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Fewer executions is no rights victory

In countries where capital punishment has been banned the alternative can be inhumane life imprisonment without parole Amnesty International’s recently published death penalty statistics hailed a “decade of progress”. For opponents of capital punishment, this annual tradition of significant documented falls in executions is a victory – of sorts. As Amnesty reported, of the 67 countries that handed down death sentences in 2010, only 23 actually carried out executions. These statistics, however, do not tell us this: what happened to the prisoners who escaped state execution in the remaining 44? Very little attention is given to the sanctions that should replace capital punishment, or to what happens after it is abolished. Consider Uganda. A landmark legal challenge in 2009 abolished mandatory death sentences for certain crimes. But the Ugandan criminal justice system was unprepared for the change. Under pressure from politicians facing a backlash from a public highly supportive of capital punishment, and in the absence of any new sentencing guidelines, judges handed down draconian prison sentences instead – including life without parole, previously nonexistent in Uganda. The attraction of life without parole, now the commonest alternative to capital punishment, is understandable. It allows governments to claim they are protecting the public by permanently removing serious offenders from society. It appeases public outcry at the early release of dangerous convicts on parole. And it means abolitionists can show they are not soft on crime, while at the same time eliminating the danger of executing innocent people. But life without parole trades one severe punishment for another: execution is swapped for a protracted, hopeless death in unspeakable conditions. HIV rates in Ugandan prisons are more than double the rest of the population. In Malawi, where no one has been executed since 1992 , prisons are vastly overcrowded and rife with infectious disease; prisoners are denied contact with families, and sexual and psychological abuse by inmates and guards is routine . Across the world today, those lucky souls who escape death by hanging, beheading, electrocution, lethal injection, shooting or stoning live out their lives in conditions tantamount to a breach of international prohibitions of cruel and inhuman punishment, as an emerging jurisprudence recognises . Whole life imprisonment can also be a form of legal disappearance. In 2009, after Kenya’s last elections , some 4,000 prisoners had their sentences commuted to life to without parole by President Kibaki. Some of those prisoners – living in some of the world’s most crowded and worst funded prisons – have not been heard from since, by their lawyers or families. These are hardly arguments for retaining capital punishment. But if a sentence of 75 years, with hard labour and without review or hope of release – the current alternative in Trinidad and Tobago – is considered a “victory”, it is surely time to rethink our indices of success. Amnesty, for its part, does not propose any particular substitute, other than opposing alternatives that constitute degrading punishment. In Death Penalty: Questions and Answers , Amnesty rightly highlights the brutalising effect of state execution, the cost, the travesties of justice, its disproportionate use against poor and minority communities, its negative impact on victims’ families . But Amnesty fails to challenge itself with the most crucial questions of all: “What alternatives do you propose, and how can we convince governments to implement them?” On the one hand, Amnesty is right not to preach. Finding affordable and publicly acceptable alternatives in desperately underfunded prison systems is an enormous challenge. Overwhelming majorities – including in Britain – support capital punishment, often under the influence of misleading statistics on the deterrent effect of the death penalty and unproven links between serious crime and capital punishment. And