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Misrata rebels act their age

Xan Rice meets rebels in the city, where an uneasy calm has descended since Gaddafi’s forces were kicked out The young men of the Black Car Brigade were sprawled across the living room, chessboard on the table, guitar on the sofa, guns leaning against the wall. For the first time in weeks they had enjoyed a full night’s sleep, a shave and a shower. Coffee had been brewed, and bread rolls delivered. Muammar Gaddafi’s forces had been kicked out of the city centre in Misrata, allowing them a rest – and a chance to act their age. “This is Mr al-Qaida,” said Abdulfatah Shaka, 22, a student of refrigeration engineering, Pink Floyd aficionado, tank destroyer and leader of the small rebel cell, pointing to his cousin and classmate Mohamed, 21. Next he gestured towards Alsallabi, 20, whose university studies have also been interrupted by the revolution in February. “That is the Taliban.” The joke was on Gaddafi, who has blamed the uprising on Islamist terror groups. Everyone laughed: Bashir the seaman, unemployed Ahmed, Abdulmajid the floor tile salesman and Bassam the student. At 23, he was the oldest in the room – until 30-year-old Abdulhamid strolled in after a 10-hour sleep: “My best in two months.” In better times he was a chef. “I swapped my spoon for a Kalashnikov,” he said. The uneasy calm that descended over Misrata on Tuesday – the first such day in more than a month – was a consequence of the resounding defeat suffered by Gaddafi’s forces inside the city. The remaining troops and artillery are now concentrated in the southern outskirts, leaving as much as 90% of the city free. The rain of missiles launched from up to 10 miles outside the city has also slowed, with some rebels saying Nato warplanes had destroyed some of Gaddafi’s armoury overnight. But there have been few celebrations among the people here. A battle has been won, not a war. And the conflict will soon resume, from one side or the other. “We are getting ready, resting, fixing our machines,” said Ibrahim “Grande” Shiniba, 39, a senior rebel who once played football for Libya. “We have our men watching Gaddafi’s forces, seeing what they are doing. Maybe we will attack them later today, or tomorrow.” In defending the city, the rebels have suffered heavy losses. The Black Car Brigade, as Gaddafi’s forces called them because of the colour of their battlewagons, originally had about 200 men. About 30 were killed and 100 injured. Others have taken their places. The rebels say they are still waiting for more weapons and ammunition, but will fight on with what they have, most of it scavenged from Gaddafi’s forces. Mohamed Shaka, “Mr al-Qaida”, examined the 14.5mm machinegun he had welded on to the back of his pickup, complete with a custom-built firing chair made from metal and a hospital mattress. The car was reinforced with thick steel plates in front and back. There was no bonnet. On the dashboard were three books: a biography of Martin Luther King, Oscar’s Wilde’s The Importance of Being Earnest, and Thomas Hardy’s Tales from Longpuddle. Shaka shrugged. “When there’s a break in fighting I like to read.” The cell was based near Tripoli Street, the city’s main thoroughfare and the scene of its heaviest gunbattles. For several blocks on either side the houses bear the scars of bullets, grenades or shells. Virtually everyone living here fled when Gaddafi’s forces came in, though some were too late. Abdulfatah Shaka’s father was one of those unlucky people, kidnapped from the living room where his son and the other young rebels were now relaxing. Like hundreds of other abducted civilians in Misrata, he has not been seen for more than a month. Across the road, Salah Sadawi stood outside her house, cradling one of her five-month-old twins. It was the first time in weeks she had been back to her home, and she was surveying the damage. The lock of the gate was riddled with bullet holes where Gaddafi’s soldiers had forced their way in. Sadawi said a Mauritanian soldier – one of Gaddafi’s mercenaries – had ordered her husband, Hana Siddig, an English translator, to shave his beard. “They said he was a terrorist and then they took him away. When they came back they said he had confessed and that I must show them the weapons. But we have no weapons. They said I should forget about my husband, as he would be killed. Just forget about him.” Libya Arab and Middle East unrest Middle East Xan Rice guardian.co.uk

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Teenager to be maharaja of Jaipur

