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ShowBiz Minute: Cher, Gibson, Milano

Cher tweets defense of Chaz Bono on DWTS; Gibson to pay ex-girlfriend $750000 in settlement; Baby boy for Alyssa Milano (Sept. 1)

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Steve Burns

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Steve Burns

“Where Eagles Fly” Steve Burns Affirmation The Moth presents Steve Burns: Fameishness harvestbird says: I liked a @ YouTube video http://t.co/r3gDZ6l The Moth presents Steve Burns : Fameishness

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WI Sees Mass Exodus of Public Sector Workers After Passage of Walker’s Union Busting Bill

Click here to view this media As Keith Olbermann noted in his opening, “The real life impact of Republican Scott Walker’s anti-union wage is now taking shape, manifest in a mass exodus of public workers, choosing to retire in lieu of accepting the draconian cuts in benefits and collective bargaining rights.” APNewsBreak: Wis. teacher retirements double : When students return Thursday for the first day of school across Wisconsin, many familiar faces will be gone, as teachers chose retirement over coming back in the wake of a new law that forces them to pay more for benefits while taking away most of their collective bargaining rights. Documents obtained by The Associated Press under the state’s open records law show that about twice as many public school teachers decided to hang it up in the first half of this year as in each of the past two full years, part of a mass exit of public employees. In the first six months of 2011, overall public employee retirements were double that in all of either 2009 or 2010, according to data provided to the AP by the Wisconsin Retirement System. That includes 4,935 Wisconsin school district employees who started receiving retirement benefits, up from 2,527 teacher retirements in all of 2010 and 2,417 in 2009. Teachers weren’t the only ones heading for the exits. State agency retirements were particularly dramatic, nearly tripling from 747 in all of 2010 to 1,966 through June. Retirements from the University of Wisconsin System more than doubled, up from 480 last year to 1,091 this year. All told, 9,933 public workers had retired by the end of June, a 93 percent increase from 5,133 in 2010. The year before, there were 4,876 retirements. The state Department of Administration said no decision has been made on how many of the government jobs will be filled. “Each agency is looking at the vacancies created by retirements — case by case — and making decisions based on the needs of the agency, as well as with an eye toward keeping costs down for taxpayers,” said DOA spokeswoman Carla Vigue. Keith followed up with Rage Against the Machine’s Tom Morello who was in Wisconsin earlier this year to join the protests — Tom Morello Rages Against Anti-Union Bill at Wisconsin Rally : Rage Against The Machine guitarist Tom Morello spent Monday at the Wisconsin protests, performing acoustic songs at a rally and delivering a fiery speech to the thousands inside of the capital rotunda who are protesting Governor Walker’s attempt to end the right of state employees to collectively bargain. “What’s happened so far might be the most inspiring 24 hours of my life as an activist,” Morello tells Rolling Stone. “I’ve never seen this kind of outpouring of unapologetic, steel-backboned support for union causes in the United States. The Madison police were delivering bratwurst to the protesters inside the capitol, and the kids were thanking them. It was unbelievable.” If Governor Walker’s bill passes, it would effectively destroy Wisconsin’s civil servant unions; many fear that other Republican-controlled states would attempt to follow suit. “I come from a coal-mining town in central Illinois where everybody was union,” says Morello. “For almost 30 years, my mom was a public high school teacher in Libertyville, Illinois. I grew up with a firm belief that the leverage we have as working people is through the union. It’s the only counterweight to the raw greed of corporate power. For the past 22 years, I’ve been a union man in L.A. as a member of the Professional Musicians Local 47.” And as Susie noted back in April : A new anthem for workers from Tom Morello of Rage Against the Machine. Visit http://saveworkers.org to join the fight and download “Union Town” for free. The cool video by Revolution Messaging, directed and edited by Robin Bell.

