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Gingrich tries to change the subject to the ‘Obama depression’

Click here to view this media A day after his campaign staff resigned en masse , Republican presidential candidate Newt Gingrich attempted to change the subject. “I am a candidate for president of the United States because I think we are in the early stages of the Obama depression,” he told reporters Friday. “I’m prepared to go out and to campaign very intensely but I want a campaign on ideas and on solutions and I want to do it in a way that brings Americans together into a large movement,” ABC News quoted the former House Speaker as saying.

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Bonnaroo Festival 2011

Karen Elson – Bonnaroo 2011 Childish Gambino “All of the Lights” Bonnaroo 2011 Karen Elson – Bonnaroo 2011 mvremixmedia says: Bonnaroo Festival 2011 – Day One: Today we woke up and headed straight to the conveniently located Starbucks rig… http://bit.ly/jJFe75

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Volvo kicks off C30 Electric production for 2012 delivery, promises V60 plug-in hybrid for the US later

Not enough electric vehicles in the market, you say? Well, at least there’ll be a new candidate rolling out from Volvo next year. Earlier this week, the car maker announced that it’s just started producing the C30 Electric (as test-driven by us back in March), the task of which is split between the company’s Belgium and Swedish plants. If all goes well, Volvo will deliver 250 or more units to leasing customers across Europe (Sweden, Belgium, the Netherlands and Norway) by the end of 2012. There’s no word on US availability for this petrol-free ride, but Volvo will instead be offering the more powerful V60 plug-in hybrid to its American friends in 2013 or 2014. Patience is a virtue, dear friends. Volvo kicks off C30 Electric production for 2012 delivery, promises V60 plug-in hybrid for the US later originally appeared on Engadget on Fri, 10 Jun 2011 09:20:00 EDT. Please see our terms for use of feeds . Permalink

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Forbes: The 10 Most Powerful Women Authors

The women selected for this list are powerful because of their ability to influence us through their words and ideas.

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Jo-Wilfried Tsonga v James Ward – live! | Alan Gardner

• Hit F5 or use the autorefresh tool for the latest updates • Email your thoughts to alan.gardner.casual@guardian.co.uk 1st set: Tsonga 5-2 Ward* Having pulled himself up on his own serve, Ward tries to put pressure on Tsonga’s – but that’s easier said than done against such scud attacks. Tsonga holds to love. 1st set: *Tsonga 4-2 Ward Ward needs to hold to avoid going completely under and he starts well, racing to 40-0 thanks to a combination of good serves and a bit of luck – a rally that drew Tsonga into the net goes the Briton’s way when his cross-court shot clips the cord and foxes Tsonga. An unforced error gives Tsonga a glimpse but that’s all it is, Ward sending a backhand winner down the line. 1st set: Tsonga 4-1 Ward* Pshaw! That serve went straight through the space where Ward intended his racquet to be – it was so fast he couldn’t react in time. Ward fights back, though, forcing a couple of unforced errors from Tsonga – who then double faults to give the home favourite his first break point. An ace brings up deuce and then Tsonga concedes the advantage with an attempted drop shot that lands on the tramlines. The crowd are getting involved now, a few calls of “Go James” … but Tsonga quickly slams the door. Still, this is definitely more like the battling underdog stuff we were hoping for. 1st set: *Tsonga 3-1 Ward Now that will do nicely. Ward finds his service game, thumping down two aces and twice forcing Tsonga to send his returns long. He looks a little unsteady trading groundstrokes with the hulking Frenchman, but that was a decent hold. 1st set: Tsonga 3-0 Ward* Well, at least we can’t say we didn’t see this coming. Having played a game and a half yesterday, Ward is perhaps understandably a little creaky but Tsonga will not allow him time to ease into the occasion. You can sense Ward trying a little too hard … Tsonga is smoothly into the groove that took him past Nadal. He drops just one point on the way to a 3-0 lead. 1st set: *Tsonga 2-0 Ward In a pleasing symmetry, Ward’s first service game also begins with an ace. But nerves then appear to take a wee hold of the Briton, first catching the frame of his racquet to send the ball miles up and out, then missing a relatively simple volley at the net. He’s quickly 15-40 down and despite valiantly saving the first, he them dumps a backhand into the net. No favours from Tsonga here. 1st set: Tsonga 1-0 Ward* Tsonga serves an ace first up. I’ll give you fair warning, this could get grisly. But Ward manages to stay in the next two points, unobtrusively moving the Frenchman around the court to go 15-30 ahead. Tsonga up his tempo a wee bit, though, using his power to force mistakes from Ward and take the opening game. * Denotes serving next set 2.40pm: Tsonga is known as “Ali” on the circuit (though I still think “Heavyweight Kluivert” has a certain ring to it). If this was a boxing match, well, these two wouldn’t be allowed in the ring together. The element of surprise could be Ward’s best weapon, according to the experts. Good luck with that. Tsonga will serve first … 2.35pm: The players are wandering out under blue skies and fluffy white clouds. Tsonga served 25 aces against Nadal yesterday. “It’s one of my best weapons, I will try to use it a lot,” he says. Oh, Jo-Wilfried, you’ve given away your gameplan! While Tsonga cracks a joke with John Inverdale, pretending to mishear his question about letting Ward win, the Londoner looks a little more tense. “Obviously it’s been a great week, great to be here on semi-finals day,” he says, adding that he will go for it. Ward’s dad is a cabbie, which I imagine means he’s never been called papa, as John Lloyd has just referred to him in the commentary box. 2.25pm: Andy Murray has just tanned Andy Roddick’s Yankee backside in the first semi-final. History ahoy! As Kevin Mitchell neatly put it in his report for Saturday’s Guardian : “If the improbable final happens, Ward and Murray will be emulating John Olliff and Edward Avory who contested what was then called the London Championships in 1931. Mr Olliff won 3-6, 6-4, 6-2 and, no doubt, he and the loser were greeted later with understated glee in the members’ bar of this fine establishment until carriages arrived to take them on to a gentleman’s club to mull over the splendid feat that June of the Gloucestershire left-arm tweaker Charlie Parker, who had already raced to 100 wickets for the season – at the age of 48.” Ward and Tsonga have been having a hit (remember, never “hitting up”) over on the practice courts. They’ll be on next. Any thoughts on Ward’s run, the state of tennis, or indeed Charlie Parker’s outstanding 1931 season, would be most welcome. Preamble: Jamie Delgado; Martin Lee; Alex Bogdanovic; James Ward? In recent times, we’ve become accustomed to the occasional ripple in the pond of British male tennis underachievement. Ward, ranked 216th in the world but on the brink of his first ATP final (and with the possibility of making it the first all-British men’s final at Queen’s since 1931), is at the head of the queue to be the next plucky-Brit-you-think-you-may-have-heard-of-once. Though having nixed Stanislas Wawrinka, who took Andy Murray to five sets at the French Open, and Sam Querrey (as well as Adrian Mannarino, Juan Martin Del Potro’s conquerer), Ward is actually deserving of more than the usual cheap disdain polite condescension. He’s even won a few Davis Cup games, against no lesser opposition than the mighty Tunisia and Turkey. He’s only 24, and could yet be the next Tiger Tim. Or possibly Jeremy Bates. And that’s probably as much as we should ask for, frankly. His opponent is man-mountain Patrick Kluivert-lookalike (if you squint) Jo-Wilfried Tsonga, ranked 17 in the world and fresh from ousting numero uno, Rafael Nadal. Did anyone bring the sticking plasters? Tennis Alan Gardner guardian.co.uk