Padmanabh Singh, 13, inherits title of ‘first amongst the rajas of India’ but faces feud over £400m fortune and his own lineage By the time the sun sets over the fabled “pink city” of Jaipur on Wednesday, India will have a new king. The heir to the once independent Rajasthani city and its desert dominions will have succeeded to his throne – and to his heritage of lawsuits, snobbery and palace intrigues – at the age of 13. Maharaja Padmanabh Singh’s title is not recognised by law since such feudal remnants were swept away by legislation in the early 1970s, but it still inspires respect in this deeply hierarchical country where the aristocracy is venerated despite rapid social change. However, pending a court decision, the young royal’s wealth and power will be somewhat less magnificent than that of his illustrious predecessors who invited British royalty on tiger hunts. The estimated £400m family fortune is tied up in lawsuits and the teenage ruler will only be able to control the city palace – though its 30 acres, thousands of rooms, suites, courtyards, museum and elephant stables will bring in ample income. Many other royal palaces and forts were given or leased to the state government of Rajasthan for token amounts in the aftermath of India’s independence from Britain in 1947. The new monarch was adopted as heir in 2002 by his grandfather His Highness, First Amongst the Rajas of India, Lord of Princes, Great Prince over Princes, Lieutenant-General Sir Sawai Man Singhji Bahadur the Second, Knight Grand Commander of the Order of the Star of India, Grand Commander of the Order of the Indian Empire, Maharaja of Jaipur. The late maharaja died last week aged 79. His heir, currently studying at an exclusive Indian public school, lit his funeral pyre after a funeral attended by tens of thousands. Sawai Man Singhji Bahadur was a flamboyant polo-playing friend of Prince Charles. Known as “bubbles” because of the quantity of champagne consumed to celebrate his birth, his choice of successor was a controversial one as the young crown prince’s father had been a member of the household staff, a clerk according to some reports. The decision was opposed by the late maharajah’s two step brothers, sparking the ongoing family rift. Hugely complex and drawn out legal manoeuvres have consumed vast sums in lawyers’ fees. “The step family’s not happy when he was made the heir. But [the maharaja] adopted Padmanabh in front of everyone, with a really big ceremony, after completing all the needful legal formalities so there is no way [they] can challenge it now,” said Ramesh Sharma, advocate of the late maharaja. According to Aman Nath, co-founder of a chain of heritage hotels which include several palaces and forts, the fortunes of India’s hundreds of aristocratic dynasties have been variable, with many struggling to adapt to the changes sweeping the country in recent decades. “Some royals command respect because of their personal conduct – though it is not easy to play yesterday’s role with relatively empty pockets. Other’s have gone under, with their burdens or bad habits,” Nath told the Times of India newspaper. In today’s India, where social climbing, ostentation and snobbery are key attributes of the newly wealthy middle-classes, titles still retain prestige, though not always the right titles for the right reasons. The biggest attraction in Jaipur these days is even younger than its new ruler: it is the three-year-old Indian Premier League cricket team the Rajasthan Royals, complete with lycra-clad cheerleaders and who play with highly paid imported stars. India Jason Burke guardian.co.uk

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Need help with your summer trip?

Lonely Planet ‘s Tom Hall will be live online tomorrow from 1-2pm answering your travel queries. Post your questions for him below If you still haven’t got your summer holiday planned, don’t panic – Tom Hall will be along very shortly to discuss a selection of new air routes for the summer, plus some deals for getting away to the sun in late May. Tom will be live on Guardian Travel tomorrow offering expert advice on these and many other subjects. Post questions below in advance or on the day. Tom will get to as many as he can in an hour, but due to the volume of questions, he may not be able to answer all of them in the live blog. Unanswered questions will be considered for future Ask Tom blog posts. Tom Hall guardian.co.uk

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Need help with your summer trip?