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Fact: The man who wrote so eloquently about basic human liberty in the Declaration of Independence was himself a slave owner. Unproven theory: That man had a sexual relationship with one of those slaves and fathered at least one of her children. If you’re a liberal journalist, the fact makes you inclined to believe the theory, and ideology and political necessity take you the rest of the way. At least, that has been the case in reporting on the Jefferson-Hemings historical controversy over the last decade and more. It will be interesting to see if a new book that goes a long way toward exonerating Thomas Jefferson receives the same kind of breathless coverage as evidence the media cited to condemn him. Or if CBS produces a miniseries to correct the one it made exploiting that evidence. Back in 1998, DNA testing finally produced something conclusive about the centuries-old question of whether Thomas Jefferson had a sexual relationship with his slave, Sally Hemings. Liberal journalists, then desperate for ways to defend President Bill Clinton during his own sordid sex scandal, pounced on the news that a descendent of Hemings shared some of our third president’s DNA. But that’s all it said about the rumors and legends that had circulated for nearly two centuries. The report stated only that a Jefferson fathered a child with Hemings. And in fact there was a more likely culprit – Thomas’s younger brother Randolf, who did father children by his own slaves and was much closer to Hemings’ age. But the press had its story. In Nov. 1998, the Media Research Center quoted CNN anchor Marina Kolbe saying “new genetic work, coupled with old circumstantial evidence, proves Jefferson fathered at least one child by his slave, Sally Hemings. One of the study’s authors says it suggests, according to history, presidential indiscretions are long-standing.” NBC reporter Bob Faw was even more direct: “ After all, if Bill Clinton’s favorite President could end up on Mount Rushmore and the two-dollar bill, despite being sexually active with a subordinate, it might put Mr. Clinton’s conduct with a certain intern in a different light.” But nobody took the story and rqan with it like the Washington Post. A Post story maintained that Jefferson “almost certainly fathered a child with one of his slaves.” Columnist Bill Raspberry wrote, “After nearly two centuries, Thomas Jefferson’s secret is out.” Story after story took Thomas’ paternity as fact, some even speculating that Jefferson “maybe the father of the other four children as well.” Post coverage was so bad that in July, 1999, new ombudsman E.R. Shipp called the paper to account, writing, “In reporting on the Jefferson-Hemings story these six months, the Post often has failed to make clear what is fact…what is speculation and what is convenient.” Predictably, The New York Times wasn’t any better. A story by Neil A. Lewis was titled “Study Finds Strong Evidence Jefferson Fathered Slave Son.” Don Terry repeated the erroneous conclusion, writing that, “the recent release of DNA evidence indicating that Jefferson had probably fathered at least one child with Hemings,” and used it pick at the scab of black grievance. According to Terry, blacks – even black school kids –possess either a preternatural historical insight or clairvoyance, because they knew about Jefferson all along. “Why, he asked, did '’white society'’ need DNA evidence to accept what ‘ordinary people with common sense like me’ had recognized as fact long ago?” Terry ascribed the reluctance of scholars and white Jefferson defendants to accept the Jefferson-Hemings legend as “trying to hide” something. In an editorial , Brent Staples castigated white Jefferson family members who were reluctant to accept inconclusive evidence as conclusive. “If white Jeffersons cannot reach out to the black people whose ancestors built Monticello — and especially to those who share the founder's blood — then the prospects for harmony in this Jeffersonian Republic seem dimmer for all of us.” The truth and the great man’s reputation be damned. Thanks in no small part to the Times and the Post, assumptions of Jefferson’s guilt aren’t just for black high school students any more – they’ve become conventional wisdom.

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W.E. | Film review | Xan Brooks