in the absence of decent victim support services, it becomes convenient for supporters of capital punishment to exploit crime victims’ grief, arguing that they will settle for nothing less than ultimate retribution or alternatives that do not involve throwing away the key. Yet Amnesty’s neutrality among alternatives is symptomatic of a wider problem: who will tackle the way the criminal justice system operates in countries that retain the death penalty? Politicians are reluctant to expend scarce resources or political capital on properly rehabilitating unpopular and vilified groups of prisoners. A lawyer’s work, meanwhile, is done once their client’s death sentence is commuted. Few headlines focus on the aftermath, and few international advocates jet in to ensure that those released from death row are not tortured in prison, contract tuberculosis or HIV, lose contact with their families or die in appalling squalor. Indeed, litigation can often cause unintended harm. In the United States, as Peter Hodgkinson of the Centre for Capital Punishment Studies (one of few organisations raising this issue) has pointed out , a government backlash against death-penalty litigation has directly or indirectly led to an increase in the number of capital crimes, and to severe restrictions in the appeal process. Life without parole cannot be the alternative. Both the UN and Council of Europe guidelines on managing long-term prisoners recognise that very small numbers of convicted prisoners may have to stay in prison for their natural lives – but only with regular reviews of their risk of reoffending. Some states refuse to extradite suspected offenders to countries where they might face a whole-life tariff. And in Europe, as Edward Fitzgerald QC has noted , there is growing legal recognition of the capacity for redemption and rehabilitation – and that “any sentence that effectively closed the door for ever would be contrary to Article 3 of the European Convention on Human Rights prohibiting cruel and inhuman treatment or punishment”. Three British whole-life prisoners are currently challenging their sentence in the European Court of Human Rights on those grounds . The abolitionist campaign’s goal should be a humane, proportionate and human rights-compliant response to perpetrators and victims of serious crime. It might require global guidance to standardise the huge, and often grossly disproportionate range of sentencing decisions. It will certainly require building and sustaining capacity among lawyers to challenge human rights abuses in prison, and training police and prison staff to cope in effective and positive ways with serious offenders. It will also mean recognising that the high proportion of mentally ill prisoners on death row might be better dealt with in clinical rather than punitive settings. And as for the most serious crimes of all, those against humanity? Compare the approach of post-apartheid South Africa, where many offenders took part in the truth and reconciliation process rather than receiving punitive sentences, or the participation by perpetrators of the Rwandan genocide in community service and open dialogue with victims, to the grisly spectacle of Saddam Hussein’s execution. A falling execution rate is not the only measure of rising humanity. We cannot simply declare victory when capital punishment is removed from the statute book, or when fewer prisoners are executed. Moving to a humane penal response to serious crime, in societies in which the death penalty has flourished for centuries, cannot be done at a stroke. The entire abolitionist project is undermined if wholesale infrastructural change is not addressed. Too often, current alternatives to the death penalty raise the uncomfortable question: “what would you rather?” Those that do not are not easy – but silence does no justice to our cause. • This article was written with the assistance of Professor Peter Hodgkinson and Kerry Akers at the Centre for Capital Punishment Studies Capital punishment Prisons and probation Human rights Tom Stoate guardian.co.uk