Lonely Planet ‘s Tom Hall will be live online tomorrow from 1-2pm answering your travel queries. Post your questions for him below If you still haven’t got your summer holiday planned, don’t panic – Tom Hall will be along very shortly to discuss a selection of new air routes for the summer, plus some deals for getting away to the sun in late May. Tom will be live on Guardian Travel tomorrow offering expert advice on these and many other subjects. Post questions below in advance or on the day. Tom will get to as many as he can in an hour, but due to the volume of questions, he may not be able to answer all of them in the live blog. Unanswered questions will be considered for future Ask Tom blog posts. Tom Hall guardian.co.uk

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Facebook Send Button

Facebook Send Button – How To Install The Facebook Send Button Facebook Send Button Announced New Facebook Send Button y cambios en Like Orbitz to use Facebook Send button … will you? [POLL] | Gadling.com Is traveling about to get more social? Orbitz has just announced that it’s using the new ‘ Facebook Send’ button on its hotel pages, which should. Facebook Send Button , What Does It Do? Facebook has a new button. It is called Facebook Send and it is available in addition to the Like Button that has been around for quite some time. Facebook Send. Why Would You Want A Facebook 'Send' Button – Digital and Social … Facebook has rolled out a series of changes to its 50 million Facebook ‘Groups’ as well as announcing the ability to include a ‘Send’ button in your website or blog that is an addition to the Facebook social sharing ‘button’ family. Facebook Send Button , What Does It Do? – ShooAnswers Facebook has a new button. It is called Facebook Send and it is available in addition to the Like Button that has been around for quite some time. Facebook Send basically allows you to send a web page or message to select friends, … How to implement Facebook “Send” button in your blog or Website … Social Media giant, Facebook has introduced a new Send button. The new Send button will allow the users to Send a particular post or a website. You can now. mjcachon says: Facebook Send Button and iFrame Tabs – What Page Admins Need to Know | HyperArts http://bit.ly/eschCd

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Why the typewriter will never die

Typewriters may have stopped rolling off the production line, but their mechanical chatter and precision components lend them an enduring enchantment “It was a dark and stormy night.” The image of Snoopy sitting on top of his kennel rattling out the opening of his latest bestseller on a typewriter is as familiar as it is cherished. It is also a delightful send-up of the archetypal would-be author at work. Endearing, yes, but dated. Today, we learn that possibly the world’s very last typewriter factory – in Mumbai – has closed. Although its typewriting business has been just one small portion of the Godrej & Boyce manufacturing empire, founded in 1897 by the lawyer and inventor Ardeshir Godrej, a spokesman has told the global media that “currently the company has just 500 machines left”. Hurry while stocks last, as the imposing Prima model dating from the 1950s, now selling for about £160 , is sure to become a sought-after classic of pre-digital design. Or is it? There are now millions of people worldwide tapping away on keyboards who have never sat in front of a typewriter, much less written with one. The machine that gave us the modern open-plan office, with its rows of clerks and typists, can seem as outmoded as Polaroid and Instamatic cameras , Super 8 film, Kodachrome , hand looms and horse-drawn ploughs. And yet, although it is true that desktop and laptop computers and any number of handheld devices have effectively replaced the typewriter in everyday use, there are many people who prefer these miniature desktop printing presses. Typewriters still hold a certain romance: something to do with the Mad Men charm of whisky bottles, green eyeshades , low office lighting, the mechanical chatter of keyboards, the ting of bells and the saw-like rasp and slap of carriages as they are whipped back hastily for the next line of copy to be churned out. And, alongside the image of Charles Schulz’s Snoopy, there are haunting scenes from so many films in which the typewriter has played a powerful role. Think of Schindler’s List , the list itself being typed up. Or Jack Nicholson sitting alone in an out-of-season mountain resort hotel typing that one line over and over – “All work and no play makes Jack a dull boy” – before he goes stark staring mad and takes an axe to his family in Stanley Kubrick’s The Shining . Such connotations aside, the typewriter – refined over more than a century – remains a satisfying machine to anyone who likes to watch precision components at work. I still use my Olivetti Lettera 22 – an elegantly sculpted design by Marcello Nizzoli, dating from 1950 – for personal letters rather than for journalism and books. Cormac McCarthy has written all of his novels to date on this trusty companion . It is small, more tactile and a lot more fun to operate than the wireless iPad, although of course the latter can do so much more than type. It’s a bit like comparing the cockpit of a Tiger Moth biplane to that of the latest Airbus. A physicist friend of mine is currently wiring up another Lettera 22 so that I can plug it into a desktop and enjoy the benefits of both typing the old way and doing at least some of the things a modern computer can. This kind of steampunk word processor has become a popular contraption the world over. And why not? Typewriter design never did stand still. Those who say that typewriters were too much bother, with all those inky ribbons, jammed keys and hours spent sploshing with correcting fluid, have been strangers to advanced machines such as the IBM Selectric , which first appeared in 1961. With its rapid-fire golf ball typing head and invaluable backspace correcting key, here was a marvel of modern office design, however cumbersome. Even my slimline Olivetti Lettera 22 (weighing in at 4kg) feels very heavy indeed compared to an Apple MacBook Air (335g). New technologies naturally push old ones aside for any number of reasons – from practicality to the promise of new functions and efficiencies. And yet, just as photographers still find uses for Polaroid cameras, musicians retain a fondness for vinyl , and steam locomotives attract crowds of fans when they appear on main lines billowing between the latest electric trains, the typewriter will rattle through many a dark and stormy night yet.