Madonna’s jaw-dropping take on the story of Wallis Simpson is a primped and simpering folly, preening and fatally mishandled Whatever the crimes committed by Wallis Simpson – marrying a king, sparking a constitutional crisis, fraternising with Nazis – it’s doubtful that she deserves the treatment meted out to her in W.E., Madonna’s jaw-dropping take on “the 20th-century’s greatest royal love story”. The woman is defiled, humiliated, made to look like a joke. The fact that W.E. comes couched in the guise of a fawning, servile snow-job only makes the punishment feel all the more cruel. Or could it be that Madonna is in deadly earnest here? If so, her film is more risible than we had any right to expect; a primped and simpering folly, the turkey that dreamed it was a peacock. Andrea Riseborough stars as Wallis, the perky American social climber who meets Edward VIII (James D’Arcy) in London, where she is drawn like a magnet to his pursed lips and peevish air. Yet Madonna has also taken the decision to run Wallis’s story in tandem with the story of Wally (Abbie Cornish), a trophy wife in 1990s New York, who totters in and out of the drama like a doped pony. Wally, it transpires, was named after Wallis and is obsessed by the woman to a degree that struck me as deeply worrying, but which Madonna presents as evidence of impeccable good taste. From time to time, the ghost of Wallis even pays Wally a call to dispense beauty tips or comfort her when she’s lying injured on the bathroom floor. “I’m here,” coos Wallis. “I’ll always be here.” And seldom has a promise sounded more like a threat. Madonna wants us to see these two as spiritual twins, in that they are both dazzled by expensive trinkets and searching desperately for love. We know instantly that Wallis’s first husband is a wrong ‘un because he drags her from the bath and beats her, and we are invited to take a similar view of Wally’s spouse when he starts claiming that Wallis and Edward were Nazi-sympathisers, which is patently absurd. “They might have been naive,” Wally scolds him. “That doesn’t mean that they were Nazis.” What an extraordinarily silly, preening, fatally mishandled film this is. It may even surpass 2008′s Filth and Wisdom, Madonna’s calamitous first outing as a film-maker. Her direction is so all over the shop that it barely qualifies as direction at all. W.E. gives us slo-mo and jump cuts and a crawling crane shot up a tree in Balmoral, but they are all just tricks without a purpose. For her big directoral flourish, Madonna has Wallis bound on stage to dance with a Masai tribesman while Pretty Vacant blares on the soundtrack. But why? What point is she making? That social-climbing Wallis-Simpson was the world’s first punk-rocker? That – see! – a genuine Nazi-sympathiser would never dream of dancing with an African? Who can say? My guess is that she could have had Wallis dressed as a clown, bungee jumping off the Eiffel Tower to the strains of The Birdy Song and it would have served her story just as well. Xan Brooks Rating: 1/5 Venice film festival 2011 Venice film festival Festivals Drama Madonna Xan Brooks guardian.co.uk

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A viral YouTube video showing young showoffs clinging to the side of a speeding train in India while they perform stunts have shocked officials certain that such hijinks are bound to end in death. The boys in the film first cling to a train as they “surf” along a station…

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2011 College Football Games

MitchEdge says: Inaugural 2011 College Football games this weekend. In the words of Bart Scott, can’t wait.

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Adorable Ad Campaign of the Day: Raquel Zimmermann, Karen Elson,…

Adorable Ad Campaign of the Day: Raquel Zimmermann, Karen Elson, Lowell Tautchin, Milo Spijkers, and Lanvin’s artistic director Alber Elbaz get down with their fashionable selves to Pitbull’s “I Know You Want Me” in Steven Meisel’s Fall/Winter 11/12 promo for the French high fashion house. [ thehairpin .] Broadcasting platform : YouTube Source : The Daily What Discovery Date : 30/08/2011 16:03 Number of articles : 4

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Adorable Ad Campaign of the Day: Raquel Zimmermann, Karen Elson,…

Adorable Ad Campaign of the Day: Raquel Zimmermann, Karen Elson, Lowell Tautchin, Milo Spijkers, and Lanvin’s artistic director Alber Elbaz get down with their fashionable selves to Pitbull’s “I Know You Want Me” in Steven Meisel’s Fall/Winter 11/12 promo for the French high fashion house. [ thehairpin .] Broadcasting platform : YouTube Source : The Daily What Discovery Date : 30/08/2011 16:03 Number of articles : 4

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WikiLeaks prepares to release unredacted US cables