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Obama: Economic Recovery Will Take Time

President Barack Obama is using his weekly media message to ask for patience while the economy recovers. He says the recession didn’t happen overnight and won’t end that way either. (June 11)

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Looky here: The Obama administration is doing a really good thing. Let’s face it, we’re not going to see this under a Republican administration since they don’t even pretend to care about being humane: The Obama administration is set on Friday to issue policy guidance to states expanding their ability to offer same-sex couples the same protections afforded to straight couples when they receive long-term care under Medicaid, the Washington Blade has learned exclusively. Under the new guidance, dated June 10, states have the option to allow healthy partners in a same-sex relationship to keep their homes while their partners are receiving support for long-term care under Medicaid, such as care in a nursing home. Medicaid kicks in for a beneficiary to receive care after an individual depletes virtually all of their money. To pay for the beneficiary’s expenses under Medicaid, a state could impose a lien, or take possession, of a beneficiary’s home to pay for Medicaid expenses .

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Syrian troops seal restive northern city

ZEINA KARAM Associated Press= BEIRUT (AP) — Syrian tanks sealed a restive northern city Saturday, and activists said they expected an all-out government assault on the region near the Turkish border. President Bashar Assad has sent heavy armor, including tanks, and thousands of troops to the region as he struggles to crush a nearly three-month uprising against his family’s 40-year rule. Human rights groups say more than 1,300 people have died in the government crackdown. The military operation in the mostly deserted town of Jisr al-Shughour is in response to what the government claims were attacks by “armed groups” that killed more than 120 officers and security personnel. Refugees reaching…

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Elaine Davidson, World’s Most Pierced Woman, Weds In Scotland (PHOTO)