Continue reading …
Why the typewriter will never die

Typewriters may have stopped rolling off the production line, but their mechanical chatter and precision components lend them an enduring enchantment “It was a dark and stormy night.” The image of Snoopy sitting on top of his kennel rattling out the opening of his latest bestseller on a typewriter is as familiar as it is cherished. It is also a delightful send-up of the archetypal would-be author at work. Endearing, yes, but dated. Today, we learn that possibly the world’s very last typewriter factory – in Mumbai – has closed. Although its typewriting business has been just one small portion of the Godrej & Boyce manufacturing empire, founded in 1897 by the lawyer and inventor Ardeshir Godrej, a spokesman has told the global media that “currently the company has just 500 machines left”. Hurry while stocks last, as the imposing Prima model dating from the 1950s, now selling for about £160 , is sure to become a sought-after classic of pre-digital design. Or is it? There are now millions of people worldwide tapping away on keyboards who have never sat in front of a typewriter, much less written with one. The machine that gave us the modern open-plan office, with its rows of clerks and typists, can seem as outmoded as Polaroid and Instamatic cameras , Super 8 film, Kodachrome , hand looms and horse-drawn ploughs. And yet, although it is true that desktop and laptop computers and any number of handheld devices have effectively replaced the typewriter in everyday use, there are many people who prefer these miniature desktop printing presses. Typewriters still hold a certain romance: something to do with the Mad Men charm of whisky bottles, green eyeshades , low office lighting, the mechanical chatter of keyboards, the ting of bells and the saw-like rasp and slap of carriages as they are whipped back hastily for the next line of copy to be churned out. And, alongside the image of Charles Schulz’s Snoopy, there are haunting scenes from so many films in which the typewriter has played a powerful role. Think of Schindler’s List , the list itself being typed up. Or Jack Nicholson sitting alone in an out-of-season mountain resort hotel typing that one line over and over – “All work and no play makes Jack a dull boy” – before he goes stark staring mad and takes an axe to his family in Stanley Kubrick’s The Shining . Such connotations aside, the typewriter – refined over more than a century – remains a satisfying machine to anyone who likes to watch precision components at work. I still use my Olivetti Lettera 22 – an elegantly sculpted design by Marcello Nizzoli, dating from 1950 – for personal letters rather than for journalism and books. Cormac McCarthy has written all of his novels to date on this trusty companion . It is small, more tactile and a lot more fun to operate than the wireless iPad, although of course the latter can do so much more than type. It’s a bit like comparing the cockpit of a Tiger Moth biplane to that of the latest Airbus. A physicist friend of mine is currently wiring up another Lettera 22 so that I can plug it into a desktop and enjoy the benefits of both typing the old way and doing at least some of the things a modern computer can. This kind of steampunk word processor has become a popular contraption the world over. And why not? Typewriter design never did stand still. Those who say that typewriters were too much bother, with all those inky ribbons, jammed keys and hours spent sploshing with correcting fluid, have been strangers to advanced machines such as the IBM Selectric , which first appeared in 1961. With its rapid-fire golf ball typing head and invaluable backspace correcting key, here was a marvel of modern office design, however cumbersome. Even my slimline Olivetti Lettera 22 (weighing in at 4kg) feels very heavy indeed compared to an Apple MacBook Air (335g). New technologies naturally push old ones aside for any number of reasons – from practicality to the promise of new functions and efficiencies. And yet, just as photographers still find uses for Polaroid cameras, musicians retain a fondness for vinyl , and steam locomotives attract crowds of fans when they appear on main lines billowing between the latest electric trains, the typewriter will rattle through many a dark and stormy night yet.