Twitter poll on release comes after site publishes 120,000 of its cache of diplomatic cables with almost no redactions WikiLeaks is conducting an online poll of its Twitter followers to decide whether the whistleblowing site should publish in full its unredacted cache of US diplomatic cables. The site last week released more than 120,000 of its cache of diplomatic cables, with almost no redactions to protect the identity of informants and other individuals. The huge scale of the release, compared with 20,000 cables disclosed in the past nine months, prompted fierce criticism from the Australian government and former US state department spokesman PJ Crowley. WikiLeaks appeared likely to use the Twitter responses, which it said favoured disclosure at a ratio of 100 to one, to pave the way for imminent disclosure of the remaining material from its cable archive. The majority of cables published in the past week by WikiLeaks were unclassified but the site released the full archives, including confidential and secret cables, from Sweden and Australia. The Australian cables, which unlike previous releases were not apparently redacted, included a document identifying 23 Australians alleged to have links with al-Qaida, prompting an angry response from Robert McClelland, Australia’s attorney general. “On occasions in the past, WikiLeaks has decided to redact identifying features where security operations or safety could be put at risk. This has not occurred in this case.” “The publication of any information that could compromise Australia’s national security, or inhibit the ability of intelligence agencies to monitor potential threats, is incredibly irresponsible,” he said. In a lengthy statement posted online, WikiLeaks said publishing its full cache of cables was necessary because an encrypted file containing the whole database was available online, and the password was in the public domain. It said the Guardian was responsible for this security breach, due to a password published in the Guardian’s book WikiLeaks: Inside Julian Assange’s War on Secrecy, published in February 2011. The Guardian urged WikiLeaks not to publish the unredacted documents or to release any further details pointing to where they might be found, and denied involvement in their publication. “The Guardian calls on Wikileaks not to carry through its plan to release the unredacted state department cables. We believe this would be grossly irresponsible,” it said in a statement. “The paper utterly rejects any suggestion that it is responsible for the release of the unedited cables. The Guardian’s book about WikiLeaks was published last February. No concerns about security were expressed when the book was published or at any stage during the past seven months.” The statement added that WikiLeaks had contacted the Guardian’s editor-in-chief, Alan Rusbridger, within the last month about future projects – despite the site’s claim that it had been aware of security concerns for at least that long. Rusbridger and Assange met on 4 August, the statement reveals. “The two-hour meeting, which was filmed by Assange’s colleague, was cordial. Not only did Assange never mention the supposed security leak, he proposed working with the Guardian again on specific future projects. “The Guardian and its partners went to great lengths to protect potentially vulnerable sources identified in the WikiLeaks documents throughout their collaboration with the organisation. WikiLeaks should take responsibility for its own pattern of actions and not seek to deflect it elsewhere.” WikiLeaks’ allegations centred on details of how the Guardian’s investigations editor, David Leigh, obtained the cache of cables from Assange. The Guardian book revealed the diplomatic files were placed by WikiLeaks on a secure online server in July 2010, which it was agreed would only be online for a matter of hours. This server held a heavily encrypted file containing the unredacted embassy cables database. Assange had given Leigh the password to unlock this file once he had obtained it, and this password was included in the book – seven months after the temporary file was taken offline. No trace could be found through web links or Google’s archives of this file ever being visible through this secure server. However, at a later stage the same encrypted file and at least one other encrypted with the same password was posted on the peer-to-peer file-sharing network BitTorrent. One of these files was first published on 7 December 2010, just hours before Assange’s arrest. In the days running up to his arrest, Assange had spoken of “taking precautions” in the event of anything untoward happening to him. This file, it was later discovered, was the same file that had been shared with the Guardian via the secure server. It shared the same file name and file size, and could be unlocked using the same password as that given to Leigh. Daniel Domscheit-Berg, a former member of staff at WikiLeaks who is attempting to set up a rival whistleblowing website, discovered this republished file and shared information on WikiLeaks’s security breach with a small group of journalists. Avoiding the re-use of passwords and avoiding republishing temporary files are both considered basic security procedures among online security experts. However, the file was not discovered or downloaded by the public. By 10am on Thursday it had been accessed once in the previous 31 days, despite mounting speculation about its existence. Initial news stories did not give details of the location of files or of passwords. Later, WikiLeaks and some of its supporters published a series of hints about the passwords and files. At about 11pm on Wednesday an anonymous Twitter user discovered the published password and opened a separate file – not the one shared with the Guardian – that had also been circulating on file-sharing networks for several months. There was no evidence that any member of the public had sufficient information to find and decrypt the files even hours before their discovery. In the hours immediately before the document cache was unencrypted, the WikiLeaks twitter feed urged users to download a different encrypted file from BitTorrent, without giving any details as to its contents or password. WikiLeaks The Guardian Julian Assange Alan Rusbridger Newspapers & magazines National newspapers Newspapers The US embassy cables United States Twitter US foreign policy US national security Australia Sweden Europe Internet James Ball guardian.co.uk

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