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A killing inspired by drama

Jenin residents claim public opinion turned on director for performing plays that went against Islamic conservative values He wanted to create an “art revolution” to help liberate the Palestinian people, but he only managed to alienate those he most wanted to inspire. The murder earlier this month of Juliano Mer-Khamis was condemned all over the world but met with a grim silence by the residents of the Jenin refugee camp where he founded his Freedom Theatre. It has emerged that the residents of the camp had serious grievances against the actor-director that may have provided the excuses for an unknown gunman to kill him. The 52-year-old, born of a Jewish mother and Palestinian father, attracted funding from the UN, Sweden and the UK for his theatre school and productions but many camp residents found his activities offensive. His death and attitudes to the theatre highlight the conflict of interest between western donors, local elites and the populations they aim to aid; between liberal western values of freedom of expression and a more conservative, traditional world view. A fatwa-style leaflet circulated in Jenin this week and seen by the Guardian, lists criticisms of Mer-Khamis and suggests that the final impetus for the murder was his plan to stage a controversial German play that explores teenage sexuality. Mer-Khamis’s mother, Arna, started a drama workshop in Jenin to help children traumatised by the first intifada which began in 1987. In 2002, Mer-Khamis returned to Jenin after the Israeli army’s destruction of a large part of the refugee camp and the theatre his mother founded. He discovered that many of the children his mother had worked with had become gunmen and suicide bombers which he documented in his award-winning film, Arna’s Children. But he decided that he wanted to continue his mother’s work and create a platform for Palestinian youth to stand up to authority through creativity rather than violence. The Freedom Theatre taught theatre and acting to students, including former gunmen, and staged plays such as Animal Farm and Alice in Wonderland which satirised Palestinian and Israeli authorities. But while Mer-Khamis entertained thousands and inspired devotion among his disciples, his methods disturbed conservative groups in the refugee camp. The theatre was firebombed twice and Mer-Khamis often envisaged his death at the hands of “a crazy Palestinian gunman”. A community leader said that Mer-Khamis was respected in the camp for highlighting damage inflicted by the Israeli army but his creation of a politically and social liberal theatre was more controversial. Adnan al-Hindi, the chairman of the refugee camp’s “popular committee” said that Mer-Khamis had very different values and ideas from the residents, which caused disagreements. The nature of the disputes varied. Local leaders were offended when David Milliband, the British foreign secretary, visited the theatre in 2009 without co-ordination with Palestinian officials. They were also offended by groups of theatre visitors touring the camp and by comments made by Mer-Khamis in interviews. “He said that his message was to liberate citizens from the authority of their leaders and children from their parents. Then there was mixing of sexes and dancing. We tried to discuss it with him and persuade him that he was mistaken but to no avail. Public opinion turned against him,” said Hindi. Inside the camp, rebuilt since its partial destruction in 2002, people were reluctant to speak about Mer-Khamis. A group of elderly women sitting by the roadside, gave their opinion: “God only knows what happened but the theatre was a shameful place.” A butcher was more forthcoming. Standing in a small room with a portrait of Saddam Hussein and a sparsely stocked cold cabinet, he said he and others were offended by the theatre. “We are Muslims. We have traditions. We looked for our children and found them at the theatre dancing. If he came here to bring jobs that would be good but instead he comes here to corrupt our girls and make women of our boys,” he said. The leaflet justifying the killing of Mer-Khamis also demands the closure of the theatre and other western organisations, including the British Kenyon Institute, under threat of “jihadi action”. The leaflet attacks Mer-Khamis for his belief in co-existence between Israelis and Palestinians, “as if we could live with those who stole our land and killed our children”. It goes on to attack his plays: “What kind of resistance [to occupation] is the play Animal Farm, which made the young men of Palestine bark like dogs and lick the ground in shame and the young women wear the costumes of pigs and roll around the ground in degeneracy?” The leaflet describes Mer-Khamis as a Jew, a communist and an infidel. “He was not killed for a scene in a play. He was killed for the accumulation of his activities since he came here,” it says. Mer-Khamis’s most recent project, Spring Awakening, is singled out for particular criticism. The play by Frank Wedekind was banned in Germany in 1891 for its portrayal of teenage sexuality. In recent years a musical adaptation won awards in London and New York. The leaflet then refers to a telephone conversation between Mer-Khamis and the Arab-Israeli actor, Makram Khouri, in which Khouri advises his friend not to stage the play. According to theatre staff, very few people were aware of the conversation. The leaflet then praises the man from Jenin refugee camp who carried out the killing. “He did not do it with a silencer, or in the dark but in broad daylight, face to face, and he made sure not to harm the woman and child who were in the car at the time,” the leaflet says. Palestinian police say that their investigation into the murder continues. Meanwhile, at the theatre staff remain determined to continue the work of Mer-Khamis despite a sense of paranoia that the killer had a connection to the theatre. Rawand Arkavi, the theatre co-ordinator who is from Jenin, said: “We were cautious before but now we don’t care if they shoot all of us. We will keep the theatre going.” Palestinian territories Theatre Middle East Israel Conal Urquhart guardian.co.uk

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Tim McGraw on Label Strife, New SiriusXM Channel

Country star Tim McGraw explains why he can’t wait for his new album to come out. No, really. And why he’s pumped for his new SiriusXM channel, “Tim McGraw Radio.” (April 21)

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Steve Martin: Bluegrass Ambassador

Hollywood legend Steve Martin talks about writing his second album on the road with the Steep Canyon Rangers and why he thinks he’s been crowned the ambassador of bluegrass music. (April 21)

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The born-again birther debate