Continue reading …
Why the typewriter will never die

Typewriters may have stopped rolling off the production line, but their mechanical chatter and precision components lend them an enduring enchantment “It was a dark and stormy night.” The image of Snoopy sitting on top of his kennel rattling out the opening of his latest bestseller on a typewriter is as familiar as it is cherished. It is also a delightful send-up of the archetypal would-be author at work. Endearing, yes, but dated. Today, we learn that possibly the world’s very last typewriter factory – in Mumbai – has closed. Although its typewriting business has been just one small portion of the Godrej & Boyce manufacturing empire, founded in 1897 by the lawyer and inventor Ardeshir Godrej, a spokesman has told the global media that “currently the company has just 500 machines left”. Hurry while stocks last, as the imposing Prima model dating from the 1950s, now selling for about £160 , is sure to become a sought-after classic of pre-digital design. Or is it? There are now millions of people worldwide tapping away on keyboards who have never sat in front of a typewriter, much less written with one. The machine that gave us the modern open-plan office, with its rows of clerks and typists, can seem as outmoded as Polaroid and Instamatic cameras , Super 8 film, Kodachrome , hand looms and horse-drawn ploughs. And yet, although it is true that desktop and laptop computers and any number of handheld devices have effectively replaced the typewriter in everyday use, there are many people who prefer these miniature desktop printing presses. Typewriters still hold a certain romance: something to do with the Mad Men charm of whisky bottles, green eyeshades , low office lighting, the mechanical chatter of keyboards, the ting of bells and the saw-like rasp and slap of carriages as they are whipped back hastily for the next line of copy to be churned out. And, alongside the image of Charles Schulz’s Snoopy, there are haunting scenes from so many films in which the typewriter has played a powerful role. Think of Schindler’s List , the list itself being typed up. Or Jack Nicholson sitting alone in an out-of-season mountain resort hotel typing that one line over and over – “All work and no play makes Jack a dull boy” – before he goes stark staring mad and takes an axe to his family in Stanley Kubrick’s The Shining . Such connotations aside, the typewriter – refined over more than a century – remains a satisfying machine to anyone who likes to watch precision components at work. I still use my Olivetti Lettera 22 – an elegantly sculpted design by Marcello Nizzoli, dating from 1950 – for personal letters rather than for journalism and books. Cormac McCarthy has written all of his novels to date on this trusty companion . It is small, more tactile and a lot more fun to operate than the wireless iPad, although of course the latter can do so much more than type. It’s a bit like comparing the cockpit of a Tiger Moth biplane to that of the latest Airbus. A physicist friend of mine is currently wiring up another Lettera 22 so that I can plug it into a desktop and enjoy the benefits of both typing the old way and doing at least some of the things a modern computer can. This kind of steampunk word processor has become a popular contraption the world over. And why not? Typewriter design never did stand still. Those who say that typewriters were too much bother, with all those inky ribbons, jammed keys and hours spent sploshing with correcting fluid, have been strangers to advanced machines such as the IBM Selectric , which first appeared in 1961. With its rapid-fire golf ball typing head and invaluable backspace correcting key, here was a marvel of modern office design, however cumbersome. Even my slimline Olivetti Lettera 22 (weighing in at 4kg) feels very heavy indeed compared to an Apple MacBook Air (335g). New technologies naturally push old ones aside for any number of reasons – from practicality to the promise of new functions and efficiencies. And yet, just as photographers still find uses for Polaroid cameras, musicians retain a fondness for vinyl , and steam locomotives attract crowds of fans when they appear on main lines billowing between the latest electric trains, the typewriter will rattle through many a dark and stormy night yet.