When you have almost 7,000 rings already, what’s one more? Deemed as the “world’s most pierced woman,” Elaine Davidson married Douglas Watson, a conservatively-dressed, piercing-free civil servant, at a low-key wedding ceremony in Scotland, the Telegraph is reporting. The Brazilian-born Davidson, 46, opted for a flowing white dress and floral tiara, but offset the traditional look by painting her face — already studded with 192 piercings — green, blue and yellow. At a recent count, Davidson, who lives and works in Edinburgh, had 6,925 piercings, included 1,500 that are “internal,” according to the Daily Mail. Despite his bride’s unconventional look and lifestyle, Watson, 60, couldn’t help but gush after the 35-minute ceremony. “Elaine looked astonishing,” he said. “People see the piercings, but I see the amazing personality underneath. We have known each other for a long time.” Davidson was reportedly first certified as a Guinness World Record holder in 2000, when she had only 462 piercings. According to her website, Davidson never removes the rings and studs, which she estimates weigh a total of three kilos, and insists she is able to sleep soundly with all of her piercings in place as there is no pain involved. See Davidson’s full bridal look below:

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Futuristic Architecture: Top 10 Plans For Tomorrow’s Cities (PHOTOS)

The 1926 sci-fi masterpiece Metropolis by Fritz Lang opens with a stunning sequence of machinery in motion, followed by an anonymous workers’ crowd descending into the underground. Inspired by the iconic NY skyline, Lang’s 2026 fictional city is an architectural allegory of verticality, hierarchy and layers. Its landscape of endless repetitive towers, elevated highways and murky streets where social status ascends the higher you go would turn into a cinematic cliché for the rest of the century. Roads would be dumped, cars would hang on cables or simply buzz around, the dehumanized workers’ class would be replaced by robots and the capitalists inhabiting the top floors would employ the virtual weapons of information, surveillance and control. Cinema’s long-dated infatuation with architecture recognizes its potential to express the social order and spirit of the times, enabling it to visualize futures both utopic and dystopic. In his article “Metropolis Now”, A. O. Scott elaborates on this ambivalence: That the urban future should be at once repellent and seductive is hardly surprising, since actual cities have always cast their own double spell. Their crowded streets and cramped habitations induce claustrophobia but also promise new forms of intimacy. The alienation and loneliness that blossom in the midst of crowds are romantic and agonizing in equal measure. City life is subject to all kinds of planning, scheduling, surveillance and regulation, which makes it both efficient and dehumanizing. Its buzzing disorder holds the threat of violence and the promise of vitality. 20th century “paper” architecture – that is, architecture whose priority is more visualizing and exploring a concept rather than its actual implementation – played an important role in the development of those ideas and their corresponding imagery. It is notable that in 1995′s Batman Forever Jim Carrey agonizes in black-and-green tights in front of a tower-like rotating structure which is an exact replica of The Monument of Columbus, designed by the Russian constructivist K.Melnikov in 1929. (Story continues below slideshow) One of the most remarkable players on the conceptual scene was the British group Archigram. During the 60s and 70s they produced series of futuristic urban proposals: Walking City, Computer City, Plug City, Instant City, to name a few. Guy Debord’s seminal work The Society of Spectacle came out in 1967 and Archigram embraced the world he saw coming, celebrating expendability and transience: aspects of human life were more or less seen as a product which was the choice of the user and was replaceable at a blink. The world becomes a playground, a smart machine for entertainment, consumerism and modern nomads, enabled by portable technologies, where humans do not simply accept their ephemerality, but actually enjoy it. Big time. However, others saw the underlying danger of what they considered to be lack of ethical vision in architecture. The reinforced notion of everything being transient and replaceable would ultimately destroy all values. Superstudio’s Continuous Monument is more of a provocation than a future model proposal: a soulless gridded structure expanding over the entire world. In an article for the Guardian , John Glancey writes: The point was exaggerated but well made: Superstudio were commenting on the way globalization was swamping the world. Given the way the world was developing, we might as well all live in one anonymous megastructure, with local cultures stripped away. I chose to elaborate on those examples firstly because they represent two crucial and mostly contradictory directions of visionary architecture: Archigram embraces the future, taking their visions as far as they can go. Their ethics is one of playful and progressive optimism in a transforming world and eagerness to see what’s next. Superstudio’s work on the other hand is critical in a very human way: it is a provocation and a warning at the same time. It uses the abstract language of architecture to say: “This is next. Like it?” Secondly, the strongest impetus for exploring future alternatives appears in times of trouble and change. In an article for Architectural Record, James Murdock (“Drawing, Thinking, and Digitizing: Recession’s Modus Operandi,” December 2009, 37-38) makes a parallel between the current economic downturn and the one in the seventies when many of the most progressive architectural practices turned towards theory, vision and speculation. He asks: “Will we see a new generation of “paper architects” — the archetypal figure from the last recession?” And what would their visions look like? Most likely, we won’t celebrate the New Year’sEve of 2026 flying around skyscrapers. However, today’s world has turned out even more problematic and complex than Guy Debord could have thought, and the expansion of virtual space over more and more components of human life makes it probably the most accurate analogy of the Continuous Monument. A similar duality in architectural vision is taking shape: one that celebrates the world of tomorrow and another one which remains critical of its problematic. I’ve selected ten projects which show that the choice among both is not obvious and that the scope of its ideas goes far beyond architecture itself.

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