The absurd claim that Barack Obama was not born in the US shouldn’t get airtime – but rightwing cynics keep giving it new life America is a country facing serious problems. The crisis in Libya shows little signs of abating – even as US troops continue to fight in Iraq and Afghanistan. Across the Arab world, people’s revolutions dissolve old certainties about US policy. At home, the government faces $38bn of brutal austerity cuts, which would be bad enough except for the fact they make barely a dent in the country’s staggering $1.5tn deficit forecast for this year. With a presidential election looming next year, one would expect these troubling dilemmas – or other issues like high levels of joblessness, Wall Street reform, border security – to dominate debate. That should be the priority of Republicans and Democrats alike and, indeed, the media classes, too. But no. Instead, the current hot topic is one that is quite literally unreal: was Barack Obama actually born in America? Donald Trump has used this singular issue to catapult himself into the giddy heights of early polling for the Republican nomination. In an act of breathtaking cynicism, Trump has converted to “birtherism” in order to generate headlines for his own outlandish ego and his reality TV show. It has worked a treat. Trump has been interviewed on numerous TV shows and spouted birther nonsense as if it was the most natural thing in the world. Serious journalists engage with him and debate these issues. Fox lauds him, MSNBC slams him: both end up falsely validating him by trying to look at the (complete lack of) evidence. The birther “debate” should be reduced to this: it’s OK to mention birtherism, if one then immediately qualifies the mention with the rider that anyone who believes it is a moron or a cynic or both. And then one moves swiftly on. But now here comes a second massive wave of birther debate to torment us and flood the media space where more important things need to be discussed. Next month will see the publication of a birther book by Jerome Corsi , a rightwing activist who previously produced a bestseller that helped stoke the Swift Boat controversy that helped derail John Kerry in 2004. Corsi’s new tome is already sitting near the top of the bestseller lists on Amazon. By Thursday morning, it was ranked No 1, after the Drudge Report had heavily plugged it this week : an astonishing result for a book not yet released or even reviewed. Sadly, Corsi’s new birther book is likely to sell tens of thousands of copies when it slouches towards 17 May to be born. Matt Drudge will, no doubt, continue to give it a huge publicity push. Its title says it all: “Where’s the Birth Certificate? The Case That Barack Obama is not Eligible to be President.” It is being published by conservative publishers WND Books , a niche producer of rightwing conspiracy theories, religious books and “family values” tracts. A selection of titles from WND includes such fun-sounding tomes as “America’s War on Christianity”, “The Nazi Connection to Islamic Terrorism” and “United in Hate: The Left’s Romance with Tyranny and Terror”. It is tempting to laugh all this off as a joke: a jovial sideshow with no real importance. But it really is not funny. The birther conspiracy theory began life on the outer reaches of the 2008 campaign. It was a whispered rumour from the tin-foil hat brigade at the back of town hall meetings or by drunks at bars. Then it hit the blogosphere and, from there, the cable news shows. So it became a subject that newspapers could write about. Now, it is forming the basis for a possible bid for the White House and a book that is set to be a bestseller. That journey from extremism to the mainstream of an idea that is so palpably and stupidly misguided sets a dangerous precedent. Other similarly outlandish fantasies are already treading the same path: that Obama is a secret Muslim; that Obama is a secret communist; that Obama intends to scrap American democracy; that he will take away everyone’s guns. These are fringe ideas deserving of nothing but scorn. Instead, they too may soon top the bestseller lists and form real-life campaign slogans. If they do, every American will be the worse for it. Barack Obama US elections 2012 US politics Republicans Donald Trump United States Newspapers & magazines John Kerry Paul Harris guardian.co.uk

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The born-again birther debate