Continue reading …
Why the typewriter will never die

Typewriters may have stopped rolling off the production line, but their mechanical chatter and precision components lend them an enduring enchantment “It was a dark and stormy night.” The image of Snoopy sitting on top of his kennel rattling out the opening of his latest bestseller on a typewriter is as familiar as it is cherished. It is also a delightful send-up of the archetypal would-be author at work. Endearing, yes, but dated. Today, we learn that possibly the world’s very last typewriter factory – in Mumbai – has closed. Although its typewriting business has been just one small portion of the Godrej & Boyce manufacturing empire, founded in 1897 by the lawyer and inventor Ardeshir Godrej, a spokesman has told the global media that “currently the company has just 500 machines left”. Hurry while stocks last, as the imposing Prima model dating from the 1950s, now selling for about £160 , is sure to become a sought-after classic of pre-digital design. Or is it? There are now millions of people worldwide tapping away on keyboards who have never sat in front of a typewriter, much less written with one. The machine that gave us the modern open-plan office, with its rows of clerks and typists, can seem as outmoded as Polaroid and Instamatic cameras , Super 8 film, Kodachrome , hand looms and horse-drawn ploughs. And yet, although it is true that desktop and laptop computers and any number of handheld devices have effectively replaced the typewriter in everyday use, there are many people who prefer these miniature desktop printing presses. Typewriters still hold a certain romance: something to do with the Mad Men charm of whisky bottles, green eyeshades , low office lighting, the mechanical chatter of keyboards, the ting of bells and the saw-like rasp and slap of carriages as they are whipped back hastily for the next line of copy to be churned out. And, alongside the image of Charles Schulz’s Snoopy, there are haunting scenes from so many films in which the typewriter has played a powerful role. Think of Schindler’s List , the list itself being typed up. Or Jack Nicholson sitting alone in an out-of-season mountain resort hotel typing that one line over and over – “All work and no play makes Jack a dull boy” – before he goes stark staring mad and takes an axe to his family in Stanley Kubrick’s The Shining . Such connotations aside, the typewriter – refined over more than a century – remains a satisfying machine to anyone who likes to watch precision components at work. I still use my Olivetti Lettera 22 – an elegantly sculpted design by Marcello Nizzoli, dating from 1950 – for personal letters rather than for journalism and books. Cormac McCarthy has written all of his novels to date on this trusty companion . It is small, more tactile and a lot more fun to operate than the wireless iPad, although of course the latter can do so much more than type. It’s a bit like comparing the cockpit of a Tiger Moth biplane to that of the latest Airbus. A physicist friend of mine is currently wiring up another Lettera 22 so that I can plug it into a desktop and enjoy the benefits of both typing the old way and doing at least some of the things a modern computer can. This kind of steampunk word processor has become a popular contraption the world over. And why not? Typewriter design never did stand still. Those who say that typewriters were too much bother, with all those inky ribbons, jammed keys and hours spent sploshing with correcting fluid, have been strangers to advanced machines such as the IBM Selectric , which first appeared in 1961. With its rapid-fire golf ball typing head and invaluable backspace correcting key, here was a marvel of modern office design, however cumbersome. Even my slimline Olivetti Lettera 22 (weighing in at 4kg) feels very heavy indeed compared to an Apple MacBook Air (335g). New technologies naturally push old ones aside for any number of reasons – from practicality to the promise of new functions and efficiencies. And yet, just as photographers still find uses for Polaroid cameras, musicians retain a fondness for vinyl , and steam locomotives attract crowds of fans when they appear on main lines billowing between the latest electric trains, the typewriter will rattle through many a dark and stormy night yet.

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Nice little urner: vase valued at £15k

Grandson given valuable vase in exchange for carrying gardening work An urn that auctioneers used as a doorstop at their showroom before they sold it for a few pounds has been identified as a rare relic worth up to £15,000. Matthew Collinson, from Bradford, who inherited the urn in exchange for some gardening work, has found out that it is Chinese, dates from the 13th or 14th century, and is worth up to £15,000. In the early 1970s, Collinson’s grandfather, Hugh Lambert, a geologist and goldminer, spotted the urn at the sale room in Bradford. He bought it for a couple of pounds and later gave it to his grandson for helping him with the gardening. Collinson, 31, who works in a secondhand shop in the city, said: “He went to an auction house to buy a painting, I think, and after the sale he spotted the urn [which] was being used as a doorstop. It just caught his eye. He didn’t know what it was. He asked if he could buy it, and got it for just a couple of pounds and always kept it at his home. “A few years ago, he gave the urn to me for helping him with his gardening. I didn’t want paying, but he said I could have the urn, which I moved into my own house, when I got one. I was absolutely stunned when I was told that it was nearly 1,000 years old. I am going to sell it, and I think we will have a big family holiday.” China Steven Morris guardian.co.uk

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