids like mayonnaise and ketchup and replace them without destroying their shape. Dubbed SWITL, the hand was first shown back in 2007 and is supposed to handle bread dough in bakery production lines one day. Broadcasting platform : YouTube Source : CrunchGear Discovery Date : 27/03/2011 05:00 Number of articles : 2
Continue reading …UK loses mantle as third-largest music market after ‘physical’ sales of CDs collapse by almost a fifth Global recorded music sales fell by almost $1.5bn (£930m) last year as digital piracy continued to take its toll on the industry, with the UK losing its mantle as the third-largest music market after “physical” sales of CDs collapsed by almost a fifth. Global recorded music revenues fell 8.4% last year, about $1.45bn, to $15.9bn according to the annual Recording Industry in Numbers report by international music industry body the IFPI. Overall physical sales, the term used in the industry for sales of products such as CDs, fell by 14.2% year on year to $10.4bn. Digital revenues grew by 5.3% year on year to $4.6bn to account for 29% of all recorded music revenues. However, the rate of digital revenue growth has halved year on year as the industry continues to struggle with piracy and winning consumers over to legal download models. The world’s two largest markets, the US and Japan, took a hammering last year accounting for 57% of the total global decline in trade revenues. In 2009 the two countries accounted for 80% of the global decline. In the US overall sales fell by 10% with physical sales down 20% to just over $2bn and digital sales stagnating with 1.2% growth to $2bn. Japan saw an overall market decline of 8.3% with the report noting that “rapidly rising online is threatening the development of the digital market”. The UK, which had managed growth in 2009 leading some to believe a “tipping point” had been reached where digital sales take up the slack of declining physical revenues, was overtaken last year by Germany as the third-largest music market. Overall UK sales were $1.38bn, down some $170m or 11% year on year, thanks to a 19.2% fall in physical sales to $920m. Sales through digital channels boomed by 19.6% to $347m. In Europe digital revenue growth increased by an impressive 21.6% with most major markets – including Germany, France, Italy and the Netherlands – seeing double digit increases. “The demand for new music seems as insatiable and diverse as ever, and record companies continue to meet it,” said Frances Moore, chief executive of the IFPI. “But they are operating at only a fraction of their potential because of a difficult environment dominated by piracy.” Of the major markets ranking in the top 20 by size, just three saw year-on-year sales increases with Korea up 11.7%, India up 16.5% and Mexico up 0.9%. • To contact the MediaGuardian news desk email editor@mediaguardian.co.uk or phone 020 3353 3857. For all other inquiries please call the main Guardian switchboard on 020 3353 2000. If you are writing a comment for publication, please mark clearly “for publication”. • To get the latest media news to your desktop or mobile, follow MediaGuardian on Twitter and Facebook Music industry Digital media Internet Filesharing Mark Sweney guardian.co.uk
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