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God of War III

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God of War III

Type: Video Games Title: God of War III See all customer reviews Product Description: God of War® III finds Kratos raining carnage and destruction upon the Gods who have betrayed him and the entire Ancient Greek world. Armed with his deadly double-chained blades, Kratos will take on mythology’s darkest creatures while solving intricate puzzles on his merciless quest to destroy Olympus and the mighty Zeus himself. Features: True to the series roots, the four pillars of game play – brutal combat, intricate puzzles, exploration of awe-inspiring worlds, and a compelling story – all return. God of War III is the epic conclusion to the Greek mythological trilogy, which will complete Kratos’ story that began in the original title for the PlayStation 2. New deadly weapons like the Cestus, powerful metal gauntlets with devastating strength, and other brutal instruments of war that open up ruthless new techniques. The menacing creatures of Greek mythology can now be manipulated against their will, to cross chasms, inflict blind rage against enemies, reveal puzzles and secrets, and as tools of complete annihilation. God of War III picks up exactly where God of War II left off ? Kratos must take his quest for vengeance to the very stronghold of the Zeus. See the details

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Saints Row 2 Cheats

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Daniel Hernandez, the intern to Rep. Gabrielle Giffords credited with saving her life on the day of her shooting, says he’s talked to the Arizona representative by phone and that Giffords is making good progress, reports ABC News . “It’s great hearing her voice,” said Hernandez. While he declined to describe…

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Iceland repayment to UK splits voters

Small majority for Icesave compensation package shrinking before referendum A £2.35bn agreement to pay back the British government after it stepped in to guarantee UK deposits following the failure of online bank account Icesave has split public opinion in Iceland ahead of a critical referendum this week. Iceland goes to the polls on Saturday over the Icesave settlement after opposition to the agreed deal prompted president Ólafur Grímsson to call a plebiscite. He took the unusual step despite the agreement having been passed by the Icelandic parliament. Latest indications suggest a narrow but shrinking majority in favour of the latest agreement, with 55% of voters who have made up their minds intending to back it. A significant proportion are yet to make up their minds. The agreement offers Iceland less severe loan terms than a previous proposed settlement but is still unacceptable to many Icelanders. The earlier agreement was rejected by more than 90% in a similar vote 13 months ago. Frosti Sigurjónsson, an internet entrepreneur and leading “no” campaigner, said: “It is going to be very, very close. We have 45% at the moment but we are hoping perhaps, when it comes to turnout, people who don’t want to pay are more motivated than those who want to open their purse.” He claimed voters were becoming increasingly emboldened, despite the prospect of a jump in Iceland’s cost of borrowing because of probable credit rating downgrades. “In the beginning there was a lot of fear. People felt, although the agreement was not great for them, not to say ‘yes’ would mean something terrible would happen. That’s just not the case.” Landsbanki, the bank behind Icesave, failed at the height of the international banking crisis in October 2008 along with much of Iceland’s over-heated financial sector. The meltdown left the island in effect bankrupt, forcing it to seek a bailout from the International Monetary Fund. Under pressure from the British and Dutch, bailout loans required Iceland to accept some taxpayer liability for Icesave deposits from overseas. The two government’s had stepped in to guarantee their domestic retail depositors with Icesave after a run on savings. Savers had feared – rightly, it turned out – that Landsbanki was heading for bankruptcy and an Icelandic guarantee fund could not meet its promises. Web pages had told UK savers: “You can also rest assured that with Icesave you are offered the same level of financial protection as every bank in the UK.” As a result, retail depositors, charities, councils and other public institutions, lured by market-beating interest rates, poured £4.52bn into Icesave before Landsbanki went bust. Of these, the UK Treasury ended up guaranteeing in full deposits from 229,000 retail savers. Britain then effectively billed Iceland £2.35bn plus interest for a the partial guarantee that had not been honoured. The British government – and Dutch counterparts who agreed a £1.3bn settlement – are believed to be dreading a “no” vote, which would probably see the dispute thrashed out in court under the auspices of the European Free Trade Agreement (EFTA) authorities. Many in Iceland believe a court judgment could ultimately shatter the assumption at the heart of the Icesave settlement – that, under European law, a state must make up for any shortfalls in deposit guarantee funds. A clear legal ruling on this point would be extremely unwelcome internationally as it would throw a spotlight on huge funding shortfalls in depositor guarantee schemes in Britain, the Netherlands and indeed around the world. In May last year, however, EFTA’s Surveillance Authority provisionally ruled that Iceland was legally required to stand behind its woefully underfunded guarantee scheme. Nevertheless, legal opinion remains split on whether such a finding could be challenge. Sigurjonsson said: “The risk of accepting the current Icesave agreement [which involves an exposure to currency market movements and bankruptcy recoveries] is much greater than taking this matter to court, which is our civil right.” Icesave Banking Credit crunch Financial crisis Iceland Savings Simon Bowers guardian.co.uk

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US TV fuels British boom in proms