The absurd claim that Barack Obama was not born in the US shouldn’t get airtime – but rightwing cynics keep giving it new life America is a country facing serious problems. The crisis in Libya shows little signs of abating – even as US troops continue to fight in Iraq and Afghanistan. Across the Arab world, people’s revolutions dissolve old certainties about US policy. At home, the government faces $38bn of brutal austerity cuts, which would be bad enough except for the fact they make barely a dent in the country’s staggering $1.5tn deficit forecast for this year. With a presidential election looming next year, one would expect these troubling dilemmas – or other issues like high levels of joblessness, Wall Street reform, border security – to dominate debate. That should be the priority of Republicans and Democrats alike and, indeed, the media classes, too. But no. Instead, the current hot topic is one that is quite literally unreal: was Barack Obama actually born in America? Donald Trump has used this singular issue to catapult himself into the giddy heights of early polling for the Republican nomination. In an act of breathtaking cynicism, Trump has converted to “birtherism” in order to generate headlines for his own outlandish ego and his reality TV show. It has worked a treat. Trump has been interviewed on numerous TV shows and spouted birther nonsense as if it was the most natural thing in the world. Serious journalists engage with him and debate these issues. Fox lauds him, MSNBC slams him: both end up falsely validating him by trying to look at the (complete lack of) evidence. The birther “debate” should be reduced to this: it’s OK to mention birtherism, if one then immediately qualifies the mention with the rider that anyone who believes it is a moron or a cynic or both. And then one moves swiftly on. But now here comes a second massive wave of birther debate to torment us and flood the media space where more important things need to be discussed. Next month will see the publication of a birther book by Jerome Corsi , a rightwing activist who previously produced a bestseller that helped stoke the Swift Boat controversy that helped derail John Kerry in 2004. Corsi’s new tome is already sitting near the top of the bestseller lists on Amazon. By Thursday morning, it was ranked No 1, after the Drudge Report had heavily plugged it this week : an astonishing result for a book not yet released or even reviewed. Sadly, Corsi’s new birther book is likely to sell tens of thousands of copies when it slouches towards 17 May to be born. Matt Drudge will, no doubt, continue to give it a huge publicity push. Its title says it all: “Where’s the Birth Certificate? The Case That Barack Obama is not Eligible to be President.” It is being published by conservative publishers WND Books , a niche producer of rightwing conspiracy theories, religious books and “family values” tracts. A selection of titles from WND includes such fun-sounding tomes as “America’s War on Christianity”, “The Nazi Connection to Islamic Terrorism” and “United in Hate: The Left’s Romance with Tyranny and Terror”. It is tempting to laugh all this off as a joke: a jovial sideshow with no real importance. But it really is not funny. The birther conspiracy theory began life on the outer reaches of the 2008 campaign. It was a whispered rumour from the tin-foil hat brigade at the back of town hall meetings or by drunks at bars. Then it hit the blogosphere and, from there, the cable news shows. So it became a subject that newspapers could write about. Now, it is forming the basis for a possible bid for the White House and a book that is set to be a bestseller. That journey from extremism to the mainstream of an idea that is so palpably and stupidly misguided sets a dangerous precedent. Other similarly outlandish fantasies are already treading the same path: that Obama is a secret Muslim; that Obama is a secret communist; that Obama intends to scrap American democracy; that he will take away everyone’s guns. These are fringe ideas deserving of nothing but scorn. Instead, they too may soon top the bestseller lists and form real-life campaign slogans. If they do, every American will be the worse for it. Barack Obama US elections 2012 US politics Republicans Donald Trump United States Newspapers & magazines John Kerry Paul Harris guardian.co.uk

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A courageous, radical film-maker

