The Place, London Everyone knows what it’s like to be sitting in a theatre, at odds with the general mood. But I’ve rarely felt that disconnect as acutely as at this year’s Place Prize . At each of the 10 finals’ performances, audiences are invited to vote live for their favourite work, with the popular winner being given £1,000 at the end of each night (the judges’ prize of £25,000 is awarded on the final night of the run). And for me, on opening night the numbers were brutal: 43% voted for the work I admired least, just 12% for the one I wanted to win. That was Begin to Begin – a meticulously crafted, beautifully performed trio by Eva Recacha . It’s based on the traditional ballad Michael Finnegan , with the circular logic of the lyrics (“There once was a man named Michael Finnegan/ He grew whiskers on his chinnegan”) reflected in dance phrases that stop, start, embellish and repeat. With the (live and recorded) words of the song also prized open by questions such as “Who is Michael?”, “How did he die?”, the dance becomes by turns elegiac, comic and anarchic. Cameo by Riccardo Buscarini and Antonio de la Fe Guedes is another smart fusion of structural game playing and emotion. Its three dancers prowl around an elegantly furnished stage, meeting in a film noir-ish tableau of lust, violence and fear. Yet this murder mystery is one from which all causal logic has been removed – what’s left is a dark, tense abstraction. My third choice was Fidelity, which sees Freddie Opuku-Addaie and Frauke Requardt giving free rein to their choreographic instincts as they block, feint and anticipate each other’s semi-improvised moves. It’s a fascinating performance, but too insubstantial to merit the final prize. And even less deserving is Ben Duke and Rachel Meseguer’s It Needs Horses , in which two desperately down-at-heel performers abandon their tired circus acts for a money-spinning burlesque routine. A couple of beautifully finessed jokes feature in the self-conscious bump and grind that ensues. But most of the material is shockingly lazy and generalised. Or so I thought: it walked away with the audience award. Rating: 3/5 Dance Theatre Judith Mackrell guardian.co.uk
Continue reading …Brazilian authorities say that a gunman opened fire in an elementary school in Rio de Janeiro and at least 13 people are dead. The gunman is among them, though it is not clear if he shot himself or was killed by police. (April 7)
Continue reading …A one year old pitbull called Patrick is recovering at Garden State Veterinary Specialists in Tinton Falls, NJ, after being found starved and dumped in a trash chute. (April 7)
Continue reading …You’ve seen it before and now you’re seeing it again. The Droid X2 that Motorola seems unwilling to announce has made another unsanctioned appearance in the wild. It’s still rocking Android 2.2 and there’s sadly no indication of any LTE goodness for it, but we suspect the changes that justify the 2 in its name will be happening under the hood. The 8 megapixel camera round the back comes with the same dual-LED flash array and HD Video label as the original Droid X, once again giving us no hint of what exactly Motorola’s upgraded. Then again, what’s the fun in knowing everything in advance? Droid X2 reappears in the wild, still indistinguishable from Droid X originally appeared on Engadget on Thu, 07 Apr 2011 13:52:00 EDT. Please see our terms for use of feeds . Permalink
Continue reading …Curator aims to challenge preconceptions with works from first world war to the present War through the eyes of men is a well-trodden artistic subject which is why the Imperial War Museum is providing something of a corrective. “I am looking to challenge some of the stereotypes and views about women war artists, yes,” admitted Kathleen Palmer, curator of a new exhibition running for rest of the year. The show, Women War Artists, explores the experiences and achievements of female artists from the first world war up to the present day. “Women artists have certainly not been afraid to confront the horror of war,” said Palmer. “There is perhaps a preconception that it’s unusual for women artists to tackle these subjects but clearly that is not the case.” There are some extremely strong images in the exhibition, not least a work by Red Cross-commissioned Doris Zinkeisen who had the misfortune to see Belsen – with its 10,000 unburied corpses and 60,000 sick and starving inmates – in 1945. Her work Human Laundry, Belsen: April 1945 is arguably the most powerful of all works which emerged from the liberation of Belsen, capturing the almost industrial nature of what was going on. The show includes well-known works by Dame Laura Knight while others are going on show for the first time, including one by Priscilla Thornycroft showing a horse impaling itself on railings after being spooked by a London air-raid warning. Some of the more recent works include drawings by Linda Kitson, who went to the Falklands, although because she was a woman in 1982 she was not allowed overnight on troop ships. One of her drawings shows Gurkhas having weapons training in the incongruously grand surroundings of the QE2′s dance hall. The exhibits go up to Turner prize nominated Mona Hatoum, whose video piece Measures of Distance addresses her enforced separation from her family during the Lebanese civil war. Women War Artists is at the Imperial War Museum from 9 April to 8 January 2012. Museums Art Women Mark Brown guardian.co.uk