Programmes such as Glee and 90210 responsible for increasing popularity of US-style school-leaving parties, research shows US television programmes such as Glee and 90210 may have given more to British youngsters than rising intonation, saturated use of the word “like” and a lust for fame. The small screen exports, coupled with the unheralded success of the High School Musical trilogy and other teen programmes, have contributed directly to a rise in the number of UK school-leavers attending proms, according to one hotel chain. Prom attendees are now spending an average of £244 per student on the gatherings, according to research carried out by OnePoll for Holiday Inn, with parents set to shell out a total of £31m in the next year. Holiday Inn says it has seen a 500% rise in the number of proms being booked at its hotels, and the chain says the surge has come as a direct result of the success of US television programming. Glee follows the fortunes of a group of US high school students who sing in a choir. In the TV film High School Musical and its sequels, the decision of a basketball-playing Zac Efron and a bookish Vanessa Hudgens to audition for a musical turns – in Disney’s words – ” their world and their school upside down”. OnePoll’s survey of 1,000 people found that 40% of 18-year-olds were planning to attend prom events this year. “The increase in US TV shows is having a huge influence with American-style proms in particular growing in popularity,” said Holiday Inn spokesman Tom Rowntree. “Over the past year alone we’ve seen a 500% increase in prom bookings at our hotels and each year they become more extravagant.” Pam Jones and Leanna Garant set up their Prom World business , based in the Midlands, earlier this year to respond to the demand for all things prom-related. Jones agreed the exposure to US culture was having an influence on teenagers’ desire for school-leaving parties. “As a teacher myself, I’ve seen it with the kids – it’s becoming more and more important for them,” Garant said. “US programmes definitely have an impact. “The kids are seeing they can have something special at the end of their school life. “It does mark the end of their school life and the start of a new journey and it’s important for them to have that last gathering together.” US television Children’s TV Television Secondary schools Schools Children United States Adam Gabbatt guardian.co.uk

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Tsunami Dog Found After 3 Weeks At Sea Near Japan (VIDEO)
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Tsunami Dog Found After 3 Weeks At Sea Near Japan (VIDEO)
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Osborne 1 celebrates its 30th birthday, and that of the portable computing revolution

On April 3rd, 1981 — thirty years ago today — Adam Osborne unveiled the Osborne 1 at the West Coast Computer Faire in San Francisco. It had a 4 MHz Zilog Z80 CPU, two single-sided floppy drives, 64K of RAM, and a five-inch monochrome CRT display. Nothing particularly special there, even back in the day. No, what made the Osborne 1 extraordinary was the fact that the 24-pound plastic machine had a carrying handle on the back — and at the bargain price of $1,795 with software included, it became one of the first mass-produced portable computers to succeed. Which, of course, spurred competitors to create an army of even more “luggable,” loveable machines. Shortly after helping to change the course of history, Osborne and his computer fell into a spiral of pain , but the next time you admire the way your ultralight slides into a manila envelope, you’ll know who to thank. Find a short but sweet chronicle of the Osborne 1 at our Technologizer link. Osborne 1 celebrates its 30th birthday, and that of the portable computing revolution originally appeared on Engadget on Sun, 03 Apr 2011 13:13:00 EDT. Please see our terms for use of feeds . Permalink

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The bodies of two workers have been recovered at Fukushima Dai-ichi, reports the LA Times, the first confirmed fatalities at the foundering nuclear plant. The men had rushed to check equipment in the basement in the wake of the 9.0 earthquake, reports the LA Times —and autopsies confirmed they…

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Letters reveal Rattigan’s passion

British Library will display unpublished letters, which show that the dramatist worked on his last play while nearing death The British Library has acquired four unpublished letters written by Sir Terence Rattigan towards the end of his life, when, despite the extreme pain of his terminal illness, he felt driven to finish his last play. A junior curator saw them in an antiquarian bookshop and bought them for £22 – a snip, given their worth, as a link to one of the 20th century’s most celebrated and popular playwrights. The letters reveal that, though suffering, Rattigan maintained his professionalism and passion for the theatre. Leukaemia took its toll on his body, but the show had to go on for the English dramatist who penned classics such as The Browning Version and The Deep Blue Sea. It was in those letters that this master explorer of British insecurities about sex and class fine-tuned his 1970s courtroom drama, Cause Célèbre, revived at the Old Vic last week to rave reviews. The play was based on the true story of Alma Rattenbury, who was tried in 1935 with her teenage lover for murdering her husband. Rattigan was writing from his Bermuda home to Robin Midgley, director of the Haymarket Theatre, Leicester, who planned to stage it. There are moving passages, such as his reference to days when he was drained of energy. “I am stuffed with dope”, he wrote of his medication. “This is the first day of many that I’ve been able to hold a pen … I’ve been officially told I can only get worse.” But he was more concerned about discussing Cause Célèbre, even reworking it once rehearsals had started. The letters reveal the care he took over every detail. There is jocular frustration with a woman who typed his manuscript (a “literary wrecker”), willingness to shorten scenes (“some compensating cuts in the two lawyers’ scenes”) and disparaging views on audiences (“In fussing about the play … I sometimes wonder whether I have … been explicit enough – remembering the stupidity of audiences.” Rattigan attended the play’s premiere in July 1977, but died five months later in November that year. Kathryn Johnson, the British Library’s curator of theatrical manuscripts, expressed excitement at the £22 purchase – it made a change not to have to struggle to raise money. Michael Darlow, Rattigan’s biographer, said: “Rattigan’s archive is very patchy. The more one can fill in the gaps with such letters the better our understanding of him.” The letters, which the library will display from Monday, also reveal his concern about the critics. He need not have worried. Though he had been out of favour since the 1950s, his stature as a master dramatist has been restored in this, his centenary year. As well as a film season at the BFI Southbank throughout April, Terence Davies is directing Deep Blue Sea, and critics have celebrated the latest production of Cause Célèbre. The Guardian wrote: “Rattigan’s final play stands the test of time.” Terence Rattigan British Library Dalya Alberge guardian.co.uk

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