In Restrepo and in his photography, Tim Hetherington put himself in harm’s way to help convey the realities of a warzone The question of the exact cause, and exact number, of non-combatant casualties in Libya has been put into sharp focus. One of the latest civilian victims is the award-winning photojournalist and Oscar-nominated film-maker Tim Hetherington, who was killed in Misrata just after tweeting that the attacks on the city were coming from Muammar Gaddafi and not Nato . With Sebastian Junger he created the extraordinarily powerful documentary Restrepo , about a US platoon’s mission to build and defend a forward outpost in the terrifyingly dangerous Korengal valley in Afghanistan. The outpost was named after an army medic, Juan Restrepo – killed on the first day of their tour of duty. Hetherington and Junger show how this naming was an act of defiance as well as remembrance – a way in which a bunch of very scared young men could impose their identities on an alien, hostile landscape. It was also a way of containing and controlling their fear of death. Hetherington’s own terrible fate shows that the fear and danger with which his film was saturated was not a Hollywood device or a journalist’s macho rhetoric. They were actually present. Hetherington began his career as a stills photographer – though he and Junger appear genuinely to have shared the filming and directing responsibilities on Restrepo. It was an inspired collaboration, but Junger must surely have relied greatly on Hetherington’s razor-sharp visual sense. The images in Restrepo are viscerally powerful. There’s an incredible moment when the film, having shown us these soldiers getting aboard a helicopter, switches to their point-of-view as they look down into the valley from hundreds of metres above. It is a moment of pure vertigo: you can feel your heart plunge into your boots. When these men were under fire, Hetherington was under fire, too, and arguably in more danger: he was armed only with a camera. But perhaps the film’s most extraordinary scene was one that was (ostensibly) calm. One of the soldiers is being interviewed afterwards about his experiences. Mid-sentence, he stops; he can’t carry on. It is not simply that he is emotional – he is in the middle of a flashback, actually caught on camera remembering horrifying events he had clearly suppressed until that moment. To understand the realities of a warzone, to transmit those realities back to us, Hetherington put himself in harm’s way: a brilliant journalist and a courageous, radical film-maker. Documentary Tim Hetherington War reporting Journalist safety Photography Libya Afghanistan United States Middle East Peter Bradshaw guardian.co.uk

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A courageous, radical film-maker

In Restrepo and in his photography, Tim Hetherington put himself in harm’s way to help convey the realities of a warzone The question of the exact cause, and exact number, of non-combatant casualties in Libya has been put into sharp focus. One of the latest civilian victims is the award-winning photojournalist and Oscar-nominated film-maker Tim Hetherington, who was killed in Misrata just after tweeting that the attacks on the city were coming from Muammar Gaddafi and not Nato . With Sebastian Junger he created the extraordinarily powerful documentary Restrepo , about a US platoon’s mission to build and defend a forward outpost in the terrifyingly dangerous Korengal valley in Afghanistan. The outpost was named after an army medic, Juan Restrepo – killed on the first day of their tour of duty. Hetherington and Junger show how this naming was an act of defiance as well as remembrance – a way in which a bunch of very scared young men could impose their identities on an alien, hostile landscape. It was also a way of containing and controlling their fear of death. Hetherington’s own terrible fate shows that the fear and danger with which his film was saturated was not a Hollywood device or a journalist’s macho rhetoric. They were actually present. Hetherington began his career as a stills photographer – though he and Junger appear genuinely to have shared the filming and directing responsibilities on Restrepo. It was an inspired collaboration, but Junger must surely have relied greatly on Hetherington’s razor-sharp visual sense. The images in Restrepo are viscerally powerful. There’s an incredible moment when the film, having shown us these soldiers getting aboard a helicopter, switches to their point-of-view as they look down into the valley from hundreds of metres above. It is a moment of pure vertigo: you can feel your heart plunge into your boots. When these men were under fire, Hetherington was under fire, too, and arguably in more danger: he was armed only with a camera. But perhaps the film’s most extraordinary scene was one that was (ostensibly) calm. One of the soldiers is being interviewed afterwards about his experiences. Mid-sentence, he stops; he can’t carry on. It is not simply that he is emotional – he is in the middle of a flashback, actually caught on camera remembering horrifying events he had clearly suppressed until that moment. To understand the realities of a warzone, to transmit those realities back to us, Hetherington put himself in harm’s way: a brilliant journalist and a courageous, radical film-maker. Documentary Tim Hetherington War reporting Journalist safety Photography Libya Afghanistan United States Middle East Peter Bradshaw guardian.co.uk

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Weather Service Confirms 14 Tornadoes in Indiana

At least 14 tornadoes and high winds ripped across Indiana on Tuesday night and early Wednesday, uprooting trees, knocking out power lines and damaging property, forecasters said. (April 21)

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Weather Service Confirms 14 Tornadoes in Indiana

At least 14 tornadoes and high winds ripped across Indiana on Tuesday night and early Wednesday, uprooting trees, knocking out power lines and damaging property, forecasters said. (April 21)

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