Continue reading …Libyan volunteers set up boot camp for revolutionaries – ‘No one knows how to use their weapon. No discipline’ Mareh Bejou was a pilot for Emirates when he flew in to Tripoli in mid-February. The next day he was a revolutionary who told his airline it had better send another pilot to take the plane back to Dubai. Now Bejou, after his own crash course in fighting and surviving on the battlefield, is one of those in charge of a military training camp attempting to turn the volunteers of Benghazi into soldiers against Muammar Gaddafi “I came to do my part in a peaceful demonstration but we were met with guns. For four days they were shooting at us, even using anti-aircraft guns. So I learned how to use a Kalashnikov and an RPG [rocket-propelled grenade] on the battlefield,” said Bejou, who has been a pilot for 30 years. “I spent three weeks on the battlefield and it wasn’t organised at all. No discipline. No one knew how to use their weapons. We set up this camp to change that.” At the training ground inside a former Gaddafi military base on the edge of Benghazi on Thursday more than 1,000
Continue reading …An air traffic controller was found sleeping while on duty last month at McGhee Tyson Airport in Knoxville, and now federal officials want the person fired. (April 7)
Continue reading …Japan was rattled by a strong aftershock and tsunami warning Thursday night nearly a month after a devastating earthquake and tsunami flattened the northeastern coast. (April 7)
Continue reading …Author: Andrew Stiles When he’s not being disingenuous , he’s being utterly dishonest. President Obama told reporters at a press conference Tuesday that House Republicans and Senate Democrats, in talks over a long-term spending compromise, have been negotiating off of the same number of cuts — “$73 billion” — the figure initially proposed by House Budget Committee chairman Paul Ryan (R., Wis.) in… Broadcasting platform : YouTube Source : The Corner Discovery Date : 05/04/2011 22:39 Number of articles : 4
Continue reading …For grieving families hoping for closure as well as justice, the death penalty with its endless delays and appeals can be cruel On Tuesday, death row inmate Cleve Foster was granted his second stay of execution this year. His first came on 11 January, just moments after Foster – who maintains he is innocent and would have been the first Texan executed with a cocktail containing a chemical used to euthanise animals – had eaten what he believed was his last meal; that’s when the call came, informing him that the US supreme court would consider an appeal. The parents of Rachel Urnosky, a 22-year-old woman whose murder Foster was charged with (though never tried for, being found guilty instead of a related homicide ), found out about the decision after making a long trip across the “lone star state”, when they arrived at the prison where Foster’s execution was supposed to take place. Terry Urnosky, Rachel’s father, a therapist, told The Texas Star-Telegram how shocked he felt: “It’s like – if you’ve ever played football – getting hit in the stomach with a helmet in the gut. […] We were expecting closure. But unfortunately, we’re reliving all the thoughts, the trials, the evidence. […] The nightmare continues.” Death penalty proponents argue that executions help victims’ family members feel that justice has been done, and indeed, Terry Urnosky said back in 2003 that he thought the death sentence was part of God’s plan for Foster. But others who’ve endured similar tragedies oppose the capital punishment, arguing that the agonising appeals process that so often accompanies a death penalty case exacerbates their pain and, far from helping them overcome their loss, keeps it in the forefront of their minds. No judge wants to be responsible for allowing the execution of an innocent person, which helps explain why there tend to be an unusually high number of appeals in a capital case. But appeals are costly – and not just figuratively, for victims’ families, but literally, for taxpayers. North Carolinians, for instance, pay $2.16m more for every death row inmate than for those sentenced to life, and Florida spends $51m more annually than it would if life-without-parole were the most severe sentence allowed there. More to the point, the long, slow appeals process exacts a toll from victims’ families. Sure, some survivors do say things like, “I was really looking forward to sitting in the front row while they executed this guy,” (as Karen Bond told the Chicago Tribune after Illinois Governor Pat Quinn commuted her son’s murderer’s sentence). But others want the criminals who ruined their lives to get nothing less than … life. For instance, last month 82 relatives of murder victims signed an open letter to Connecticut lawmakers , saying: “The death penalty is a false promise that goes unfulfilled, leaving victims’ families frustrated and angry [and] wastes millions of dollars that could go toward much needed victims’ services.” Similarly, Laura Porter from Equal Justice USA , a grassroots organisation working to improve the justice system, increase services for families of homicide victims and repeal the death penalty, says: “I work with many murder victim’s family members […] and I’m hearing more and more voices calling for repeal of the death penalty, citing the fact that the endless appeals process harms victims.” Or take it from Walter Everett, a 76-year-old retired minister whose son was killed when a crack addict shot him point blank. He recently told the Connecticut Post : “There is an incredible cost of the death penalty […] emotionally for families of victims because they tend to wait seemingly forever, for the execution.” That doesn’t sound just. Emotional closure is going to be difficult, under any circumstances, for people who have suffered as he and the Urnoskys have. But the legal case, at least, is more likely to be closed quickly if it’s a question of a life prison sentence rather than a penalty of death. Capital punishment Texas United States Prisons and probation US supreme court Maura Kelly guardian.co.uk
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